• 10 Reasons to Remember…
  • A Brief Word About…
  • About
  • For One Week Only
  • Happy Birthday
  • Monthly Roundup
  • Old-Time Crime
  • Other Posts
  • Poster of the Week
  • Question of the Week
  • Reviews
  • Trailers

thedullwoodexperiment

~ Viewing movies in a different light

thedullwoodexperiment

Tag Archives: Shane Black

Monthly Roundup – September 2018

30 Sunday Sep 2018

Posted by dullwood68 in Movies

≈ Leave a comment

Tags

Action, Adam Driver, Adventure, Alien, Animation, Anjelah Johnson-Reyes, Anna Faris, Arnold Schwarzenegger, BlacKkKlansman, Bob Odenkirk, Boyd Holbrook, Brett Dalton, Children's movie, Christopher Robin (2018), Dallas Jenkins, Darrell Roodt, Destination Wedding, Documentary, Drama, El club se los buenos infieles, Eugenio Derbez, Ewan McGregor, Fele Martínez, Hayley Atwell, Horror, John Campopiano, John David Washington, Justin White, Katherine Barrell, Keanu Reeves, Kenne Duncan, Killing Gunther, Ku Klux Klan, Lake Placid: Legacy, Lluís Segura, Marc Forster, Melvin Goes to Dinner, Michael Blieden, Overboard (2018), Raúl Fernández de Pablo, Religion, Remake, Reviews, Rob Greenberg, Robert Clarke, Romance, Ronald V. Ashcroft, Sci-fi, Sequel, Shane Black, South Africa, Spain, Spike Lee, Stephanie Courtenay, Taran Killam, The Astounding She-Monster, The Predator, The Resurrection of Gavin Stone, Thriller, Tim Rozon, Trevante Rhodes, Unearthed & Untold: The Path to Pet Sematary, Victor Lewin, Winona Ryder

Christopher Robin (2018) / D: Marc Forster / 104m

Cast: Ewan McGregor, Hayley Atwell, Bronte Carmichael, Mark Gatiss, Oliver Ford Davies, Jim Cummings, Brad Garrett, Peter Capaldi, Sophie Okonedo, Toby Jones

Rating: 7/10 – having left behind his childhood friends at the Hundred Acre Wood, an adult Christopher Robin (McGregor), now married and weighed down by the demands of his work, is reunited with them just at the moment that they all most need each other; a live action/CGI variation on A.A. Milne’s Winnie the Pooh stories, Christopher Robin is an enjoyable if lightweight confection from Disney that features good performances from McGregor and Cummings (as both Pooh and Tigger), but which also takes a very straightforward approach to its story, and allows Gatiss to overdo it as the smug villain of the piece.

Melvin Goes to Dinner (2003) / D: Bob Odenkirk / 83m

Cast: Michael Blieden, Stephanie Courtney, Matt Price, Annabelle Gurwitch, Maura Tierney, David Cross, Melora Walters, Jack Black

Rating: 7/10 – two friends agree to meet for dinner but two other people end up joining them, leading to an evening of surprising connections and revelations that causes each to rethink their own opinions and feelings about each other; adapted from the stage play Phyro-Giants! (and written by Blieden), Odenkirk’s debut as a director is an amusing examination of what we tell ourselves to be true while being closely examined by others who may (or may not) know better, making Melvin Goes to Dinner a waspish if somewhat diffident look at social mores that feels a little forced in places, but is well acted by its cast.

BlacKkKlansman (2018) / D: Spike Lee / 135m

Cast: John David Washington, Adam Driver, Laura Harrier, Topher Grace, Jasper Pããkkönen, Ryan Eggold, Paul Walter Houser, Ashlie Atkinson, Michael Buscemi, Robert John Burke, Frederick Weller, Corey Hawkins, Harry Belafonte, Alec Baldwin

Rating: 9/10 – the true story of how, in the early Seventies, the Colorado Springs Police Department’s first black officer, Ron Stallworth (Washington), infiltrated the local chapter of the Ku Klux Klan with the aid of a fellow, Jewish officer, Flip Zimmerman (Driver); a return to form for Spike Lee, BlacKkKlansman is entertaining and frightening in equal measure for the way it deals with contentious issues surrounding politics and racism that are as entrenched today as they were back in the Seventies, and for the deft way in which Lee allows the humour to filter through without negating the seriousness of the issues he’s examining.

