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thedullwoodexperiment

~ Viewing movies in a different light

thedullwoodexperiment

Tag Archives: Johnny Simmons

Monthly Roundup – October 2016

31 Monday Oct 2016

Posted by dullwood68 in Movies

≈ 1 Comment

Tags

400 Days, Action, Africa, Alexander Skarsgård, Christoph Waltz, Crime, David Yates, Documentary, End of a Gun, Greg Kwedar, Historical drama, John Dower, Johnny Simmons, Keoni Waxman, Louis Theroux, Malin Buska, Margot Robbie, Matt Osterman, Michael Nyqvist, Mika Kaurismäki, Monthly roundup, My Scientology Movie, Queen Kristina of Sweden, Reviews, Samuel L. Jackson, Sarah Gadon, Sci-fi, Steven Seagal, The Girl King, The Legend of Tarzan, Thriller, Transpecos

The Legend of Tarzan / D: David Yates / 110m

Cast: Alexander Skarsgård, Samuel L. Jackson, Margot Robbie, Christoph Waltz, Djimon Hounsou, Jim Broadbent, Simon Russell Beale, Ben Chaplin

the-legend-of-tarzan-movie-review

Rating: 3/10 – “meh”; woeful only just about covers how bad this movie is, from the wooden performances, to the haphazard scripting, to Yates’s casual engagement with the material, and all the way to the creaky use of CGI to simulate the African backgrounds – at no point does The Legend of Tarzan ever feel as if it has any intention of putting any real effort into things.

400 Days (2015) / D: Matt Osterman / 91m

Cast: Brandon Routh, Dane Cook, Caity Lotz, Ben Feldman, Tom Cavanagh, Grant Bowler, Dominic Bogart, Fernanda Romero, Sally Pressman, Mark Steger

400-days-movie-review

Rating: 4/10 – four astronauts are locked inside a chamber designed to simulate the timescale of a planned mission, and the psychological effects of such a journey, but as the simulation nears its finish, the quartet find that things aren’t entirely what they seem; a mystery thriller that doesn’t need its sci-fi trappings (and where the mystery is unengaging), 400 Days plays out like an old Outer Limits episode but without the succinctness that show could provide, all of which leaves the viewer trying hard to make sense of what’s going on, and trying equally hard to decide whether or not they should be bothered about it all.

The Girl King (2015) / D: Mika Kaurismäki / 106m

Cast: Malin Buska, Sarah Gadon, Michael Nyqvist, Lucas Bryant, Laura Birn, Hippolyte Girardot, Peter Lohmeyer, François Arnaud, Patrick Bauchau

girl-king2

Rating: 5/10 – the story of Queen Kristina of Sweden (Buska), who in the ten years she ruled her country, did her best to bring enlightenment and peace for everyone, and who fought against her advisors’ insistence that she marry and secure her throne for the future; reminiscent of the Euro-pudding movies so prevalent in the late Seventies and throughout the Eighties, The Girl King lacks a coherent shooting style that isn’t helped by Hans Funck’s scattershot approach to the editing, but it does keep things admirably simple (if not too simple at times), and remains unexpectedly watchable thanks to Kaurismäki’s determined effort to convert Kristina’s reign (and her presumed lesbianism) into historical soap opera.

My Scientology Movie (2015) / D: John Dower / 99m

With: Louis Theroux, Marty Rathbun, Marc Headley, Tom De Vocht, Jeff Hawkins, Andrew Perez, Rob Alter

tumblr_o0t34k4rij1qzle40o1_1280

Rating: 7/10 – Louis Theroux, intrepid (and annoying) documentarian turns his attention onto Scientology, and attempts to understand why the organisation is so litigious and defensive about its practices; Theroux teams up with ex-Scientology bigwig Marty Rathbun to learn about what goes on behind the scenes, but succeeds largely in having childish spats with one of the organisation’s “security” team (very funny indeed), while organising a filmed representation of a meeting where Scientology leader David Miscavage threw a major tantrum, all of which leaves My Scientology Movie feeling arid for long stretches and not quite as illuminating as Theroux might have hoped.

