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thedullwoodexperiment

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Tag Archives: James Nunn

Monthly Roundup – April 2017

30 Sunday Apr 2017

Posted by dullwood68 in Movies

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Tags

A Street Cat Named Bob, Aaron Eckhart, Action, Andy Mitton, Annette O'Toole, Anybody's Nightmare, Biography, Bob the Cat, Brad Peyton, Charles Barton, Chinook, Clark Freeman, Comedy, Crime, Crime Doctor, Dakota Johnson, Delayed Action, Documentary, Drama, Edward Dryhurst, Fifty Shades Darker, Gibb McLaughlin, Horror, Incarnate, Island of Doomed Men, James Foley, James Nunn, Jamie Dornan, Jason Bateman, Jesse Holland, John Harlow, Josh Gordon, Julie Suedo, June Thorburn, Kirby Dick, Kirby Grant, Literary adaptation, Luke Treadaway, Michael Gordon, Michael Powell, Mike Mizanin, Office Christmas Party, Patricia Routledge, Peter Lorre, Possession, Reviews, Robert Ayres, Roger Spottiswoode, Silent movie, The Claydon Treasure Mystery, The Marine 5: Battleground, The Night of the Party, The Woman from China, This Film Is Not Yet Rated, Tristram Powell, True story, Warner Baxter, We Go On, Will Speck, William Beaudine, WWE Films, Yukon Vengeance

Fifty Shades Darker (2017) / D: James Foley / 118m

Cast: Dakota Johnson, Jamie Dornan, Eric Johnson, Marcia Gay Harden, Eloise Mumford, Bella Heathcote, Rita Ora, Luke Grimes, Victor Rasuk, Max Martini, Kim Basinger

Rating: 4/10 – Christian Grey (Dornan) successfully woos back Anastasia Steele (Johnson), tries to go “straight” in the bedroom, and then narrowly avoids an attempt on his life – and that’s it for Round Two; flashy and trashy at the same time, Fifty Shades Darker continues the series’ commitment to providing two hours of inane, tedium-inducing material each time, and by never going as far as it might in the sexual activity department, making this yet another slickly produced teaser for the real thing.

A Street Cat Named Bob (2016) / D: Roger Spottiswoode / 103m

Cast: Luke Treadaway, Ruta Gedmintas, Joanne Froggatt, Anthony Head, Darren Evans, Beth Goddard, Ruth Sheen, Caroline Goodall, Bob the Cat

Rating: 7/10 – a recovering drug addict and talented busker, James Bowen (Treadaway), adopts a cat he calls Bob and in doing so finds a reason to stay off drugs and rebuild his life – with unexpected results; though A Street Cat Named Bob charts a particularly diffcult period in the life of the real James Bowen, the movie avoids being too depressing by emphasising the bond between Bob and his musician “owner”, and by resolutely aiming for feelgood, something at which it succeeds with a great deal of charm, and thanks to an endearing performance from Treadaway.

The Woman from China (1930) / D: Edward Dryhurst / 82m

Cast: Julie Suedo, Gibb McLaughlin, Frances Cuyler, Tony Wylde, Kiyoshi Takase

Rating: 7/10 – a Chinese criminal, Chung-Li (McLaughlin), kidnaps the girlfriend (Cuyler) of a ship’s lieutenant (Wylde) in order to satisfy his lust for her, but doesn’t reckon on one of his accomplices (Suedo) having feelings of her own for the same ship’s lieutenant; a late in the day silent movie, The Woman from China is a British production that has a Dickensian feel to it, narrowly avoids stereotyping its villain (very narrowly), and thanks to Dryhurst’s talent as a writer as well as a director, remains a well crafted thriller that is ripe for rediscovery.

We Go On (2016) / D: Jesse Holland, Andy Mitton / 85m

Cast: Annette O’Toole, Clark Freeman, Giovanna Zacarías, Jay Dunn, Laura Heisler, John Glover

Rating: 5/10 – Miles (Freeman) is terrified of dying and wants incontrovertible proof of life after death, so he offers a reward to anyone who can provide it, but the responses he gets aren’t exactly what he was expecting; a paranoid chiller that doesn’t quite have the focus it needs to be interesting throughout, We Go On nevertheless contains some really creepy moments, and a fiercely maternal performance from O’Toole that elevates the material whenever she’s on screen, but overall it falls short in too many areas, and particularly the way in which it’s been assembled, which leaves it feeling haphazard and hastily stitched together.

