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thedullwoodexperiment

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Tag Archives: Cameos

Sharknado 5: Global Swarming (2017)

17 Thursday Aug 2017

Posted by dullwood68 in Movies

≈ 1 Comment

Tags

Anthony C. Ferrante, Cameos, Franchise, Ian Ziering, London, Sequel, Sharks, SyFy, Tara Reid

D: Anthony C. Ferrante / 90m

Cast: Ian Ziering, Tara Reid, Cassandra Scerbo, Billy Barratt, Yanet Garcia, Porsha Williams, too many minor celebrities to mention…

The Sharknado series has long been a bastion of awfulness, a treasury of trash, and a castle keep of constant calamity. It’s fast becoming the movie franchise that cannot, will not, die, with a new instalment being released each year with alarming regularity of purpose and design. And so we have the latest farrago in a series of movies that just keeps on coming and coming and coming. Rest assured (if that’s the right word), Sharknado 5: Global Warming won’t be the last in the series (and you’ll know why if you manage to make it to the end), and though Jaws 19 directed by Max Spielberg won’t ever happen, it’s more than likely now that in 2032 we’ll be having Sharknado 19: The NeverEnding Story streamed directly onto the back of our eyeballs.

This far in there’s very little point in offering up a proper review, or trying to differentiate between this instalment and any of the others. They’re all genuinely bad movies, and the producers seem to have decided that they need to be made that way deliberately. Fans of the series will get as much or as little out of Sharknado 5 as they have all the rest, detractors will have their views confirmed yet again, and the casual viewer will probably wonder how on earth a movie this bad has managed to get made in the first place. In the beginning, it could have been argued that the first Sharknado was a modern-day variation/update on the kind of monster horrors from the Fifties and Sixties, but without the radiation fallout to start things off. Now though, it’s a cultural anomaly that just keeps on giving and giving, even though the majority of us don’t want it to.

Rating: 3/10 – with only its celebrity cameos giving it a lift, Sharknado 5: Global Swarming is the franchise’s nadir, an appalling waste of everyone’s time and money; with the producers seeming to think that the series needs to get sillier and more deliberately stupid with each entry, it’s a poor reflection on their latest instalment when the cleverest thing about it is its tagline: Make America Bait Again.

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Zoolander 2 (2016)

19 Thursday May 2016

Posted by dullwood68 in Movies

≈ 2 Comments

Tags

Ben Stiller, Blue Steel, Cameos, Comedy, Fashion, Fashion designers, Father/son relationship, Justin Bieber, Models, Murder, Owen Wilson, Penélope Cruz, Review, Rome, Sequel, Will Ferrell

Zoolander 2

D: Ben Stiller / 102m

Cast: Ben Stiller, Owen Wilson, Will Ferrell, Penélope Cruz, Kristen Wiig, Kyle Mooney, Justin Theroux, Cyrus Arnold, Benedict Cumberbatch, Nathan Lee Graham, Billy Zane

Zero

Originality

Or

Laughs

Applied,

Now

Don’t

Ever

Repeat!

2 (for the money)

Z2 - scene

Rating: 3/10 – Stiller and co re-team for another crack at making idiot male model Derek Zoolander funny – and still miss the boat, the dock, hell, the whole damn harbour; the above photo says it all, as Zoolander 2 strikes out by repeating much of the same material the original trotted out, and (using just the one example) by thinking that “jokes” such as Susan Boyle giving the finger to a bunch of paparazzi is equal to side-splitting hilarity.

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Ten Stars and the Movies You Might Not Realise They Were In

10 Sunday May 2015

Posted by dullwood68 in Movies

≈ Leave a comment

Tags

Actors, Actresses, Amy Adams, Cameos, Cameron Diaz, Colin Firth, Early movies, Ian McKellen, Jason Statham, Jeremy Renner, Julianne Moore, Leonardo DiCaprio, Movie stars, Natalie Portman, Nicolas Cage, Performances, Robert Downey Jr, Stars

Sometimes, watching old movies can provide the occasional surprise, like seeing an actor or actress in an early role – or movie – when you least expect it. This happened to me recently when I saw National Lampoon’s Senior Trip (1995) (I’m a National Lampoon movie completist – what can I say?). Imagine my surprise when I saw Jeremy Renner’s name come up in the title credits. Imagine my further surprise when it turned out he gave one of the best performances in the movie (though not that much of a surprise if you’ve seen it).