Transpecos (2016) / D: Greg Kwedar / 86m

Cast: Johnny Simmons, Gabriel Luna, Clifton Collins Jr, Julio Oscar Mechoso

thumbnail_24647

Rating: 5/10 – three Border Patrol guards find themselves in trouble with a Mexican cartel when they stop the wrong car at a checkpoint, and learn that one of them is in even deeper trouble than anyone knew; Transpecos makes good use of its New Mexico locations, and the opening twenty minutes point towards the movie being a tense, tightly constructed thriller, but sadly it soon degenerates into an unconvincing, meandering collection of scenes that are often dramatically inert, and which stretch the narrative in a variety of ineffective ways that it can’t recover from.

End of a Gun (2016) / D: Keoni Waxman / 87m

Cast: Steven Seagal, Florin Piersic Jr, Jade Ewen, Ovidiu Nicolescu, Jonathan Rosenthal, Alexandre Nguyen, Claudiu Bleont

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Rating: 4/10 – retired DEA agent-cum-“ghost” Michael Decker (Seagal) rescues a stripper (Ewen) from her abusive boyfriend (by killing him) and finds himself helping her steal €2m of the man’s money – which doesn’t go down well with his drug czar boss; another Romanian-shot quickie from Seagal that keeps his stunt double, his running double, and his walking double in gainful employment, End of a Gun is made bearable thanks to a good performance from Piersic Jr, and Waxman’s ingenuity when shooting low-budget shootouts, but otherwise it’s business as usual, which is to say, pretty awful (and the less said about ex-Sugababes member Ewen, the better).

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Mini-Review: The Late Bloomer (2016)

28 Friday Oct 2016

Posted by dullwood68 in Movies

≈ Leave a comment

Tags

Brittany Snow, Comedy, J.K. Simmons, Johnny Simmons, Kevin Pollak, Literary adaptation, Maria Bello, Puberty, Review, Romance, Sex, True story

the-late-bloomer-poster-2

D: Kevin Pollak / 94m

Cast: Johnny Simmons, Brittany Snow, Maria Bello, J.K. Simmons, Kumail Nanjiani, Beck Bennett, Paul Wesley, Blake Cooper, Jane Lynch, Sam Robards

Peter Newmans (Simmons) is essentially a sex therapist, but one with a difference: his job is to convince sexaholics that they should channel their sexual energy into other avenues, such a hobby or work. In essence he’s encouraging his patients to be as celibate as he is. Yes, that’s right, Peter is celibate, and has reached the age of thirty without ever having sex, or even a girlfriend. He’s attracted to his neighbour, would-be chef Michelle (Snow), but she’s already in a relationship, and anyway, he wouldn’t know what to say or do even if she wasn’t. Luckily, Fate steps in when Peter collapses and is rushed to hospital. There he’s told that he has a tumour that has been pressing on his pituitary gland, and this has been the cause of his asexuality. But once the tumour is removed, puberty is going to hit him like a ton of bricks.

And so it proves. Initial attempts by his friends, Rich (Nanjiani) and Luke (Bennett), to get Peter laid don’t work, and it’s not until he wakes up one morning with an erection that Peter finally gets to experience the pleasures of, to begin with, excessive masturbation. It also changes the way he views his work, and he begins to encourage his patients to fully embrace their sexual desires, a change that causes concern for his boss, Caroline (Lynch), who has Peter booked on several publicity spots (he’s written a book on how to avoid “unnecessary” sex). But when Michelle becomes single, Peter’s continued inability to properly express his feelings for it – now thanks to the hormones raging inside him – leads him to alienate her, and also Rich. With only his long-suffering parents (Bello, J.K. Simmons) to turn to, Peter has to find a way of becoming the responsible adult – the man – he would have become if he’d gone through puberty at the right time.

