Daniel Radcliffe, Dave Franco, Drama, FBI, Jesse Eisenberg, Jon M. Chu, Lizzy Caplan, London, Macau, Magic, Magicians, Mark Ruffalo, Michael Caine, Morgan Freeman, New York, The Eye, The Horsemen, Thriller, Woody Harrelson
D: Jon M. Chu / 129m
Cast: Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, Dave Franco, Daniel Radcliffe, Lizzy Caplan, Morgan Freeman, Jay Chou, Sanaa Lathan, Michael Caine, David Warshofsky, Tsai Chin
Ten questions you need to ask yourself while watching Now You See Me 2:
- Why would prison authorities allow convicted criminal Thaddeus Bradley (Freeman) access to computer equipment that would enable him to make threats against the Four Horsemen (“You will get what’s coming to you. In ways you can’t expect.”)?
- Pigeons? (Yes, pigeons.)
- How does Lula (Caplan) know so much about the Four Horsemen, including the reason why Henley Reeves (Isla Fisher’s character from the first movie) isn’t around any longer?
- Why is Dylan Rhodes’ (Ruffalo) attendance at a Four Horsemen “event” more suspicious to his FBI colleagues than his talking into his sleeve?
- How convenient is it that Bradley has just the form Rhodes needs to get Bradley out of jail?
- Chase McKinney (Harrelson) – unfortunate stereotype or unfortunate stereotype?
- How likely is it, in a sequence that lasts nearly four and a half minutes, that not one of the security guards notice the playing card as it’s whipped, zipped and slipped from one Horseman to another?
- How do lines such as, “But I don’t agree that we have a sackful of nada, ’cause we’re all here. That’s a sackful of something” get past the first draft stage?
- When did the FBI’s remit extend outside of the US?
- Could the screenplay by Ed Solomon have ended on a more absurd, ridiculous note than the surprise reveals made by Bradley?
Rating: 4/10 – another poorly constructed sequel that plays fast and loose with logic, Now You See Me 2 wants the audience to like it as much as the mass London crowds go crazy for the Horsemen; slickly made but soulless, only Caplan makes an impact, and the magic tricks lack the first movie’s sense of fun, leaving the movie to rattle on for two hours without anyone having to care what happens to the characters (which is both a bonus and a relief).