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Tag Archives: Zodiac

Top 10 True Crime Movies at the International Box Office

07 Wednesday Jun 2017

Posted by dullwood68 in Movies

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American Gangster, Black Mass, Catch Me If You Can, Changeling, Crime, Donnie Brasco, Gangster Squad, Johnny Depp, Leonardo DiCaprio, Pain & Gain, Public Enemies, The Wolf of Wall Street, Top 10, True crime, Zodiac

In a very real sense we’re all fascinated by crime, and the behaviour of criminals. We all like to think that we wouldn’t do anything like the things we see in our movies and on television, but as that’s very likely the thinking that every criminal starts out with, it’s not so surprising then that there are all kinds of thoughts and plans and counter measures in place to offset this leaning, but there will always be those for whom the regular rules won’t apply – and they’ll tell you that if you’re unlucky. Thankfully, history is full of criminal activities, and many of them have been adapted for the big screen. And some have been very successful indeed. So, here they are: the Top 10 True Crime Movies at the International Box Office.

10 – Zodiac (2007) – $84,785,914

During the late 1960’s and early 1970’s, a serial killer operated in the San Francisco Bay area. The unsolved murders he was responsible for, and the manhunt for him, are the movie’s prime focus, with director David Fincher offering a clinical yet thrilling exercise in true crime that grips from its opening scene, and which never lets go. The recreation of the period, and the events that occurred back then, is played out on an almost forensic level, and Zodiac‘s amazing cast – which includes Jake Gyllenhaal, Robert Downey Jr, and Mark Ruffalo – all give career-defining performances. Gripping despite the absence of a cathartic ending – the Zodiac killer was never caught – this is still a bold and uncompromising movie that remains as impressive now as it was on its original release.

9 – Pain & Gain (2013) – $86,175,291

Body building, kidnapping, blackmail, and torture – three of those things seem like natural bedfellows, but in the mid-1990’s all four elements came together when a Sun Gym employee Daniel Lugo (Mark Wahlberg) recruited Adrian Doorbal (Anthony Mackie) and Paul Doyle (Dwayne Johnson) in a plot to kidnap and extort a ransom from local Florida businessman Victor Kershaw (Tony Shalhoub). It was a plan almost doomed to end in disaster, and Michael Bay’s uneven, and superficially appealing black comedy benefits from good performances, and a sense of its own violent absurdity. Not a hit with the critics, Bay and Wahlberg’s names nevetheless helped Pain & Gain in its success, and if it’s a movie neither mentions very often, then this quote by Ed Harris’s detective perfectly sums it all up: “Unfortunately, this is a true story.”

8 – Black Mass (2015) – $99,775,678

The first of three movies on the list that star Johnny Depp in the lead role, Black Mass charts the criminal life and career of South Boston mobster James “Whitey” Bulger. His association with the FBI remains an incredible example of real life mutual dependency and manipulation, with both sides certain they were “in control” of the other. As the reptilian Bulger, Depp has the look and gaze of a velociraptor, and his performance is probably his best in a very long time, but ultimately the movie suffers from poor pacing and too many unresolved subplots. There’s terrific support from Joel Edgerton, Jesse Plemons, and Peter Sarsgaard, and the soundtrack supports the tone and the mood of the movie with aplomb, but again, this is a movie where a lot happens but not all of it matters or has any impact.

7 – Gangster Squad (2013) – $105,200,903

A heavily fictionalised account of the LAPD’s attempts to neutralise crime czar Mickey Cohen, Gangster Squad plays fast and loose with the truth in an effort to be as slick and entertaining as possible. Terrific period detail and a great cast can’t compensate for the movie’s many shortcomings, or the emerging feeling that it’s the violent action sequences that mattered most when the movie was being put together. Still, it’s these same sequences that provide Gangster Squad with the crude energy that makes it acceptable on a visceral level, but if it’s well rounded characters, a coherent plot, or credible dialogue you’re looking for, then this isn’t the movie for you’re looking for.