Unearthed & Untold: The Path to Pet Sematary (2017) / D: John Campopiano, Justin White / 97m

With: Mary Lambert, Dale Midkiff, Denise Crosby, Brad Greenquist, Peter Stein, Elliot Goldenthal, Miko Hughes, Susan Blommaert, Heather Langenkamp

Rating: 6/10 – a look at the making of Pet Sematary (1989), with interviews and recollections from the cast and crew, and an assessment of the movie’s impact and legacy in the years that have followed; coming across very much like a labour of love for its directors, Unearthed & Untold: The Path to Pet Sematary features a wealth of details about the making of the movie, some of which is fascinating, and some of which is less so, making this a mixed bag in terms of content, but if you’re a fan of Pet Sematary, this will be a must-see, and should offer up behind-the-scenes information that hasn’t been seen or heard before.

Lake Placid: Legacy (2018) / D: Darrell Roodt / 93m

Cast: Katherine Barrell, Tim Rozon, Sai Bennett, Luke Newton, Craig Stein, Joe Pantoliano, Alisha Bailey

Rating: 3/10 – a group of eco-warriors discover a remote island that’s not on any maps, and find a genetically altered apex predator that soon begins whittling down their numbers; the sixth entry in the franchise, Lake Placid: Legacy ignores the previous four movies and acts – without explanation – as a direct sequel to the original, though that doesn’t make it any less abysmal, and it’s easily the worst in the series, something it achieves thanks to a dreadful script, Roodt’s absentee direction, the less than stellar efforts of the cast, and just by being greenlit in the first place.

Killing Gunther (2017) / D: Taran Killam / 93m

Cast: Taran Killam, Bobby Moynihan, Hannah Simone, Cobie Smulders, Arnold Schwarzenegger, Allison Tolman, Paul Brittain, Aaron Yoo, Ryan Gaul, Amir Talai, Peter Kelamis

Rating: 4/10 – an assassin, Blake (Killam), hires a team of other assassins to help him track down and eliminate Gunther (Schwarzenegger), the world’s most feared, and successful, hitman; ostensibly a comedy, Killing Gunther is yet another ill-advised movie where the script – and the cast – try way too hard to make absurdist behaviour funny all by itself, and where the tone is as wayward as the narrative, something that makes the movie an uneven watch and less than successful in its attempts to entertain – and the less said about Schwarzenegger’s performance the better.

Overboard (2018) / D: Rob Greenberg / 112m

Cast: Eugenio Derbez, Anna Faris, Eva Longoria, John Hannah, Swoosie Kurtz, Mel Rodriguez, Josh Segarra, Hannah Nordberg, Alyvia Alyn Lind, Payton Lapinski, Fernando Luján, Cecilia Suárez, Mariana Treviño

Rating: 6/10 – when a rich, arrogant, multi-millionaire playboy (Derbez) falls overboard from his yacht and loses his memory, a struggling single mother (Faris) that he’s treated badly sees an opportunity to exploit his misfortune for her own personal gain; a gender-swap remake of the 1987 original, Overboard is pleasant enough, with well judged performances from Derbez and Faris, but it plays out in expected fashion, with only occasional moments that stand out, and never really tries to do anything that might make viewers think of it as anything more than an acceptable remake doing its best to keep audiences just interested enough to stay until the end.

El club de los buenos infieles (2017) / D: Lluís Segura / 84m

Cast: Raúl Fernández de Pablo, Fele Martínez, Juanma Cifuentes, Hovik Keuchkerian, Albert Ribalta, Jordi Vilches, Adrián Lastra

Rating: 7/10 – four friends, all married but experiencing a loss of desire for their wives, decide to start a club for men with similar problems, and in the hope that by “seeing” other women, it will rekindle their desire; based on a true story, El club de los buenos infieles starts off strongly as the men explain their feelings, but soon the ridiculous nature of their solution leads to all sorts of uncomfortable moments and situations that stretch the credibility of the material, leaving the principal cast’s performances to keep things engaging, along with Segura’s confident direction (which helps overcome much of the script’s deficiencies), and a couple of very funny set-pieces that are worth a look all by themselves.