Yukon Vengeance (1954) / D: William Beaudine / 68m

Cast: Kirby Grant, Chinook, Monte Hale, Mary Ellen Kay, Henry Kulky, Carol Thurston, Parke McGregor, Fred Gabourie

Rating: 4/10 – when a lumber company’s wages keep being stolen while en route to the nearest town, Canadian Mountie Rod Webb (Grant) and his faithful sidekick Chinook are sent to investigate; a remake of Wilderness Mail (1935), Yukon Vengeance is also the last in a series of ten movies Grant and Chinook made together between 1949 and 1954, and is pleasant enough if you go in not expecting too much, but it’s hampered by poor performances from Hale and Kay, uninterested direction from Beaudine (usually much more reliable), and material that offers no surprises whatsoever (though that shouldn’t be a surprise either).

This Film Is Not Yet Rated (2006) / D: Kirby Dick / 98m

With: Kirby Dick, Kimberly Peirce, Matt Stone, John Waters, Kevin Smith, Maria Bello, Wayne Kramer, David Ansen, Mary Harron, Allison Anders

Rating: 6/10 – moviemaker Kirby Dick decides to try and find out just what goes on behind the secretive doors of the Motion Picture Association of America, and hires a private investigator to do so, while also eliciting the opinions of moviemakers who have had run-ins with the MPAA; Dick adopts a partisan approach to the material, but in the end, This Film Is Not Yet Rated doesn’t discover anything that viewers couldn’t have worked out for themselves without seeing it, and wastes a lot of time with Dick’s choice of private investigator as they sit outside the MPAA offices and take down car number plates for very little return (both investigative and cinematic).

The Claydon Treasure Mystery (1938) / D: H. Manning Haynes / 64m

Cast: John Stuart, Garry Marsh, Annie Esmond, Campbell Gullan, Evelyn Ankers, Aubrey Mallalieu, Finlay Currie, Joss Ambler, Richard Parry, Vernon Harris, John Laurie

Rating: 5/10 – following a disappearance and a murder, crime writer Peter Kerrigan (Stuart) becomes involved in a centuries old mystery at a country house, while attempting to work out just who is willing to kill to benefit from said mystery; what could have been a nimble little murder mystery is let down by Haynes’ solemn direction, and too much repetition in the script, but The Claydon Treasure Mystery does feature a handful of entertaining performances and a clever solution to the mystery.

Delayed Action (1954) / D: John Harlow / 58m

Cast: Robert Ayres, June Thorburn, Alan Wheatley, Bruce Seton, Michael Balfour

Rating: 5/10 – a suicidal man (Ayres) agrees to play the part of a businessman to meet the crooked demands of another (Wheatley), and forfeit his life at the end of the agreement, but doesn’t reckon on having a reason to live – a woman (Thorburn) – when the time comes; a sprightly little crime drama, Delayed Action never really convinces the viewer that Ayres’ character would agree so readily to the offer made to him, and Ayres himself is a less than convincing actor in the role, but the short running time helps, and Wheatley’s arrogant, preening master criminal is the movie’s trump card.

The Night of the Party (1935) / D: Michael Powell / 61m

aka The Murder Party

Cast: Malcolm Keen, Jane Baxter, Ian Hunter, Leslie Banks, Viola Keats, Ernest Thesiger, Jane Millican, W. Graham Brown, Muriel Aked

Rating: 5/10 – at a dinner party, hated newspaper proprietor Lord Studholme (Keen) is murdered, but which one of the many guests – all of whom had reason to kill him – actually did the deed, and why?; Powell was still finding his feet as a director when he made The Night of the Party, and though much of it looks like a filmed stage play (which it was), it’s exactly the movie’s staginess that robs it of a lot of energy, and stops it from becoming as involving and engaging as other movies of its ilk, and that’s despite some very enjoyable performances indeed.

Office Christmas Party (2016) / D: Josh Gordon, Will Speck / 105m

Cast: Jason Bateman, Olivia Munn, T.J. Miller, Jennifer Aniston, Kate McKinnon, Courtney B. Vance, Jillian Bell, Rob Corddry, Vanessa Bayer, Randall Park

Rating: 5/10 – with their office being threatened with closure, manager Clay (Miller) and several of his staff decide to throw a massive Xmas party in the hope that it will help secure a contract with businessman Walter Davis (Vance) and so save everyone’s jobs; only fitfully amusing, Office Christmas Party probably sounded great as an idea, but in practice it strays too far from the original concept, and has its cast going firmly through the motions in their efforts to raise a laugh, although McKinnon (once again) stands out as an HR manager who makes being uptight the funniest thing in the whole misguided mess of a movie.