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A comedy that wants to be raunchy and sweet at the same time, The Late Bloomer is based on the book, Man-Made: A Memoir of My Body by Ken Baker. So, in essence it’s a true story (Baker did suffer from the same kind of tumour that Peter does), but this is a movie where the approach and the way the material has been handled, will inevitably lead the viewer to wonder if Baker’s experiences have been fairly or even halfway accurately transferred to the screen. Because this is a movie that wavers throughout in its efforts to tell a coherent story. It wants to be a raunchy comedy for the most part, and there are laughs to be had, but this is at odds with the romantic aspects of the material, and the non-existent sympathy for Peter and his situation.

With the movie lacking a clear focus, scenes come and go without any connection to each other, and Simmons is left looking and sounding like a complete doofus. As the movie progresses it becomes clear that the screenplay (assembled by five – count ’em – five screenwriters) and the director are not in sync, and despite several efforts by the cast, are never likely to gel no matter how hard they try. This leaves the movie looking disjointed and poorly assembled. There’s a funny, rewarding, and charming movie to be made out of Baker’s memoir, but this isn’t it.

Rating: 4/10 – a movie that strives to be liked but stumbles at almost every turn in its efforts to do so, The Late Bloomer wastes a ton of potentially humorous situations by ditching subtlety at every opportunity; Pollak’s feature debut as a director, he might be better off choosing any future projects by making sure they have a more polished script, and a better sense of where they’re going (and how to get there).

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Monthly Roundup – June 2016

30 Thursday Jun 2016

Posted by dullwood68 in Movies

≈ Leave a comment

Tags

A Certain Justice, A Place to Go, Action, Al Pacino, Ann Sheridan, Anne Heywood, Antoine Bardou-Jacquet, Bascom Affair, Baseball, Basil Dearden, Bernard Lee, Bethnal Green, Cecil Parker, Cochise, Crime, Cung Le, D. Ross Lederman, David Gordon Green, Dennis O'Keefe, Dolph Lundgren, Drama, Ethan Hawke, Freddie Francis, Frieda Inescort, George Sherman, Giorgio Serafini, Heather Angel, Holly Hunter, Jack Elam, James Coyne, Jay Silverheels, Jeff Chandler, John Lund, Johnny Simmons, Literary adaptation, Manglehorn, Mike Sarne, Monument Valley, Moon landing, Moonwalkers, Mystery, Noah Buschel, Norman Foster, Paul Cavanagh, Paul Giamatti, Peter van Eyck, Relationships, Reviews, Rita Tushingham, Robbery, Robert Keith, Ron Perlman, Rupert Grint, Sci-fi, Shadows on the Stairs, Susan Cabot, The Battle at Apache Pass, The Brain, The Phenom, Thriller, Vinnie Jones, Western, Whodunnit, Woman on the Run

Manglehorn (2014) / D: David Gordon Green / 97m

Cast: Al Pacino, Holly Hunter, Harmony Korine, Chris Messina, Skylar Gasper

Manglehorn

Rating: 5/10 – in the wake of a failed romance that has left him heartbroken, locksmith A.J. Manglehorn (Pacino) decides to try again with bank teller Dawn (Hunter), but his personality puts obstacles in his way; despite the obvious talent involved, Manglehorn is a chore to sit through, as the character himself – as Dawn discovers – isn’t someone you want to spend too much time with.

The Brain (1962) / D: Freddie Francis / 83m

Cast: Anne Heywood, Peter van Eyck, Cecil Parker, Bernard Lee, Jeremy Spenser, Maxine Audley, Ellen Schwiers, Siegfried Lowitz, Hans Nielsen, Jack MacGowran, Miles Malleson, George A. Cooper

The Brain

Rating: 5/10 – a fatal plane crash sees a millionaire businessman’s brain kept alive by pioneering scientists, one of whom (van Eyck) finds himself searching for the person who caused the plane crash when the businessman’s brain communicates with him; an erratic sci-fi thriller that gets bogged down whenever it concentrates on the murder suspects, this adaptation of Curt Siodmak’s novel Donovan’s Brain has a great cast and a terrific premise, but is let down by Francis’ pedestrian direction and a style that wants to evoke film noir but can’t because the script hasn’t been written that way.