Destination Wedding (2018) / D: Victor Lewin / 87m

Cast: Winona Ryder, Keanu Reeves

Rating: 5/10 – two misanthropes (Ryder, Reeves) invited to the same wedding (he’s the groom’s brother, she’s the groom’s ex), find they have much more in common than expected, including an attraction to each other; the kind of movie that has its characters spout pseudo-intellectual nonsense at every opportunity in an effort to make them sound wise and/or studiously profound, Destination Wedding could have been much funnier than it thinks it is, and wastes the talents of both Ryder and Reeves (yes, even Reeves) as it leaves no turn unstoned in its efforts to be a romantic comedy that isn’t in the least bit romantic, or comic.

The Resurrection of Gavin Stone (2016) / D: Dallas Jenkins / 92m

Cast: Brett Dalton, Anjelah Johnson-Reyes, Neil Flynn, D.B. Sweeney, Shawn Michaels, Patrick Gagnon, Tim Frank, Tara Rios

Rating: 6/10 – a former teen TV star whose adult acting career isn’t going as well as he’d hoped, finds himself doing community service at his hometown church, and discovering that having a lack of religious faith is the least of his problems; a bright and breezy romantic comedy, The Resurrection of Gavin Stone wears its Christian beliefs on its sleeve, while doing absolutely nothing that you wouldn’t expect it to, thanks to likable performances from Dalton and Johnson-Reyes, a solid if predictable script, and workmanlike direction that never lets the material stray from its formulaic constraints, though if truth be told, on this occasion that’s not necessarily a bad thing.

The Predator (2018) / D: Shane Black / 107m

Cast: Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Sterling K. Brown, Olivia Munn, Keegan-Michael Key, Thomas Jane, Alfie Allen, Augusto Aguilera, Jake Busey, Yvonne Strahovski

Rating: 5/10 – a rag-tag band of PTSD sufferers and an army sniper (Holbrook) find themselves taking on a couple of Predators while a secret arm of the US government atempts to exploit their presence on Earth; a movie that could and should have been so much better (soooo much better), The Predator is unnecessarily convoluted and stupid at the same time, and despite Black’s best efforts, remains the kind of sequel that everyone has high hopes for, only to see them drain away with every dumb moment that the script can squeeze in, and every tortuous twist of logic that can be forced onto the narrative, all of which leaves everyone hoping and praying that this is the end of the line.

The Astounding She-Monster (1957) / D: Ronald V. Ashcroft / 62m

aka Mysterious Invader

Cast: Robert Clarke, Kenne Duncan, Marilyn Harvey, Jeanne Tatum, Shirley Kilpatrick, Ewing Miles Brown

Rating: 3/10 – kidnappers take their hostage up into the mountains, unaware that a space ship has crash landed nearby, and the sole occupant (Kilpatrick) is more than capable of defending itself; not a cult classic, and not a movie to look back fondly on for any low-budget virtues it may have (it doesn’t), The Astounding She-Monster is a creature feature without a creature, a crime drama with an annoying voice over, a sci-fi horror with minimal elements of both, and a movie with far too many scenes where the cast run through the same stretch of woods trying to get away from an alien whose only speed is ultra-ultra-slow.

Share this:

  • Twitter
  • Facebook
  • More
  • Print
  • Email

Like this:

Like Loading...

Trailer – The Predator (2018)

10 Thursday May 2018

Posted by dullwood68 in Movies

≈ Leave a comment

Tags

Action, Boyd Holbrook, Sci-fi, Sequel, Shane Black, Trailer

The long promised fourth entry in the Predator series is now a step nearer (after being delayed from its planned February 2018 opening). And what do we have in store come September? Well… alarm bells should be ringing like a campanologist’s convention at Notre-Dame Cathedral. A young boy just happens to receive – in the mail, no less – a beacon that attracts a Predator to Earth? Shane Black is a terrific writer, and there’s likely to be a perfectly plausible explanation for what appears to be one of the clumsiest set ups in sequel history, but right now, the jury has to be out. And the various action beats we can see don’t exactly augur well either. With most of said action apparently set in yet another small American township (that will be likely smashed and blown to smithereens in the process), this doesn’t look or feel as tense or as thrilling as the original. But who knows? This is meant to be a teaser trailer after all, and it does feature Boyd Holbrook (always a good thing), and it does bear witness to Black’s sardonic way with dialogue (or maybe co-writer Fred Dekker’s), so there may be more to the movie than meets the eye. Let’s hope so, because at a time when third sequels – let’s forget about those awful Alien/Predator movies – don’t elicit that much of a positive response, this could be one to buck the trend.

