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thedullwoodexperiment

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Tag Archives: Gene Wilder

10 Reasons to Remember Gene Wilder (1933-2016)

29 Monday Aug 2016

Posted by dullwood68 in Movies

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Actor, Career, Comedy, Gene Wilder, Mel Brooks, Movies, Richard Pryor

Gene Wilder (11 June 1933 – 29 August 2016)

Gene Wilder

Often wild of eye and generous of grin (and self-confessed Jewish-Buddhist-Atheist), Gene Wilder was an actor who was recruited into comedy by Mel Brooks – and thank Mel for that! It could all have been so different, though. Wilder’s career began in the late Fifties. He trained with Uta Hagen at the HB Studio before being accepted into the Actors’ Studio and taking private classes with Lee Strasberg. In the early to mid-Sixties, Wilder began to make a name for himself in various stage productions, until a production of Mother Courage and Her Children introduced him to Anne Bancroft, who in turn introduced him to her husband, Mel Brooks.

Having regarded himself as a serious, dramatic actor, Wilder acclimated quickly to comedy, and this despite making his feature debut in Bonnie and Clyde (1967). Aside from a handful of TV movies, Wilder didn’t stray from comedy for the rest of his career. But in doing so he provided us with so many wonderful, comic performances that if there had been any more diversions from comedy, it would have seemed like a betrayal.

He was well-known for his work with Brooks (five movies), and Richard Pryor (four movies). These collaborations cemented his fame and fortune, and brought him critical as well as commercial success. During the Seventies, Wilder made a string of movies that traded well on his ability to portray an unhinged loon with complete credibility. No matter what the scenario, Wilder’s high-pitched, hysterical expressions of incredulity were always funny to watch, even with repeated viewings.

Following his retirement from movies in 2003, Wilder decided to concentrate on writing, publishing a memoir as well as several novels and a collection of short stories. His philosophy was simple: “I’d rather be at home with my wife. I can write, take a break, come out, have a glass of tea, give my wife a kiss, and go back in and write some more. It’s not so bad. I am really lucky.” And so are we, to have such an enduring legacy of movies to enjoy for generations to come.

The Producers

1 – The Producers (1967)

2 – Quackser Fortune Has a Cousin in the Bronx (1970)

3 – Willy Wonka & the Chocolate Factory (1971)

4 – Blazing Saddles (1974)

Blazing Saddles

5 – Young Frankenstein (1974)

6 – The Adventures of Sherlock Holmes’ Smarter Brother (1975)

7 – Silver Streak (1976)

Silver Streak

8 – Stir Crazy (1980)

9 – The Woman in Red (1984)

10 – See No Evil, Hear No Evil (1989)

See No Evil, Hear No Evil

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10 Movies That Are 40 Years Old This Year – 2014

22 Wednesday Oct 2014

Posted by dullwood68 in Movies

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Tags

1974, A Woman Under the Influence, Al Pacino, Biography, Bob Fosse, Chinatown, Comedy, Crime, Drama, Dustin Hoffman, Fear Eats the Soul, Francis Ford Coppola, Gena Rowlands, Gene Hackman, Gene Wilder, Gunnar Hansen, Horror, John Cassavetes, Lenny, Luis Buñuel, Mel Brooks, Movies, Rainer Werner Fassbinder, Reviews, Robert De Niro, Roman Polanski, The Conversation, The Godfather Part II, The Phantom of Liberty, The Taking of Pelham One Two Three, The Texas Chain Saw Massacre, Walter Matthau, Young Frankenstein

Pick any year and you’re likely to find ten really good films that were released during that year, but 1974 is a year when there were ten really great films released.  It’s not a year that stands out when first thought about, but upon closer inspection it seems like a banner year, when movie makers pulled out all the stops and gave us a succession of impressive movies that even now, still resonate and attract viewers in high numbers.  (And if truth be told, this list could have been stretched a little further, but 13 Movies That Are 40 Years Old This Year didn’t sound right.)  So, in no particular order, here are those ten movies we’re all still talking about.

1) Chinatown – Roman Polanski’s stunning neo-noir thriller transformed Jack Nicholson into a superstar and made Robert Towne’s elaborate, gripping screenplay – one of the most compelling, intelligent screenplays ever written – the main reason for seeing the movie.  With superb performances from Faye Dunaway and John Huston, this incredible movie still has the power to unnerve and startle with its story of corruption and greed in 40’s Los Angeles, and that tragic revelation.