6 – Changeling (2008) – $113,020,256

The 1928 Wineville Chicken Coop case may not be one of the more widely known criminal cases of the twentieth century, but in the hands of director Clint Eastwood it becomes a fascinating, and thought-provoking drama about police intransigence and the determined efforts of a mother (Angelina Jolie) to convince the authorities that the boy returned to her after her son has been abducted, isn’t really her son. Jolie gives a fearless performance, but while the movie is generally compelling in a “what happens next?” sense, as a whole Eastwood’s decision to dial down the inherent melodrama of the case leads to the movie feeling lacklustre and pedestrian.

5 – Donnie Brasco (1997) – $124,909,762

The second movie on the list to feature Johnny Depp examines the career of Joseph Pistone, an undercover FBI agent. During the 1970’s, Pistone infiltrated the Mafia Bonnano crime family, an assignment that led to the convictions of over one hundred Mafia members. Depp is superb in the title role, but he’s edged out – just – by Al Pacino’s portrayal of Benjamin “Lefty” Ruggiero, the low-level soldier Pistone uses as a way to gain acceptance by the crime family. Both actors challenge each other in their scenes together, and they’re ably supported by the likes of Michael Madsen and Bruno Kirby. With a terrific script by Paul Attanasio and scalpel-like direction from Mike Newell, Donnie Brasco offers ethical and moral dilemmas, friendships borne out of necessary deceit, and a trawl through the criminal underworld that is both attractive and repulsive – and unapologetically so.

4 – Public Enemies (2009) – $214,104,620

Depp 3.0 sees him as notorious Depression-era bank robber John Dillinger, otherwise regarded as Public Enemy No. 1. Michael Mann’s ode to a more lawless, bygone era, plays somewhat as a Western, with Depp as the bad guy and Christian Bale as the good guy, FBI agent Melvin Purvis. Mann’s trademark visual aesthetic is on display as expected, and often to breathtaking effect, and the supporting cast includes the likes of Giovanni Ribisi, Carey Mulligan, Channing Tatum, and Lili Taylor. It’s a movie that has as many detractors as it does supporters, but what can be said with confidence is that it features one of Depp’s very best performances, an impressive level of period detail, and a handful of superbly choreographed action sequences.

3 – American Gangster (2007) – $266,465,037

The life of Frank Lucas (Denzel Washington) and how he became a North Carolina crime lord through his efforts smuggling heroin into the US from Vietnam during the 1970’s, is told in a very heavily fictionalised way that also includes his nemesis, task force detective Richie Roberts (Russell Crowe). Directed by Ridley Scott, American Gangster is a pungent, gritty examination of the dark side of the American dream, and while the real Frank Lucas was nothing like the way he’s portrayed by Washington, the movie has him take charge of his criminal empire in bold, vicious strokes that highlight the menace beneath the suave exterior. It does drag in places as the script attempts to cram in as much as it can, but this is still an absorbing, meticulously constructed movie that rewards far more than it disappoints.

2 – Catch Me If You Can (2002) – $352,114,312

Crime comes in various forms and is committed by people from all walks of life – as evidenced by Catch Me If You Can, essentially a caper movie about real life conman Frank Abagnale Jr (Leonardo DiCaprio). It’s hard not to sympathise with Abagnale as he leads a life, and several lifestyles, that are far removed from his humble beginnings in New York state. In the hands of Steven Spielberg the movie offers a virtual kaleidoscope of funny, sweet-natured moments that are entertaining and delightfully assembled, making this a movie that celebrates Abagnale’s quick-witted charm and ebullient nature, and which rarely complicates matters by criticising his actions or behaviour. Tom Hanks is excellent as the FBI bank fraud agent charged with catching Abagnale, and there’s fine support from Christopher Walken as Frank’s father. Not necessarily one of Spielberg’s best, but definitely one of his most enjoyable movies, and a more than pleasant way to spend nearly two-and-a-half hours.