The Marine 5: Battleground (2017) / D: James Nunn / 91m

Cast: Mike Mizanin, Anna Van Hooft, Nathan Mitchell, Bo Dallas, Curtis Axel, Heath Slater, Naomi, Sandy Robson

Rating: 4/10 – now a paramedic, Jake Carter (Mizanin) finds himself trapped in an underground car park and fending off a motorcycle gang who are trying to kill the injured man (Mitchell) who has just killed their leader; five movies in and WWE Films have used a low budget/low return formula to ensure that The Marine 5: Battleground remains a dreary, leaden-paced “action” movie that features a lot more WWE Superstars than usual, more glaring plot holes than you can shove the Big Show through, and proof if any were needed that playing hyper-realised athletes every week isn’t a good training ground for acting in the movies, no matter how hard WWE tries to make it seem otherwise.

Incarnate (2016) / D: Brad Peyton / 91m

Cast: Aaron Eckhart, Carice van Houten, Catalina Sandino Moreno, David Mazouz, Keir O’Donnell, Matt Nable, Emily Jackson, Tomas Arana

Rating: 4/10 – a scientist-cum-paranormal investigator (Eckhart) can induce himself into the minds of people possessed by demons and cast them out, but he comes up against a stronger adversary than any he’s encountered before: the demon that took the lives of his wife and son; a neat twist on a standard possession/exorcism movie, Incarnate suffers from the kind of muddled plotting, heavyhanded sermonising, and stereotypical characterisations that hamper all these variations on a horror movie theme, and in doing so, marks itself out as another nail in the coffin of Eckhart’s mainstream career, and a movie that lacks substance, style, wit, and credibility.

Crime Doctor (1943) / D: Michael Gordon / 66m

Cast: Warner Baxter, Margaret Lindsay, John Litel, Ray Collins, Harold Huber, Don Costello, Leon Ames, Dorothy Tree

Rating: 7/10 – a man (Baxter) found unconscious at the side of the road wakes with no memory of his past, but over time builds a new life for himself as a leading criminal psychologist – until his own criminal past comes calling; the first in the Crime Doctor series is a solid, suspenseful movie bolstered by strong performances, a surprisingly detailed script, and good production values, making it an above average thriller and hugely enjoyable to watch.

Island of Doomed Men (1940) / D: Charles Barton / 68m

Cast: Peter Lorre, Rochelle Hudson, Robert Wilcox, Don Beddoe, George E. Stone, Kenneth MacDonald, Charles Middleton

Rating: 6/10 – a Government agent (Wilcox) allows himself to be arrested and imprisoned in an effort to make it to an island owned by sadistic diamond mine owner Stephen Danel (Lorre), and then expose Danel’s use of ex-cons and parolees as slave labour; a seedy, florid atmosphere is encouraged and exploited by Barton as Island of Doomed Men allows Lorre to give one of his more self-contained yet intense performances, and which also shows that some Production Code-era movies could still be “exciting” for reasons that only modern day audiences would appreciate – probably.

Anybody’s Nightmare (2001) / D: Tristram Powell / 97m

Cast: Patricia Routledge, Georgina Sutcliffe, Thomas Arnold, Nicola Redmond, David Calder, Malcolm Sinclair, William Armstrong, Rashid Karapiet, Louisa Milwood-Haigh, Scott Baker

Rating: 5/10 – the true story of Sheila Bowler (Routledge) who in the early Nineties was arrested, tried and convicted of the death of her late husband’s aunt (despite a clear lack of evidence), and who spent the next four years fighting to have her conviction overturned; a miscarriage of justice story bolstered by Routledge’s dignified, sterling performance, Anybody’s Nightmare betrays its British TV movie origins too often for comfort, features some truly disastrous acting (step forward Thomas Arnold and Louisa Milwood-Haigh), but does make each twist and turn of Bowler’s legal case as shocking as possible, and in the end, proves once again that truth really is stranger than fiction.