It got me thinking about other stars and their early appearances, and what other movies are out there with fledgling – or fleeting – performances from today’s big name actors and actresses. So, a few quick searches on imdb.com later, and voilà!, this post was born. I hope you have some fun with it, and if there are any other examples that you think should have been included, or are worth mentioning, feel free to let me know.

Leonardo DiCaprio – Poison Ivy (1992)

While it’s well-known that DiCaprio’s first movie role was in Critters 3 (1991), what’s perhaps less well-known is his participation in Katt Shea Ruben’s perverse shadow play of teenage sexuality run amok. But before anyone gets too excited, his role in the movie (as ‘Guy”) amounts to a walk-on part where he comes out of a school building and crosses in front of the camera. It’s a blink-and-you’ll-miss-it part, and perhaps best regarded as an example of how good DiCaprio’s agent was back then: out of nothing he got ninth billing.

Robert Downey Jr – Weird Science (1985)

Way back before he became Marvel’s go-to guy for the grounding of their Cinematic Universe, Downey Jr made an appearance in this fondly remembered ode to teenage hormones and the fetishisation of Kelly LeBrock. Cast as “Ian”, Downey Jr plays a bit of a douchebag who acts as a bully to the two main characters. It’s not a particularly memorable role, and there’s nothing to suppose that his career would take off in the way it has – twice – but it’s in keeping with John Hughes’ studied look at teenagers and their idiosyncrasies, and isn’t too embarrassing when looked back on from thirty years later.

Robert Downey Jr

Julianne Moore – The Hand That Rocks the Cradle (1992)

As the realtor who holds the key to the reason for Rebecca De Mornay’s psychotic dismantling of Annabella Sciorra’s life, Moore made only her second movie, and met a memorable end in a booby-trapped greenhouse. Feisty and forthright – almost a template for some of her future roles – the Oscar-winning actress catches the eye but still doesn’t quite give notice of how good an actress she really is. That would be left to Short Cuts (1993), one of her most memorable performances.

Julianne Moore

Colin Firth – The English Patient (1996)

As the movie’s star-crossed lovers, everyone remembers Ralph Fiennes and Kristin Scott Thomas, but when it comes to the actor playing Thomas’s jilted husband, that’s when the mind may well go completely blank. But Firth matches his (then) more illustrious co-stars, and shows that, only a year after playing Mr Darcy in the BBC’s Pride and Prejudice, that he can play a cuckold just as well as a romantic heart-throb.

Colin Firth

Ian McKellen – Last Action Hero (1993)

In amongst Last Action Hero‘s gunfire and car chases and explosions, you may remember towards the end of the movie, the character of Death from Ingmar Bergman’s The Seventh Seal (1957) stepping out of the big screen and into the real world. As audacious homages go it’s a great example of what made the movie so uneven, but McKellen brings the necessary gravitas to the role, and even adds a degree of nonchalant amusement.

Ian McKellen

Amy Adams – Talladega Nights: The Ballad of Ricky Bobby (2006)

Though Adams has a track record in comedies before and since Talladega Nights, it’s unlikely that most people would place her as Will Ferrell’s love interest, whatever the circumstances (though the glasses may have helped). But as Susan, Ricky Bobby’s assistant-cum-paramour, Adams more than holds her own amidst all the manic goings-on and provides a welcome distraction from the otherwise testosterone-laden script.

Amy Adams

Cameron Diaz – Fear and Loathing in Las Vegas (1998)

One of a number of cameos in Terry Gilliam’s spirited psychedelic imagining of Hunter S. Thompson’s book, Diaz’s appearance as “Blonde TV Reporter” is brief, but a great example of the kind of “roles” that some stars will take either as a favour to the director, or just to be involved in a particular movie project. Plus it’s always fun to see someone pop up unexpectedly in a movie, even if it’s only for a moment.