A Certain Justice (2014) / D: James Coyne, Giorgio Serafini / 96m

aka Puncture Wounds

Cast: Cung Le, Dolph Lundgren, Vinnie Jones, Briana Evigan, Gianni Capaldi, James C. Burns, Robert LaSardo, Jonathan Kowalsky, Sean O’Bryan, Eddie Rouse

A Certain Justice

Rating: 4/10 – Iraq veteran John Nguyen (Le) returns home and becomes embroiled in a fight against big-time drug dealer Hollis (Lundgren) when he saves a hooker (Evigan) from the violent attentions of Hollis’ men; as a showcase for Le, A Certain Justice works well enough, but this is still a muddled actioner that cuts narrative corners more often than it doesn’t, and sees Lundgren adopting a wig and ponytail that makes him look like an aging hippie instead of a menacing crime boss.

Woman on the Run (1950) / D: Norman Foster / 77m

Cast: Ann Sheridan, Dennis O’Keefe, Robert Keith, John Qualen, Frank Jenks, Ross Elliott, J. Farrell MacDonald, Victor Sen Yung, Steven Geray

Woman on the Run.jpg

Rating: 7/10 – when store window designer Frank Johnson (Elliott) witnesses a gangland execution he goes on the run, leaving his estranged wife (Sheridan), the police, and a persistent reporter (O’Keefe) trying to track him down before the killer does; a cleverly written film noir based on Sylvia Tate’s original story, Woman on the Run may have a misleading title but it features hard-boiled dialogue, bruised relationships, and atmospheric location work, all of which means the movie is an under-rated gem and deserves a wider audience.

The Battle at Apache Pass (1952) / D: George Sherman / 82m

Cast: John Lund, Jeff Chandler, Susan Cabot, Bruce Cowling, Beverly Tyler, Richard Egan, Jay Silverheels, John Hudson, Jack Elam, Regis Toomey

The Battle at Apache Pass

Rating: 6/10 – peace on the frontier with the Apache nation is threatened by the divisive tactics of Indian Affairs agent Neil Baylor (Cowling) and unsanctioned raids by Geronimo (Silverheels); based around two historical events – the Bascom Affair in 1861, and the title encounter in 1862 – The Battle at Apache Pass is an enjoyable Western featuring good location work in Monument Valley, beautiful photography, and Chandler (as Cochise) and Silverheels reprising their roles from Broken Arrow (1950).

The Phenom (2016) / D: Noah Buschel / 88m

Cast: Johnny Simmons, Ethan Hawke, Paul Giamatti, Sophie Kennedy Clark, Yul Vazquez, Louisa Krause, Paul Adelstein, Elizabeth Marvel, Marin Ireland

The Phenom

Rating: 5/10 – Hopper Gibson (Simmons) is a talented pitcher who has a shot at the big leagues but suffers a crisis of confidence, one that threatens his future; well acted but dour and uninviting, The Phenom plods along in such a low-key manner that some viewers may well decide they don’t care enough if Hopper overcomes his slump, and may also decide to watch something else instead.

A Place to Go (1964) / D: Basil Dearden / 86m

Cast: Rita Tushingham, Mike Sarne, Bernard Lee, Doris Hare, Barbara Ferris, John Slater, David Andrews, William Marlowe, Michael Wynne, Roy Kinnear

A Place to Go

Rating: 5/10 – an ambitious young man who wants to get away from Bethnal Green gets involved with a local racketeer (Slater) and a young woman (Tushingham) at the same time, and much to the consternation of his parents (Lee, Hare); a slice of life, East London style, this kitchen sink drama is enjoyable enough but is hampered by a dreadful performance by Sarne and some weak plotting, but still has enough to recommend it, particularly the (deliberately) sad sight of Lee’s character trying to impress as an escapologist.