Share this:

  • Twitter
  • Facebook
  • More
  • Print
  • Email

Like this:

Like Loading...

The Nice Guys (2016)

26 Sunday Jun 2016

Posted by dullwood68 in Movies

≈ 1 Comment

Tags

Action, Angourie Rice, Car industry, Comedy, Drama, Kim Basinger, Murder, Porn movie, Porn star, Review, Russell Crowe, Ryan Gosling, Shane Black, The Seventies, Thriller

The Nice Guys

D: Shane Black / 116m

Cast: Russell Crowe, Ryan Gosling, Angourie Rice, Matt Bomer, Margaret Qualley, Yaya DaCosta, Keith David, Beau Knapp, Lois Smith, Murielle Telio, Gil Gerard, Daisy Tahan, Kim Basinger

Amidst all the super-hype surrounding the likes of Batman v Superman: Dawn of Justice and Captain America: Civil War, one movie stood out as a becaon of hope amongst all the spandex and super-destruction on offer in 2016. That movie was… Finding Dory. But after Pixar’s latest, there was another movie that looked like it could rescue the average movie goer from having to endure even more superhero shenanigans. And that movie was… Everybody Wants Some!! And then, after Richard Linklater’s latest, there was yet another movie that had the potential to offer a respite from the Marvel and DC Universes. (Drum roll please.) The Nice Guys!

Audiences needed this movie. Audiences needed it because it promised to be hyper-violent, occasionally crass (perhaps even borderline obscene), blackly funny, unapologetically profane (and profanely unapologetic), a twisted caper, beautifully acted, and fantastically written and directed by its creator, Shane Black. It was the anti-superhero movie that would remind us all that you could have a two-hour movie that didn’t rely on mega-destruction and angsty men in tights. And Shane Black, the genius who wrote Lethal Weapon (1987), The Last Boy Scout (1991), and Kiss Kiss Bang Bang (2005), he would be our saviour.

But…

TNG - scene3

Somewhere along the line, somewhere during the movie’s production, and at some point when someone really should have been paying attention, Black fumbled the ball. Not in a horrible, dying-seconds-of-the-match, the-other-team-scores-and-wins-as-a-result kind of way, but with the story, the movie’s reason for being, the set up if you will. Because the movie has a ton of promise. It has all the ingredients: it’s set in the Seventies, a decade that’s almost over-ripe for satirizing; it co-stars Russell freaking Crowe and Ryan freaking Gosling as two opposing private eyes who work together when they realise their cases are linked; it has action and stunts aplenty; it’s unfalteringly funny, with wisecracks, one-liners and visual gags sprinkled liberally through the script; and it “introduces” Kim Basinger. (Which is interesting/distracting. If you remember, Basinger played a prostitute “cut” to look like Veronica Lake in L.A. Confidential (1994). Here she looks like she’s been “cut” to look like her younger self.)

But what it doesn’t have is a coherent, or interesting plot. Somehow, Black has managed to take two of the biggest industries in America during the Seventies, the porn industry and the automobile industry, and contrive to mix them together so that neither one is interesting anymore. And then he throws in some unnecessary political scandal-mongering, and you realise it won’t get any better. (You could argue that that’s an achievement all by itself, but you’d be missing the point.) So contrived is the plot that every time Crowe and Gosling stumble over another clue and head off to make things worse, it doesn’t make any difference: anyone watching is just being carried along for the ride – and you don’t care where they (and you) end up.

TNG - scene2

So, The Nice Guys isn’t quite the triumph we were hoping for. It also makes you think of Kiss Kiss Bang Bang more than once as it drags itself along looking for an interesting enough plot to hook itself up to. Gosling is the new Robert Downey Jr, while Crowe is the new Val Kilmer (minus the gay characterisation). There are parties to attend, villains stalking the heroes, and a female character who appears to be dead but might not be. Black changes much more than he repeats, but the echoes are there, and they’re enough to make you wonder if The Nice Guys was conceived as a companion piece to Kiss Kiss Bang Bang, or if Black was thinking, “Well, it worked last time…”

However, the movie does have Crowe and Gosling as its trump card(s). Whoever thought that they’d make a great double act should be given the keys to Tinsel Town, because it is an inspired piece of casting. Crowe’s gruff, no-nonsense character we’ve seen before, but here he distills it down to its pure essence and then adds a thin layer of impish humour to boost it back up. He’s ostensibly the straight man, but thanks to Black, Crowe gets to deliver some of the movie’s drier, more acid-tinged humour, and sometimes with just a look. It’s been a while since Crowe had a role he could do real justice to, but Jackson Healy is it, and he grabs the opportunity with both hands (he looks more relaxed than we’ve seen him for a long while, as well).