1 – The Wolf of Wall Street (2013) – $392,000,694

DiCaprio again, as Jordan Belfort, the corrupt stockbroker whose excessive lifestyle, paid for by insider trading, brought him to the attention of the FBI (them again!), and precipitated his arrest and subsequent imprisonment. Directed by Martin Scorsese, The Wolf of Wall Street is possibly the moviemaker’s most exuberant and freewheeling movie ever, with an ever-increasing number of directorial flourishes being brought into play, and a sense of overriding fun that becomes contagious the longer the movie continues. However, it’s celebration of the hedonistic times Belfort thrived on (and benefitted from) becomes wearing after a while, and too much repetition threatens to harm the movie’s pace irreparably. DiCaprio is on fine form, and the likes of Margot Robbie and Jonah Hill flesh out their slightly underwritten characters to good effect. Scorsese’s most successful movie at the box office isn’t necessarily his best, but it’s a lot better when it’s not focusing on the excess.

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Marvel One-Shots (2011-2014)

09 Sunday Feb 2014

Posted by dullwood68 in Movies

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Tags

A Funny Thing Happened on the Way to Thor's Hammer, Agent Carter, Agent Coulson, Agent Sitwell, All Hail the King, Ben Kingsley, Chitauri weaponry, Clark Gregg, Dominic Cooper, Drew Pearce, Eric Pearson, Hayley Atwell, Item 47, Jesse Bradford, Justin Hammer, Lizzy Caplan, Marvel Cinematic Universe, Maximiliano Hernández, Reviews, Roxxon, Sam Rockwell, Short films, The Consultant, The Mandarin, Tony Stark, Trevor Slattery, Zodiac

Marvel One-Shots

Created as a way of expanding the Marvel Cinematic Universe, these short films feature minor and/or new characters from said universe, and have been made with the aim of showing what can, and does, go on outside of Marvel’s feature films.  It’s a clever, fun idea that allows fans of the movies a further glimpse of (mostly) established characters but in set ups that wouldn’t have fit in with the movies but provide a riff on them at the same time.  To date there are five such short films, with Marvel planning more in the future.

The Consultant (2011)

Consultant, The

D: Leythum / 4m

Cast: Clark Gregg, Maximiliano Hernández, Robert Downey Jr, William Hurt

Set mostly in a diner, Agents Coulson (Gregg) and Sitwell (Hernández) discuss the World Security Council’s plan to have Emil Blonsky aka The Abomination released to join the Avengers initiative.  With both agents aware that Nick Fury has no wish for this to happen, they try to come up with a plan to sabotage Blonsky’s release.  To do this Sitwell decides the best course of action would be to send the one man that General Ross (Hurt) would be so annoyed by that the whole idea would be stalled before it got started, namely Tony Stark (Downey Jr).  Agent Coulson is reluctant but agrees.  We then see the footage from the end of The Incredible Hulk where Stark meets Ross.  Sitwell and Coulson meet again at the diner and we discover their plan has worked and Blonsky will remain in prison.

Consultant, The - scene

The Consultant is a neat, concise addendum to both Iron Man 2 and The Incredible Hulk and shows how S.H.I.E.L.D. orchestrates things from behind the scenes.  With pleasing performances from Gregg and Hernández allied to witty, informative dialogue, the movie establishes a lot in a short space of time, and thanks to Eric Pearson’s tightly constructed script, makes a virtue of its brevity.  Strangely, the inclusion of footage from the end of The Incredible Hulk actually undermines the cleverness of the movie’s structure (and besides which, we’ve seen it before).

Rating: 8/10 – a well-crafted, concise addition to the Marvel Cinematic Universe that works on various levels and all to good effect; a great introduction to a series of movies that complement Marvel’s main features.

A Funny Thing Happened on the Way to Thor’s Hammer (2011)

Funny Thing Happened on the Way to Thor's Hammer, A

D: Leythum / 4m

Cast: Clark Gregg, Jessica Manuel, Jeff Prewett, Zach Hudson

Set before the events seen in Thor, this sees Agent Coulson travelling to Albuquerque, New Mexico.  When he stops at a gas station, he finds himself caught up in a robbery attempt.  Disabling the robbers with ease – and a couple of Matrix-inspired moves – he leaves and carries on with his journey, leaving the sales clerk (Manuel) still astonished at what’s just happened.

Funny Thing Happened on the Way to Thor's Hammer, A - scene

With Agent Coulson appearing a little nerdy in the previous movies, it’s fun to see him kick some butt, and with more than a little style.  Gregg is obviously having fun too, and his dialogue is delivered in a dry, deadpan style that adds to the enjoyment.  Of the five short films so far released, A Funny Thing Happened on the Way to Thor’s Hammer has the least relevance to any of the movies, and does come across as a bit of a throwaway piece.  But it is entertaining, and again, Eric Pearson’s script is a model of economic storytelling.

Rating: 7/10 – enjoyable on a superficial level and providing Agent Coulson with the chance to show off his moves, A Funny Thing… hits the spot with the accuracy of a bag of flour; and true fans will have spotted that the gas station is owned by Roxxon, a name that may have some relevance in the future.

Item 47 (2012)

Item 47

D: Louis D’Esposito / 12m

Cast: Lizzy Caplan, Jesse Bradford, Maximiliano Hernández, Titus Welliver

Occurring in the wake of the battle of New York, Item 47 introduces us to Bennie and Claire, who have not only found one of the forty-seven Chitauri weapons that fell out of the sky during the battle, but have also got it to work.  Looking to make their life more comfortable, they use the weapon to rob banks.  Naturally, the use of alien technology in these circumstances comes to the attention of S.H.I.E.L.D.  Agents Sitwell and Blake (Welliver) are assigned to the case.  Leaving Blake to his computer programmes, Sitwell reveals he has a lead on the couple and is about to apprehend them.  When he tries to do so, the motel room they’re staying in is destroyed along with all the stolen money.  Realising that Bennie having worked out to use the Chitauri weapon could be an asset to S.H.I.E.L.D. Sitwell recruits him, and Claire, who becomes Blake’s assistant.  (There’s an advance nod here to Marvel’s Agents of S.H.I.E.L.D. TV series, with Bennie and Claire close matches for the show’s Leo and Skye.)

Item 47 - scene

With its longer running time, and introduction of three new characters, Item 47 shows Marvel gaining confidence in its One-Shot “division”, and feeling comfortable about broadening the scope of its remit.  With multiple locations and more acknowledgments to Avengers Assemble crammed in than seems feasible, the movie still manages to keep it simple throughout and again, thanks to a cleverly constructed script by Eric Pearson (give this man a feature-length movie!), is entertaining and grabs the attention from the start.  Caplan and Bradford make a great team, Hernández stakes his claim to a larger role in a feature, and the humour is as well-played as in the previous shorts.  The only stumble is a clumsy reference to Agent Coulson’s demise, but it’s a momentary lapse and more awkward than out of place.

Rating: 8/10 – a winning mix of sci-fi and S.H.I.E.L.D.-related humour, Item 47 proves a quantum leap from its predecessors; bright, funny, with great special effects, this shows Marvel increasing in confidence and showing everyone else in the superhero field how it should be done.

Agent Carter (2013)

Agent Carter

D: Louis D’Esposito / 15m

Cast: Hayley Atwell, Bradley Whitford, Dominic Cooper, Tim Trobec, Neal McDonough, Shane Black (voice only), Chris Evans

A year after the events shown in Captain America: The First Avenger, we find Peggy Carter (Atwell) working for the Strategic Scientific Reserve, a task force dedicated to dealing with similar threats to those encountered during World War II which led to Steve Rogers’ (apparent) demise.  Stuck compiling data while her male colleagues are routinely given field duties – but not always succeeding in them – Peggy finds herself alone in the office one night when the case line rings.  The mysterious Zodiac has been located but time is of the essence.  Ignoring the recommendation that five or six operatives are required, Peggy heads off to retrieve Zodiac and show her misogynist boss, Flynn (Whitford), that she’s just as good, if not better, than the rest of the agents.  She completes the mission, and when Flynn challenges her the next day, he’s forced to eat his words: the case line rings and Flynn has to relay a message from Howard Stark (Cooper) that Peggy is to come to Washington and help him run S.H.I.E.L.D.

Agent Carter - scene

Easily the best of the One-Shots, Agent Carter bristles with invention, wit, style, a great performance from Atwell, and yet another razor-sharp script courtesy of Eric Pearson (seriously, the man can do no wrong).  With an attention to period detail that grounds the action without drawing attention to it, and a fluid camera style courtesy of DP Gabriel Beristain, Agent Carter looks and feels like it could be part of a feature-length outing.  There’s been lots of talk about an Agent Carter TV series, but on this evidence a movie would be a much better idea (and allow a look at the origins of S.H.I.E.L.D.).  With cameos from Howard Stark and Dum Dum Dugan to keep the fans even happier, Agent Carter is a joy to watch from start to finish.

Rating: 9/10 – a perfect example of Marvel’s ability to pick the right cast, and put them in a storyline that rewards its audience no matter how many times it’s viewed; superb on every level and perhaps the best Marvel movie so far… of any length.

All Hail the King (2014)

All Hail the King

D: Drew Pearce / 14m

Cast: Ben Kingsley, Scoot McNairy, Lester Speight, Sam Rockwell, Matt Gerald, Allen Maldonado

Doing time in Seagate Prison, and happily affected by the perils of being a national celebrity, actor and one-time Mandarin impersonator Trevor Slattery (Kingsley) is being interviewed by documentary filmmaker Jackson Norris (McNairy).  With help from his “butler” Herman (Speight), Slattery has managed to maintain his notoriety while in prison and many of the inmates regard him as a star; they even ask him to quote lines from the videos he made as the Mandarin (“You’ll never see me coming”).  With the interview proving a hit and miss affair – Slattery is evasive and rambling and self-serving in almost equal measure – things begin to take a worrying turn when Norris starts talking about the Ten Rings terrorist group, and its links to the real Mandarin.  Oblivious to the implication of what Norris is telling him, Slattery remains unaware of the danger he’s in even when Norris kills the guards with them and tells Slattery he’s going to meet the Mandarin in person.

All Hail the King - scene

And that’s where All Hail the King ends.  It’s a little unsatisfactory, and while Kingsley returns to the role of Slattery with the same mischievous glint in his eye that he had in Iron Man 3, the structure of this particular One-Shot is not as effective as Item 47 or Agent Carter.  The problem lies mainly with the content of the interview, which like its interviewee, rambles all over the place for around five minutes before abandoning its own agenda in favour of the unexpected twist that Norris is there to abduct Slattery so he can face the music elsewhere.  With a script by director Pearce (who also co-wrote Iron Man 3) that isn’t as cohesive or sharp as those by Eric Pearson, All Hail the King isn’t as successful as its predecessors, and struggles to keep its focus.  The expected humour is there, and there is a terrific cameo from Rockwell as Justin Hammer, bemoaning Slattery’s celebrity status (and in the movie’s best moment, likening him to the offspring of… well, I won’t spoil it, but it’s the best joke in the whole movie – hell, in all the One-Shots), but these two positives shine out while the rest of the short is more mundane.  (And for the eagle-eyed out there, yes that is Captain America’s shield tattooed on the back of Slattery’s neck, and yes Seagate Prison is where Marvel’s Luke Cage was created.)

Rating: 7/10 – a misstep rescued by Kingsley’s performance and Rockwell in pouting mode; not as clever or as well thought out as the other One-Shots but, thankfully, not entirely a dud either.

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