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Monthly Roundup – December 2016

31 Saturday Dec 2016

Posted by dullwood68 in Movies

≈ 2 Comments

Tags

50's sci-fi movie, A Perfect Man, Action, Alice Through the Looking Glass, Ana Girardot, Barry Sonnenfeld, Cameron Mitchell, Cat, Cell, Chandler Riggs, Christopher Walken, Comedy, David Tomlinson, Devil's Crag, Diana Dors, Drama, Edward Kemmer, Eliminators (2016), Flight to Mars, Frances O'Connor, Giant from the Unknown, Hard Target 2, Horror, Hostile takeover, Is Your Honeymoon Really Necessary, James Bobin, James Nunn, Jennifer Garner, John Cusack, Johnny Depp, Kevin Spacey, Lesley Selander, Literary adaptation, Marguerite Chapman, Mars, Maurice Elvey, Mercy (2014), Mia Wasikowska, Murder, Myanmar, Nine Lives, Peter Cornwell, Pierre Niney, Reviews, Rhona Mitra, Richard E. Cunha, Robert Knepper, Roel Reiné, Sally Fraser, Samuel L. Jackson, Scott Adkins, Sequel, Shirley Knight, Stephen King, The Mad Hatter, The Red Queen, Thriller, Tod Williams, Vargas, Wade Barrett, Wonderland, WWE Films, Yann Gozlan

Cell (2016) / D: Tod Williams / 98m

Cast: John Cusack, Samuel L. Jackson, Isabelle Fuhrman, Clark Sarullo, Ethan Andrew Casto, Owen Teague, Stacy Keach, Joshua Mikel

cell_2

Rating: 4/10 – a mysterious cell phone signal turns people into crazed, zombie-like creatures, but one man (Cusack) is determined to find his son while society disintegrates around him; a Stephen King adaptation (and co-scripted by him), Cell is another reminder that his work rarely translates well to the screen, and this is no exception, being dramatically incoherent, a waste of its talented cast, and lumbered with an ending that makes absolutely no sense at all.

A Perfect Man (2015) / D: Yann Gozlan / 104m

Original title: Un homme idéal

Cast: Pierre Niney, Ana Girardot, André Marcon, Valéria Cavalli, Thibault Vinçon, Marc Barbé, Sacha Mijovic

a_perfect_man_still

Rating: 7/10 – aspiring author Mathieu Vasseur (Niney) isn’t getting anywhere until he finds an unpublished novel and claims it as his own, a move that leads to fame, fortune, blackmail, and ultimately, murder; a clever, twisty thriller that benefits from a splendidly nervous, anxious performance from Niney, A Perfect Man may have many familiar elements, but it’s a movie with a great deal of style, and it holds the attention in such a way that there are times when you won’t realise you’re holding your breath.

Is Your Honeymoon Really Necessary (1953) / D: Maurice Elvey / 80m

Cast: David Tomlinson, Diana Dors, Bonar Colleano, Sidney James, Diana Decker, Audrey Freeman, MacDonald Parke

aa56833cc4842c8ff89eb399e9116e7d

Rating: 5/10 – returning to the UK with his new bride (Decker), US soldier Laurie Vining (Colleano) is horrified to learn that he may still be married to his first wife, glamour girl Candy (Dors), a situation that leads to his desperately trying to avoid his new bride – or anyone else – from finding out; a bedroom farce based on a successful stage play, Is Your Honeymoon Really Necessary has dated somewhat, but for fans of the cast and this type of Fifties UK comedy, there’s much to enjoy, from the frantic mugging of Colleano and Tomlinson, Elvey’s efficient direction, and a surprisingly nuanced performance from Dors.

Eliminators (2016) / D: James Nunn / 94m

Cast: Scott Adkins, Wade Barrett, Daniel Caltagirone, James Cosmo, Ty Glaser, Olivia Mace, Lily Ann Stubbs

eliminators-2016-movie-free-download-720p-bluray-4

Rating: 3/10 – when a home invasion means his Witness Protection identity is compromised, ex-Federal Agent Martin Parker (Adkins) finds himself the target of a hitman (Barrett) and forced to go on the run; a WWE Films production shot on location in and around London, Eliminators is a bog-standard actioner that stretches credulity, invites disbelief, and warrants avoidance as it does its best to cram in as many dull action scenes as it can in ninety minutes, and serves as yet another reminder that being a WWE superstar doesn’t mean you can act.

Giant from the Unknown (1958) / D: Richard E. Cunha / 77m

aka The Diablo Giant; Giant from Devil’s Crag; Giant from Diablo Point

Cast: Edward Kemmer, Sally Fraser, Bob Steele, Morris Ankrum, Buddy Baer, Jolene Brand, Gary Crutcher, Billy Dix

giantfromtheunknown-throw-jpg-html

Rating: 4/10 – animal mutilations and murder plague a small town – and that’s before a giant Spanish conquistador is released from suspended animation by a lightning bolt, and threatens both the town’s inhabitants and the research team trying to ascertain if the legend about him is true; not the best example of a Fifties “creature feature”, Giant from the Unknown takes so long to get going that it’s nearly over before it’s begun, features a raft of irritating performances, and is so flatly directed by Cunha that once the Giant is awakened, you can’t help but pray that he’s the first victim.