TNG - scene1

If Crowe is the straight man then Gosling is definitely the funny man. He’s not known for his comedy roles, but as the cowardly, avaricious Holland March, Gosling judges his performance perfectly, squealing and flinching at the drop of a hat, and generally embarrassing his young daughter, Holly (a terrific performance by Rice). Watching him react to the several physical liberties that March is prone to during the movie is immensely rewarding, and again, thanks to Black’s way with clever dialogue, makes March’s innate stupidity more endearing than annoying (he refers to Hitler at one point as a “munich” because he had one ball). Like Crowe, Gosling looks entirely comfortable in his role, and the enjoyment both are having transfers itself to the viewer.

1977 is recreated with a great sense of fun – watch out for the billboards advertising that year’s Jaws 2 and Airport ’77 – and the movie opens with a reminder that the Hollywood sign didn’t always look so good back then; it also serves as an indication of the level of corruption that our “nice guys” will be getting involved with. The movie is given a level of off-kilter glamour thanks to the prowess of DoP Philippe Rousselot, and alongside John Ottman and David Buckley’s original score there’s a veritable hit parade of Seventies music to get down and groove to. Now, what was it all about again…?

Rating: 7/10 – despite letting itself down plot-wise, The Nice Guys should still be seen by anyone with an interest in clever storytelling and finely crafted dialogue; Black is still an inventive, ingenious writer/director, and there’s still much to enjoy from start to finish, but this is one movie that tries hard – sometimes too hard – to make itself more intriguing and engrossing than it actually is.

Share this:

  • Twitter
  • Facebook
  • More
  • Print
  • Email

Like this:

Like Loading...

Trailers – Elstree 1976 (2015), The Nice Guys (2016) and Lights Out (2016)

30 Wednesday Mar 2016

Posted by dullwood68 in Movies

≈ Leave a comment

Tags

Action, Comedy, David F. Sandberg, Documentary, Elstree 1976, Horror, james Wan, Jon Spira, Lights Out, Previews, Russell Crowe, Ryan Gosling, Shane Black, Star Wars, The Nice Guys, Trailers

A big hit at the BFI London Film Festival last year, Elstree 1976 is a lovingly crafted ode to ten people who worked on a little movie called Star Wars, but who won’t necessarily be known to the wider public (well, Dave Prowse might argue about that). That none of them went on to find worldwide fame and fortune isn’t the point of Jon Spira’s documentary; rather it’s the communal joy that came out of working on a project that none of them could have known would have been so successful, and which has enriched their lives in ways they couldn’t have imagined (even if it didn’t feel like it at the time).

 

The latest movie from the mercurial mind of Shane Black, The Nice Guys is the kind of uproarious mismatched buddy movie that only Black can put together. The teaming of Russell Crowe and Ryan Gosling looks inspired, and the Seventies setting looks so vivid  it’s hard to believe it wasn’t filmed in 1978 and has been sitting on the shelf ever since. The plot concerns the apparent suicide of a fading porn star, but don’t be surprised if there are larger shenanigans afoot, along with lashings of stylised violence, visual gags galore, and whip-smart banter between the leads.

 

The latest chiller from producer James Wan, Lights Out takes writer/director David F. Sandberg’s short movie – just three minutes long – and expands it to feature length. Its tale of a supernatural entity stalking three generations of the same family may suffer from being extended from its original set up, but hopefully Sandberg has crafted a back story that will explain everything satisfactorily. Either way, expect plenty of scares, lots of spooky rooms for the scares to take place in, and an array of characters who keep turning the lights off when they know they really shouldn’t.

Share this:

  • Twitter
  • Facebook
  • More
  • Print
  • Email

Like this:

Like Loading...

