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Why oh why oh why oh why oh why?

Why does Hollywood, and in particular Paramount Pictures, think it can do justice to Maren Ade’s superb black comedy Toni Erdmann (2016) by remaking it? What makes them think that they can bring anything new to a movie that made the top of so many critics’ 10 best lists for 2016? And why involve Jack Nicholson? He’ll be eighty this year, and without trying to be ageist, that’s way too old to be playing the title character. It just doesn’t make any sense.

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And again, why Paramount? Seriously – why them? Why has the remake rights gone to a studio that in 2016-17 is producing the likes of RingsBen-Hur, and Office Christmas Party?

If anyone knows the answer, please spread the word so that the rest of us can understand just why this is being allowed to happen. Some movies just don’t need to be remade, rebooted, or have their success tarnished by a retread. And Toni Erdmann is one of those movies.

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