Chinatown - scene

2) Lenny – Revisiting the life of counter-culture, angst-ridden comic Lenny Bruce was always going to depend on the actor playing him, but Dustin Hoffman turns in an amazing, detailed performance that is possibly his best ever.  With a career best turn from Valerie Perrine, deft, sympathetic direction from Bob Fosse, and a grimy, authentic recreation of the clubs where Bruce vented his anger at the hypocrisies of society, Lenny still has the potential to shock and surprise, and takes no prisoners (just like Bruce himself).

3) Fear Eats the Soul – German auteur Rainer Werner Fassbinder had made a number of excursions into movies for TV before he wrote and directed this vital, important tale of the relationship between a Moroccan migrant worker (the soulful El Hadi ben Salem) and a German woman in her mid-sixties (the affecting Brigitte Mira). Ageism and racism are given short shrift by Fassbinder’s script, and the growing relationship is portrayed naturally and with little sentiment.  It’s a dour movie, to be sure, but uplifting at the same time.

4) The Godfather Part II – The crowning glory of Francis Ford Coppola’s career and a movie that’s nigh on faultless, The Godfather Part II is the classic example of a sequel that is better than its predecessor… so, so much better.  Even Brando’s presence isn’t missed.  With its flashback sequences detailing the origin of Vito Corleone’s role as Godfather conflated with the inexorable rise of his son Michael to the same position, this has tragedy and triumph in equal measure, and features astonishing achievements in directing, scripting, acting, cinematography, sound, editing, costumes, art direction, and set design.  In short, it’s a masterpiece.

Godfather Part II, The - scene

5) The Texas Chain Saw Massacre – With its fierce, tension-wringing set up and feral, nightmarish family of cannibals, Tobe Hooper’s second feature still has the power to shock, and leave audiences feeling drained by the end.  The iconic image of Gunnar Hansen with a literal “face”-mask and revving a chainsaw – once seen, never forgotten – sums up the movie’s terrifying approach to its subject matter, and confirms (if anyone needed reminding) that low budget horror can be startling, original and a once in a lifetime experience.

6) A Woman Under the Influence – Possibly the finest examination of mental illness within the family, John Cassavetes’ stinging, heart-rending drama features a tour-de-force performance from Gena Rowlands as the emotionally downtrodden Mabel, a woman whose ill treatment by her husband and children leads her to suppress any positive feelings for fear of being judged as “unbalanced”.  Not a movie for everyone but one that isn’t afraid to confront a complex, contentious issue with poise and a piercing intelligence.

7) The Phantom of Liberty – If you like your movies chock-full of symbolism, surrealism and absurdist humour, then Luis Buñuel’s collection of barely connected episodes will capture your attention and never let go.  It’s a modern masterpiece of (mis)direction and subversive behaviour, and features a seasoned cast that includes Jean Rochefort, Monica Vitti and Adolfo Celi, all of whom enter into the spirit of things with undisguised gusto.

Phantom of Liberty, The - scene

8) The Conversation – It’s that man Coppola again, this time with an introspective low-key look at the self-contained life of a surveillance expert (the superb Gene Hackman) who finds himself drawn – against his better judgment – into a perfectly weighted mystery.  The chilly, withdrawn mise-en-scene is expertly crafted, and Coppola’s script delivers more and more as the movie heads toward its incredible denouement.  To release both this and The Godfather Part II in the same year – well, that’s just insane.

9) Young Frankenstein – Mel Brooks’ finest hour, even though Blazing Saddles was also released in ’74, this grand homage to the Universal horrors of the 30’s and 40’s is an undeniable treat, full of terrific one-liners – “To the lumber yard!” – and wonderful visual flourishes.  Co-writers Brooks and Gene Wilder are on top form, and their affection for the Fronkensteen movies made by Universal adds to the joy of watching Mary Shelley’s classic tale unfold in its own, very unique manner.  And the “Puttin’ on the Ritz” sequence is just inspired.

10) The Taking of Pelham One Two Three – Ignore the turgid remake with Denzel Washington and John Travolta, this is ten times as good and ten times as gripping.  Walter Matthau is the grizzled cop engaged in a battle of wits with train hijacker Robert Shaw, and as the movie ratchets up the tension, audiences are treated to one of the finest thrillers ever made.  Bravura movie making from all concerned but anchored by a fantastic job of direction by the underrated Joseph Sargent.

Taking of Pelham One Two Three, The - scene

If you agree or disagree with my choices, feel free to let me know.  And if there’s another year with an equally brilliant selection of movies released, feel free to let me know as well.  But more importantly, if you haven’t seen some or all of the movies listed above, then what are you doing reading this?  Get out there and watch them!

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