Cameron Diaz

Nicolas Cage – The Cotton Club (1984)

Working with his uncle, Francis Ford Coppola, Cage’s turn as Richard Gere’s unpredictable, violent brother is another of the actor’s mercurial early roles, and a reminder of the raw, vital talent that has been lost in the welter of tired, mortgage-paying performances Cage has given us in recent years. Taking what could have been a stereotypical role and giving it the kind of spin only he could, it shows Cage acting up a storm and commanding the viewer’s attention.

Nicolas Cage

Jason Statham – Collateral (2004)

Billed as “Airport Man”, Statham has a small but pivotal role in Michael Mann’s L.A.-set thriller, and he more than holds his own in his scene with Tom Cruise. It’s the kind of unexpected appearance that enriches a movie, and lets the audience know that Statham – already an established star in his own right – can still do character work when required… and very effectively.

Jason Statham

Natalie Portman – Mars Attacks! (1996)

Three years before she became Queen Amidala in Star Wars Episode I: The Phantom Menace (1999), Portman took a supporting role as the President’s daughter, Taffy, in Tim Burton’s anarchic alien invasion romp. Sharing scenes with Jack Nicholson and Glenn Close, Portman enters into the spirit of things with gusto, and has one of the best lines in the movie: “Guess it wasn’t the dove.”

Natalie Portman

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The Hooligan Factory (2014)

18 Monday Aug 2014

Posted by dullwood68 in Movies

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Tags

Cameos, Comedy, Danny Dyer, Dex, Football hooligans, Jason Maza, Keith-Lee Castle, Nick Nevern, Review, Spoof, The Baron

Hooligan Factory, The

D: Nick Nevern / 90m

Cast: Jason Maza, Nick Nevern, Tom Burke, Ray Fearon, Keith-Lee Castle, Steven O’Donnell, Morgan Watkins, Josef Altin, Leo Gregory, Lorraine Stanley

As a young lad, Danny (Maza) gets expelled from school, and with his father in prison, winds up living with his grandfather (an uncredited Ian Lavender).  Wanting to follow in his father’s footsteps as a top football hooligan (but unsure how to go about it, and not as obviously mental as his father), Danny is drifting through life when his grandfather announces he’s selling his flat and moving abroad.  Forced to move out, Danny takes his belongings and is looking for somewhere to stay when he finds himself being mugged.  But help comes from an unexpected source: recently released from prison hard man Dex (Nevern), one of the most vicious leaders of a football hooligan firm ever.  Dex is looking for revenge on the Baron (Castle), a rival firm leader, and responsible for the death of Dex’s young son.

Dex takes Danny under his wing, and he sets about rebuilding his old gang.  Danny begins to find his place in life as he joins Dex and his firm on trips around the country taking on other firms, and getting involved in violent clashes.  As Dex’s firm defeats more and more rivals, the Baron issues a challenge to the remaining firms: put Dex in his place once and for all.  But this proves too difficult, and in the end, the Baron is forced to confront Dex back at the same site where Dex’s son was killed.  Can Dex avenge his son?  Will the Baron get his just desserts?  Will Danny ever gain the respect of Dex’s right hand man, Bullet (Burke)?  And will anyone in Dex’s firm realise that Old Bill (O”Donnell) really is the Old Bill?

THE HOOLIGAN FACTORY

Though rough around the edges, The Hooligan Factory is a much-needed spoof of the recent spate of British football hooligan movies, such as Green Street (2005) and The Firm (2009) (there’s also a terrific parody of Rise of the Footsoldier (2007) in the movie’s prologue).  Where those movies have a kind of grim social commentary driving them forward, here the emphasis is on cutting that approach down to size and then trampling all over it (and with the proper colour co-ordinated trainers).

There’s much to commend it, even though it is uneven and some of the jokes aren’t as original (or amusing) as the filmmakers would like, but it is funny and it lampoons its targets with commendable attention to detail, from Danny and Dex’s outfits, to the scene where most of the various firms’ leaders admit to having an autobiography either on the shelves already, or about to be published.  There’s so much going on at times, particularly in the first hour, that when the movie begins to flag, it comes as no surprise at all, but by then it’s created such a good vibe that a shortfall in laughs is compensated for by the need for a more dramatic resolution (though as if to compensate even for that, Dex’s “passing of the torch” is one of the movie’s best – and most unexpected – visual gags).

