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thedullwoodexperiment

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Tag Archives: Nicky Whelan

The Middle of X (2018)

21 Friday Sep 2018

Posted by dullwood68 in Movies

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Tags

Benjamin King, Bre Blair, Colin Egglesfield, Comedy, Drama, Friends, High school reunion, Josh Cooke, Marital problems, Nicky Whelan, Peter Odiorne, Relationships, Review

D: Peter Odiorne / 82m

Cast: Bre Blair, Ronnie Gene Blevins, Josh Cooke, Colin Egglesfield, Jeremy Gabriel, Jason Gray-Stanford, Sammi Hanratty, Benjamin King, Chrisdine King, Tina Parker, Elizabeth Stillwell, Nicky Whelan

Having graduated from high school, Mack Prescott finds himself at odds with his future, or at least, what it may bring. Twenty-five years later, and on the eve of a high school reunion that he’s hosting at the home that used to belong to the parents of his wife (and high school sweetheart) Emily (Whelan), Mack (Egglesfield) is still ambivalent about his life and where it’s taking him. As many of his teenage friends, some of whom he hasn’t seen in years, begin to arrive, Mack discovers that he’s not the only one with problems. His best friend, Carter (King), drinks too much and has an unhappy marriage; Dick (Gray-Stanford) and his wife, Lydia (King), are struggling financially; and teenage sweethearts Casey (Cooke) and Sam (Blair) are hopeful of rekindling their old romance. Only Marty (Blevins), who suffered a terrible personal tragedy the night everyone was last together, appears to be happy, and then through sobriety. As the evening unfolds, Mack begins to realise what it is to be happy, and why Life has a knack for leading people to where they need to be…

Upon reading that synopsis, you could be forgiven for thinking, Uh-oh, not another movie about angsty middle-aged, middle class people wondering where it all went wrong from the safety of their palatial homes. And you would be right; this is exactly that kind of movie. Thankfully, writer/director Odiorne offers just enough of a spin on this well-worn set up to make The Middle of X an entertaining if resolutely lightweight examination of middle-aged ennui. The drama unfolds in fits and starts, and some of the various sub-plots surrounding Mack and Emily’s fractured marriage – he cheated on her so she did the same – don’t play out as well as others. There’s a sense that the running time has been dictated not so much by the length of the script but by a limited budget, and as a result, those same sub-plots feel truncated. A case in point is Marty, who is given a terrific introduction, and who is set up to be a major character. But once he arrives at the house, his story doesn’t go anywhere, and he’s used as a way of undermining another, minor character who’s quickly disposed of. It’s as if Odiorne had loads of great ideas but didn’t know what to do with them all.

He – and the movie – are much more successful with the comedic elements. There’s a sardonic streak of humour that runs throughout the material, from Carter’s commitment to continual boozing, to Dick’s desperate attempts at nabbing new clients to keep his job afloat. By pricking at the aspirational natures of his characters, Odiorne makes their unhappiness and perceived failures a source of mirth. It’s cruel in places, but much sharper than if we were witnessing their unhappiness as straight drama. This also allows for a clutch of enjoyable performances, with Benjamin King and Whelan on particularly impressive form, while the likes of Cooke, Blair and Blevins are good but don’t have the opportunity to flesh out their roles to better advantage. By the movie’s end, a major wrong has been remedied (if a little too easily), problems have been solved (if only for a while – or until the next reunion), and there’s a moment of shameless manipulation that could have been horribly mawkish but which succeeds thanks to the efforts of the actress involved. It’s moments such as these, though few and far between, that show what Odiorne could do with a bigger budget and a sharper script.

Rating: 6/10 – the material could have made more effort to skewer the pretensions of its self-absorbed characters, and a longer running time could have allowed for more satisfying resolutions to many of the sub-plots, but for a first-time outing as a writer/director, Odiorne acquits himself well enough; The Middle of X may not attract many viewers because of its generic sounding nature, but for those prepared to give it a try, there are enough rewards to make it worth their while.

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Mini-Review: Left Behind (2014)

02 Friday Jan 2015

Posted by dullwood68 in Movies

≈ 1 Comment

Tags

Cassi Thomson, Chad Michael Murray, Drama, Lea Thompson, Literary adaptation, Nicky Whelan, Nicolas Cage, Pilot, Review, The Rapture, Thriller, Transatlantic flight, Vic Armstrong

Left Behind

D: Vic Armstrong / 110m

Cast: Nicolas Cage, Chad Michael Murray, Cassi Thomson, Nicky Whelan, Jordin Sparks, Lea Thompson, Martin Klebba, Gary Grubbs, Alec Rayme, Georgina Rawlings

Rayford Steele (Cage) is a transatlantic pilot planning an affair with stewardess Hattie Durham (Whelan) when they reach London. Caught off guard by his daughter, Chloe (Thomson), coming to see him at the airport, he sidesteps her suspicions while at the same time reassuring her that his relationship with Chloe’s mother, Irene (Thompson) is all okay, and despite her recently becoming a Christian believer. Chloe goes home but has a dispute with her mother over her Christian beliefs, and she takes her younger brother to the mall. While there, he vanishes into thin air, leaving only his clothing behind. At the same time, on Rayford’s flight, all the children and some of the adults – including his co-pilot – disappear in the same way.

It soon becomes apparent that this is a worldwide event. In the air, a collision with another flight leaves Rayford’s fuel line damaged. He makes the decision to turn back to New York but with the radio down he can’t alert anyone. Meanwhile, Chloe discovers her mother has disappeared also, and her local pastor can only tell her it’s God’s will. Believing her father to be dead as well, she decides to kill herself. With the help of a passenger, journalist Buck Williams (Murray), Rayford manages to call Chloe on her mobile phone; he tells her he’s running out of fuel and needs to land as an emergency… but the airport’s aren’t an option.

Left Behind - scene

Yes folks, it’s the Rapture again, all tricked out with the barest of explanations and tagged onto an airplane disaster scenario that even Airplane! (1980) couldn’t spoof as well as Left Behind does. It’s absurdist stuff, chock-full of crushingly awful dialogue, wooden performances, absentee direction from famed stunt coordinator Armstrong, special effects that are one step up from those in a SyFy movie, and further proof (if any were needed) that Cage will commit to anything these days, no matter how bad it is.

To be fair, the movie’s first half hour isn’t so bad, as each character is introduced, and the basic premise is set up. But once Cage and co are in the air, it’s full speed ahead to Disasterville. When Chloe’s brother, and others, disappear at the mall, looting starts up right away (obviously this is a natural response to hundreds of people just vanishing). On the flight, one woman whose daughter has disappeared, pulls out a GUN and accuses the other passengers of being in cahoots with her ex-husband, who’s obviously trying to snatch her. And Chloe decides to climb to the top of a suspension bridge to kill herself – but really so that Buck’s mobile call will reach her (the networks are predictably scrambled). There are other faux pas made by Paul Lalonde and Jerry Patus’s dreadful script, and no attempt is made to justify any of them.

Rating: 2/10 – appalling stuff, and incredibly insulting to Christians (its target audience), Left Behind is a travesty of Biblical proportions; inept on pretty much every level, the prospect of two further movies to come will make viewers pray that a real Rapture comes around before they do.

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