Shadows on the Stairs (1941) / D: D. Ross Lederman / 64m

Cast: Frieda Inescort, Paul Cavanagh, Heather Angel, Bruce Lester, Miles Mander, Lumsden Hare, Turhan Bey, Charles Irwin, Phyllis Barry, Mary Field

Shadows on the Stairs

Rating: 4/10 – a killer strikes in a boarding house where everyone comes under suspicion; a leaden whodunnit shot in a pedestrian style, Shadows on the Stairs is typical of the period with its mix of drama, comic relief in the form of Hare and Irwin as bumbling policemen, romantic triangles, and occasional flashes of social comment, but it all adds up to a movie that betrays its stage origins at every turn.

Moonwalkers (2015) / D: Antoine Bardou-Jacquet / 107m

Cast: Rupert Grint, Ron Perlman, Robert Sheehan, Stephen Campbell-Moore, Tom Audenaert, Jay Benedict, James Cosmo, Eric Lampaert, Kevin Bishop, Erika Sainte

Moonwalkers

Rating: 4/10 – in 1969, the US military sends unstable CIA agent Kidman (Perlman) to London to contact Stanley Kubrick with an offer to film a mock moon landing (in case the real mission goes wrong) – but he ends up working with a would-be rock band manager (Grint) instead; uneven and often groan-inducing, Moonwalkers takes a great idea and tramples all over it with a mix of psychedelia, undercooked comedy and inappropriate violence, leaving just a few knowing nods and winks in relation to the period to provide anything of interest.

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The To Do List (2013)

14 Friday Aug 2015

Posted by dullwood68 in Movies

≈ 1 Comment

Tags

Aubrey Plaza, Big Bun, Bill Hader, Comedy, Johnny Simmons, Lifeguard, Maggie Carey, Relationships, Review, Romance, Sex, Swimming pool, Virgin

To Do List, The

D: Maggie Carey / 104m

Cast: Aubrey Plaza, Johnny Simmons, Bill Hader, Alia Shawkat, Sarah Steele, Scott Porter, Rachel Bilson, Connie Britton, Clark Gregg, Christopher Mintz-Plasse, Andy Samberg, Donald Glover

High school valedictorian Brandy Klark (Plaza) is a straight-A student who’s looking forward to going off to college. She’s fiercely intelligent, studious and focused, but when her two best friends, Fiona (Shawkat) and Wendy (Steele) coerce her into attending a party, the sight of blonde beefcake Rusty (Porter) awakens feelings in her that she’s never experienced before. That night she gets drunk for the first time, and when Rusty comes into the room where she’s trying to sleep it off, he mistakes her for someone else. They start making out, but Brandy’s reaction stops Rusty short. He apologises and leaves. Confused by her newfound feelings, Brandy seeks advice from her older sister, Amber (Bilson). Astonished that Brandy has no sexual experience at all, Amber tells her that she needs to address the issue before she gets to college. In order to do so, Brandy compiles a list of sexual acts to experience over the course of the summer.

While she begins to put her plan into action, Brandy works at an outdoor swimming pool. On her first day she finds that Rusty works there too, as well as her friend Cameron (Simmons). Cameron wants to be her boyfriend but he’s too shy to ask her out. Brandy also meets their boss, Willy (Hader), who it transpires, is homeless and lives on site. Brandy flirts with Rusty who appears bemused by the attention, while at the same time she begins her voyage of sexual exploration, co-opting a willing Cameron into the process, and giving him the impression that she has feelings for him. But for Brandy, becoming sexually experienced is treated like a school project, and she approaches each sex act with an air of detachment. As she ticks off each item on her list, she begins to discover that sex can cause a lot of problems she wouldn’t previously have considered.