Alice Through the Looking Glass (2016) / D: James Bobin / 113m

Cast: Mia Wasikowska, Johnny Depp, Anne Hathaway, Helena Bonham Carter, Sacha Baron Cohen, Rhys Ifans, Matt Lucas, Lindsay Duncan, Leo Bill, Ed Speelers, Geraldine James, Andrew Scott, Alan Rickman, Stephen Fry, Michael Sheen, Barbara Windsor, Timothy Spall, Matt Vogel, Paul Whitehouse

alice-through-the-looking-glass-tv-spot

Rating: 5/10 – Alice (Wasikowska) returns to Wonderland to save the Mad Hatter (Depp) from suicidal depression(!) and the attentions of Time (Cohen) and the Red Queen (Carter) who are working in tandem and holding the Hatter’s family hostage for no convincing reason you can think of; another sequel no one asked for (and nowhere near as successful as its predecessor), Alice Through the Looking Glass is ravishing to look at, boasts some fine visual effects, and a great performance by Cohen, but everything else is a mess: bloated, derivative, witless, and with yet another wasteful performance from Depp (who clearly can’t be bothered).

Hard Target 2 (2016) / D: Roel Reiné / 104m

Cast: Scott Adkins, Robert Knepper, Rhona Mitra, Temuera Morrison, Ann Truong, Adam Saunders, Jamie Timony, Peter Hardy

hrdtrgt_8

Rating: 4/10 – ex-MMA fighter Wes Baylor (Adkins) finds himself in Myanmar with one simple objective: reach the Thai border while he’s pursued by a motley group of “hunters” who are out to kill him; a movie that definitely comes under the heading of “another sequel no one asked for”, Hard Target 2 is betrayed by its low budget origins, a script that lurches from one unmemorable action scene to another, and Knepper’s one-note portrayal of the villain.

Nine Lives (2016) / D: Barry Sonnenfeld / 87m

Cast: Kevin Spacey, Jennifer Garner, Christopher Walken, Robbie Amell, Malina Weissman, Cheryl Hines, Mark Consuelos, Talitha Bateman

nine-lives-film-kevin-spacey

Rating: 3/10 – businessman Tom Brand (Spacey) has no time for his wife (Garner) and daughter (Weissman), so what better way for him to learn the value of family (and some humility in the process) than by stranding his mind in the body of a cat?; the kind of inane, superficial comedy that Hollywood churns out with mindless regularity, Nine Lives gives Garfield 2 (2006) a run for its money in the stupid stakes, and hammers another nail into the coffin of Barry Sonnenfeld’s once-glorious career.

Flight to Mars (1951) / D: Lesley Selander / 72m

Cast: Marguerite Chapman, Cameron Mitchell, Arthur Franz, Virginia Huston, John Litel, Morris Ankrum, Richard Gaines, Lucille Barkley, Robert Barrat

alita-flight-to-mars-1951-_129993-fli_1363015116

Rating: 5/10 – the first manned flight to Mars gets there safely only to learn that the planet is inhabited, and by a human-like race that may or may not have an ulterior motive for helping them return to Earth; early-Fifties sci-fi hokum that throws in a tepid romance and some very, very short skirts for the female cast, Flight to Mars retains an odd charm – perhaps because of its naïve approach – that helps alleviate some of the more daffy moments the script insists on doling out.

Mercy (2014) / D: Peter Cornwell / 79m

Cast: Frances O’Connor, Shirley Knight, Chandler Riggs, Joel Courtney, Mark Duplass, Dylan McDermott, Amanda Walsh, Hana Hayes, Pepper Binkley

mercy-horror-movie-news-3

Rating: 4/10 – after a spell in a nursing home, Grandma Mercy (Knight) comes home to be looked after by her family – daughter Rebecca (O’Connor) and grandsons George (Riggs) and Buddy (Courtney) – but soon exhibits strange behaviour, behaviour that includes warning George that a supernatural force is coming to get him; adapted from the short story Gramma by Stephen King (yes, him again), Mercy aims for creepy and menacing, yet succeeds instead in being confused and uninspired, and with laboured direction and performances, a situation that devotees of King adaptations will appreciate, having been there many times before.

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