In the director’s chair – he’s also the co-writer, with Michael Lindlay – Nevern assembles his cast and lets them loose on the material with what appears to be a great deal of leeway, with some scenes having a semi-improvised feel to them.  Maza has just the right amount of gung-ho neediness that helps make Danny so appealing, while the supporting cast all register their intent to make as much of the script as they possibly can (and if there’s the odd bit of over-acting here and there, well… so what?).  It’s Nevern, though, who makes the biggest impact, imbuing Dex with a violent streak a mile wide but also making him as naive as a newborn, his inability to realise that his two year old son (born while he was in prison) is the offspring of his best mate Midnight (Fearon), both endearing in its own way, as well as being laughable.  To Nevern’s credit, he plays it straight, and while there’s a minor amount of winking at the camera, Nevern doesn’t allow himself the luxury of breaking the fourth wall.

With priceless cameos from the likes of British crime movie stalwarts Tamer Hassan, Craig Fairbrass and Danny Dyer, as well as minor celebs such as Chloe Sims from The Only Way Is Essex and former hooligan Cass Pennant, The Hooligan Factory has its fair share of surprises to keep its audience on its toes, but it’s the humour that counts, and for long stretches this is a movie that delivers belly laughs galore, some that are very silly indeed, some that are blackly comic, and some that are clever allusions to the movie’s more dramatic forebears.  Strangely, there are moments that feel rushed, while others seem stretched out beyond the script’s requirements; on these occasions the movie does grind to a halt, but thanks to Nevern’s firm hand on the tiller, they don’t upset the movie’s rhythm too much, and he soon gets things back on an even keel.

The violence is toned way down in comparison with, say, I.D. (1995), but then this is a spoof, and while it may not be so bloody or contentious, what it lacks in febrile intensity, it more than makes up for with clever laughs and knowing performances from all concerned.

Rating: 7/10 – uneven at times but doing its best to please throughout, The Hooligan Factory succeeds largely due to the involvement of so many people who’ve been involved in the very movies this seeks to mock (including Nevern); a great movie for a Saturday night with a few beers, and well worth watching just for the aforementioned “passing of the torch” moment.

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Muppets Most Wanted (2014)

03 Thursday Apr 2014

Posted by dullwood68 in Movies

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Tags

Cameos, Constantine, Crown Jewels, Danny Trejo, Fozzie Bear, Gulag, Kermit the Frog, Miss Piggy, Muppets, Review, Ricky Gervais, Sequel, Tina Fey, Ty Burrell, Wedding

Muppets Most Wanted

D: James Bobin / 107m

Cast: Ricky Gervais, Ty Burrell, Tina Fey, Steve Whitmire, Eric Jacobson, Dave Goelz, Bill Barretta, David Rudman, Matt Vogel, Peter Linz, and a list of cameos as long as the Great Gonzo’s nose

Picking up right where The Muppets (2011) ended, Muppets Most Wanted starts off with a musical number explaining the inevitability of a sequel (it’s even called We’re Doing a Sequel).  Having broken the fourth wall so anarchically, the gang then ponder what they can do next.  Enter international tour manager Dominic Badguy (Gervais), with an offer to take their show around the world.  Kermit is reluctant, wanting to take things more slowly and hone the show they’ve only recently revived.  However, the gang’s enthusiasm for the idea makes him relent and they head off to the first date of the tour, “comedy capital of the world, Berlin”.

Meanwhile, in a Siberian gulag, the world’s greatest criminal, Constantine makes his escape.  Constantine looks exactly like Kermit except for a mole on his right cheek, and before you can say “Hel-lllooo, my name is Kerrrr-meet the Frorg”, Kermit has a mole glued to his face and is shipped off to the gulag, while Constantine applies some green makeup and takes over as Kermit.  Along with Dominic – his Number Two; there’s a song about it – they plot various thefts that will eventually allow them to steal the Crown Jewels.  With no one realising Kermit has been replaced, and with Dominic allowing the gang free rein with the show, the tour’s success – after Berlin, they travel to Madrid and then Dublin – keeps everyone happy, except for Animal who’s the only one who knows Kermit isn’t Kermit.