Blog Stats

  • 310,856 hits

Recent Posts

  • 10 Reasons to Remember Bibi Andersson (1935-2019)
  • Fantasia (1940)
  • Dances With Wolves (1990) – The Special Edition
  • Kiss of the Spider Woman (1985)
  • The Three Musketeers (1973)

Top Posts & Pages

  • Careful What You Wish For (2015)
    Careful What You Wish For (2015)
  • Cut Bank (2014)
    Cut Bank (2014)
  • A Kind of Murder (2016)
    A Kind of Murder (2016)
  • The Corpse of Anna Fritz (2015)
    The Corpse of Anna Fritz (2015)
  • The Hand That Rocks the Cradle (1992)
    The Hand That Rocks the Cradle (1992)
  • The African Doctor (2016)
    The African Doctor (2016)
  • Groundhog Day (1993)
    Groundhog Day (1993)
  • The White Orchid (2018)
    The White Orchid (2018)
  • Love of My Life (2017)
    Love of My Life (2017)
  • Happy Birthday - Daniel Craig
    Happy Birthday - Daniel Craig
Follow thedullwoodexperiment on WordPress.com

Blogs I Follow

  • Rubbish Talk
  • Film 4 Fan
  • Fast Film Reviews
  • The Film Blog
  • All Things Movies UK
  • Police Entertainment Network
  • movieblort
  • Interpreting the Stars
  • Let's Go To The Movies
  • Movie Reviews 101
  • That Moment In
  • Dan the Man's Movie Reviews
  • Sunset Boulevard
  • Jordan and Eddie (The Movie Guys)

Archives

  • April 2019 (13)
  • March 2019 (28)
  • February 2019 (28)
  • January 2019 (32)
  • December 2018 (28)
  • November 2018 (30)
  • October 2018 (29)
  • September 2018 (29)
  • August 2018 (29)
  • July 2018 (30)
  • June 2018 (28)
  • May 2018 (24)
  • April 2018 (21)
  • March 2018 (31)
  • February 2018 (25)
  • January 2018 (30)
  • December 2017 (30)
  • November 2017 (27)
  • October 2017 (27)
  • September 2017 (26)
  • August 2017 (32)
  • July 2017 (32)
  • June 2017 (30)
  • May 2017 (29)
  • April 2017 (29)
  • March 2017 (30)
  • February 2017 (27)
  • January 2017 (32)
  • December 2016 (30)
  • November 2016 (28)
  • October 2016 (30)
  • September 2016 (27)
  • August 2016 (30)
  • July 2016 (30)
  • June 2016 (31)
  • May 2016 (34)
  • April 2016 (30)
  • March 2016 (30)
  • February 2016 (28)
  • January 2016 (35)
  • December 2015 (34)
  • November 2015 (31)
  • October 2015 (31)
  • September 2015 (34)
  • August 2015 (31)
  • July 2015 (33)
  • June 2015 (12)
  • May 2015 (31)
  • April 2015 (32)
  • March 2015 (30)
  • February 2015 (37)
  • January 2015 (39)
  • December 2014 (34)
  • November 2014 (34)
  • October 2014 (36)
  • September 2014 (25)
  • August 2014 (29)
  • July 2014 (29)
  • June 2014 (28)
  • May 2014 (23)
  • April 2014 (21)
  • March 2014 (42)
  • February 2014 (38)
  • January 2014 (29)
  • December 2013 (28)
  • November 2013 (34)
  • October 2013 (4)

Blog at WordPress.com.

Rubbish Talk

I read, I write, and I sketch. For fun.

Film 4 Fan

A Movie Blog

Fast Film Reviews

for those who like their movie reviews short and sweet

The Film Blog

The official blog of everything in film

All Things Movies UK

Movie Reviews and Original Articles

Police Entertainment Network

From Patrol Cars to Movie Theaters, Real cops share real opinions

movieblort

No-nonsense, unqualified, uneducated & spoiler free movie reviews.

Interpreting the Stars

Dave Examines Movies

Let's Go To The Movies

Film and Theatre Lover!

Movie Reviews 101

Daily Movie Reviews & ABC Film Challenge

That Moment In

Movie Moments & More

Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Sunset Boulevard

Writings of a Cinephile

Jordan and Eddie (The Movie Guys)

Australian movie blog - like Margaret and David, just a little younger

Cancel

 
Loading Comments...
Comment
    ×
    loading Cancel
    Post was not sent - check your email addresses!
    Email check failed, please try again
    Sorry, your blog cannot share posts by email.
    Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
    To find out more, including how to control cookies, see here: Cookie Policy
    %d bloggers like this: