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thedullwoodexperiment

~ Viewing movies in a different light

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Tag Archives: Federico Fellini

Trailer – City of Women (1980)

15 Tuesday Dec 2015

Posted by dullwood68 in Movies

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2k restoration, Federico Fellini, Marcello Mastroianni, Preview, Trailer

In the past week or so we’ve seen the arrival of trailers for Captain America: Civil War, Teenage Mutant Ninja Turtles: Out of the Shadows, X-Men: Apocalypse, Independence Day: Resurgence, and Star Trek: Beyond. What these movies have in common of course – aside from an unhealthy reliance on colons and secondary titles – is that they’re all big-budget sci-fi movies that the various studios/prodcution companies behind them hope will bring in enough moolah at the box office to keep them going for another year (or more). They’re also sequels, and while we all know that familiarity breeds bums on seats, it also breeds laziness, and reconfirms that old phrase about the law of diminishing returns.

So in the period when it seems as if every potential tentpole movie of 2016 (and the TMNT movie) has been revealed to the public at large, it’s a relief to see a movie trailer that doesn’t rely on vast action sequences, characters in costume, or an in-built audience who’ll go however good or bad a movie is as long as they can release their inner geek for a couple of hours. The movie in question is also a re-release, and from 1980 at that. (Hey, this post is going from bad to worse!) But it’s also a movie by Federico Fellini, an amazing visual cornucopia exploring the nature of women and Fellini’s continuing fascination with them. It’s one of those movies that has to be seen to be fully appreciated, a dazzling, lunatic, magic carpet ride of sexual mores, confused male desire (as represented by Marcello Mastroianni), and satirical jamborees through the post-punk culture expressing itself in Italy at the time. City of Women is being re-released following a 2k restoration, and will never have looked as good as it does now, which is reason enough to see it, but it’s also Fellini, and while he did make some movies that didn’t work on their own terms, this is not one of them. See it if you can.

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10 Quotes by 10 Movie Directors (oh, and one more by Danny Boyle)

21 Wednesday Oct 2015

Posted by dullwood68 in Movies

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Clint Eastwood, Danny Boyle, David Fincher, David Lean, Directors, Federico Fellini, Martin Scorsese, Milos Forman, Movies, Paul Thomas Anderson, Quotes, Steven Soderbergh, William Wyler, Woody Allen

Yesterday was Danny Boyle’s birthday. The director is 59 years old, and over the course of his career has been quoted on a variety of matters to do with movie making, both in general and specifically. He once said: “I learned that what I’m better at is making stuff lower down the radar. Actually, ideally not on the radar at all.” It’s a great quote and one that shows the man doesn’t take himself too seriously. Here then are ten more great quotes by ten more directors, all of whom don’t take themselves – or the industry – too seriously either.

David Lean – “I wouldn’t take the advice of a lot of so-called critics on how to shoot a close-up of a teapot.”

David Lean

William Wyler – “It’s a miserable life in Hollywood. You’re up at five or six o’clock in the morning to be ready to start shooting at nine. The working hours aren’t arranged to suit the artists and the directors; they’re for the convenience of the technicians. If you go to a party at night, you’ll never find anyone there who’s shooting a picture; they’re all home in bed.”

David Fincher – “People always ask why I don’t make independent movies. I do make independent movies – I just make them at Sony and Paramount.”

Clint Eastwood – “When I was doing The Bridges of Madison County (1995), I said to myself, “This romantic stuff is really tough. I can’t wait to get back to shooting and killing.”

Clint Eastwood

Milos Forman – “It all begins in the script. If what’s happening is interesting, it doesn’t matter where you shoot from, people will be interested to watch. If you write something boring, you can film from mosquitoes’ underpants and it will still be boring.”

Steven Soderbergh – (on his retirement) “Cinema, as I define it and as something that inspired me, is under assault by the studios and, from what I can tell, with the full support of the audience.”

Woody Allen – “[The French] think I’m an intellectual because I wear these glasses, and they think I’m an artist because my films lose money.”

Woody Allen2

Federico Fellini – “Even if I set out to make a film about a fillet of sole, it would be about me.”

Martin Scorsese – “I’m not a Hollywood director. I’m an in-spite-of-Hollywood director.”

Paul Thomas Anderson – “Well I’d really love to work with Robert De Niro, because he’s still the most talented actor out there. Maybe he makes some bad choices, which can be frustrating. On the one hand, you want to say, ‘What the fuck’s going on?’ On the other, you can’t get mad at him for wanting to work, because most actors would be murderers if they weren’t working.”

Paul Thomas Anderson

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Poster of the Week – Amarcord (1973)

11 Tuesday Nov 2014

Posted by dullwood68 in Movies

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Federico Fellini, Italian film, Movie poster, Poster of the week

Amarcord

Amarcord (1973)

There are several great posters out there for Fellini’s movies, and while some of them have a caché that can’t be beat – I’m talking I vitelloni (1953) for one – this particular poster appeals to me in ways that have crept up on me over the years. (Some historical background: I saw the majority of Fellini’s movies over a period of four months back in 2002, and while learning more about them, saw the variety of designs allocated to the posters for his movies; most of them are really expressive and charming.)

Here it’s the breadth of the design, coupled with the number of references to characters, places and events in the movie that impresses the most, along with the clever way in which the eye is drawn to each component of the poster in a way that allows one to focus on one aspect without losing sight of the whole. The dark-hued sky with its portentous colouring is wonderfully dramatic, hinting at some of the conflict contained within the movie, and then there’s the space between the characters and the sea, sparingly dotted with images, a brighter stretch of colour that looks more optimistic.

It also serves as the backdrop for one of the most incredible assemblies of characters from a movie you’re ever likely to see. They’re all there: from Ciccio Ingrassia’s mad uncle, to Magali Noël’s beautiful Gradisca, to Maria Antonietta Beluzzi’s impossibly bosomed tobacconist – an intimate series of representations that border on good-natured caricature yet retain the essence of that character, allowing their personalities to be hinted at or confirmed (to find out which you have to see the movie). It’s like a rogues gallery except that these are all people you’d be intrigued to meet.

And then there’s the bold, swirling script used for the director’s name and the title, a magnificently cursive grouping of letters that maintains its own identity and oversees the image like a proud, protective parent. It all adds up to an audacious, striking movie poster that perfectly reflects the movie it represents.

Agree? Disagree? Feel free to let me know.

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