In the gulag, Kermit is kept under the watchful eye of warden Nadya (Fey), and although she comes to believe he isn’t Constantine, she tells him it doesn’t matter, he has to stay there anyway.  It’s not long before he’s persuaded to oversee the annual review show, and getting the inmates to perfect their song-and-dance routines.  Back in Europe, the thefts are connected to the Muppet tour by Interpol agent Jean Pierre Napoleon (Burrell) and FBI agent Sam the Eagle.  They follow the gang to the UK where they are due to perform at the Tower of London.  Will Kermit make it out of the gulag in time to thwart Constantine’s plan?  Will Miss Piggy get to duet with Celine Dion?  Will the world’s second greatest criminal, the mysterious Lemur, get to the Crown Jewels first?  Will the gulag inmates see their show transfer to Broadway?  And will Constantine succeed in marrying Miss Piggy in a bizarre third act twist?*

Muppets Most Wanted - scene

Where The Muppets was a reboot filtered through Jason Segel’s love of the gang, this is the kind of Muppet movie that we’re more familiar with: two or three human co-stars to interact with throughout, a bunch of songs to break up the manic activity and often screwball (and screwy) humour, a plot or storyline that serves as a springboard for both, and some of the gang being given legs (here though, it’s problematical: with Fozzie it makes a sight gag work, with Kermit it makes a song and dance routine look like he’s a poorly stringed marionette).  The emphasis is on having fun and while the plot veers dangerously close to being too lightweight, it’s no bad thing as the movie zips along at a good pace, and the mix of corny jokes, visual gags, great songs (again courtesy of Jemaine Clement), cameo appearances**, and clever practical effects is expertly handled by returning director James Bobin.

On the human front, Gervais coasts along for most of the movie, his role getting smaller and smaller as things progress.  Gervais is a somewhat diffident actor, and here his character serves more as a facilitator for the plot than anything else.  Burrell has fun playing against Sam the Eagle and their game of oneupmanship with their badges makes for a great gag (and one not entirely spoilt by the trailer).  It’s Fey who gets the best role, investing Nadya with a goofy realpolitik approach to the material, and perhaps inadvertently, nabbing the movie’s best (throwaway) line.  Of the Muppets, Constantine is a great new addition and deserves his time in the spotlight, the highlight of which is when he has to introduce the show for the first time.  Kermit, Miss Piggy, Fozzie and the rest of the gang all get their moments, and Beaker gets to save the day with his Bomb Attracting Suit.

Muppets Most Wanted is a fun-filled follow up to The Muppets and works on its own merits, incorporating in-jokes and references from other Muppet movies as well as giving its audience a better plot than usual to follow.  This knowing mix makes all the difference and avoids the too reverential approach of its predecessor.  With an action-packed finale to round things off, Muppets Most Wanted has all the energy and purpose you could need from a Muppet movie, and more besides.

Rating: 8/10 – for a movie that is – as Dr Bunsen Honeydew quite rightly points out – the eighth in the series, Muppets Most Wanted still hits the mark and proves the Muppets are as entertaining as ever; “Good night, Danny Trejo”.

*The answers are: Yes, Yes, Yes, Who knows?, and What do you think?

**Those cameos in full: Hugh Bonneville, Christoph Waltz, Salma Hayek, Tom Hollander, Frank Langella, Lady Gaga, Tony Bennett, James McAvoy, Tom Hiddleston, Céline Dion, Rob Corddry, Zach Galifianakis, Toby Jones, Mackenzie Crook, Til Schweiger, Usher Raymond, Josh Groban, Ray Liotta, Saoirse Ronan, Stanley Tucci, Chloë Grace Moretz, Jemaine Clement, Russell Tovey (though if you blink you really will miss him), and Danny Trejo.

 

 

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