Soon, word gets round about her list. One of Cameron’s friends, Duffy (Mintz-Plasse) takes advantage of Brandy’s curiosity, as does her co-worker Derrick (Glover). She also hooks up with a rock singer called Van (Samberg) at the pool, but though she’s able to tick off one more sexual practice, she’s interrupted by Willy, who’s horrified by Brandy and her friends’ behaviour. And when Cameron discovers what’s been going on he refuses to have anything further to do with her. When Fiona tells Brandy that she’d like to date Cameron, Brandy’s confusion over her feelings leads to a breakdown in her relationship with Fiona and Wendy. Undeterred though, Brandy forges ahead with her plan, and finally plucks up the courage to ask Rusty on a date, a date where she plans to tick off one experience in particular: losing her virginity.

To Do List, The - scene

Anchored by a fearless performance from Aubrey Plaza – watch the masturbation scene to see just how fearless – The To Do List is a raucous, raunchy, pull-no-punches look at female sexual instruction and empowerment. Maggie Carey’s screenplay often finds itself very near the knuckle (though it does depend on where that knuckle is at the time), and paints a uniquely female perspective on the ups and downs of early sexual experiences. Through the character of Brandy, Carey’s script skewers some probable misconceptions about female sexuality, and provides an object lesson in the differences between the sexes. It’s scabrously funny at times, with much of the humour arising from Brandy’s unfamiliarity with certain sexual techniques (“What’s a rim job? Guess I’ll have to ask at the library”), and the posturing that teenagers adopt in order to look and feel more adult.

If you’re one of those teenagers then this movie is going to feel a lot like a documentary, but there’s enough staple rom-com ingredients to help allay any fears that this is going to end up abandoning subtlety at the side of the road and being cruder than a turd in a swimming pool – oh, hang on, there is one (and Brandy takes a bite out of it). And yet, while the movie appears to be a distaff relation to the American Pie series, it retains a sweet, harmless core that makes some of the more questionable moments easier to accept and deal with. Again, this is largely due to Carey’s clever, balanced script, and the familiarity of seeing teenagers pretending to be adults while getting it completely wrong.

In the lead role, Plaza shows once again why she’s one of the best young(-ish) actresses around – it’s hard to believe but she was twenty-nine when The To Do List was released. She takes great care in making Brandy as credibly naïve as possible, even to the point that she’s never had any amorous feelings until she sets eyes on Rusty (what have she and her friends been talking about all this time?). With that battle won, her studious, almost lab-based approach to discovering sex is presented in such a witty and laugh out loud way that it’s no surprise that the viewer ends up rooting for her, even when things start to go wrong through her own intransigence.

The rest of the cast take turns in sharing the glory of Plaza’s performance, with Hader (in real life, Carey’s husband) coming off best as the slightly seedy, sometimes cruel Willy, unaverse to making fun of Brandy’s boobs (or lack of them), and yet paternal and supportive when confronting her over her “experiment” with Van. While there isn’t one horrible person in the whole movie, Willy comes closest thanks to the scene where he encourages boob jokes at Brandy’s expense, and it’s the one scene in the whole movie that feels out of place. Elsewhere, Brandy’s verbal battles with Amber are ambitiously aggressive, and Plaza and Bilson are clearly revelling in spitting out so much bile at each other. Porter exudes surf dude manliness with ease, Simmons does awkward adolescent with aplomb, Mintz-Plasse does would-be Lothario with gusto, and Gregg is terrific as Brandy’s dad, a judge for whom any talk of sex is embarrassing and unnerving.

Some viewers, inevitably, will take issue with some of the more ruder content, but this is less about sex and more about finding oneself through sex, and becoming a more rounded person. As Cameron says towards the end, “sometimes sex is just sex”, and as a judicious summing up of what’s gone before, it’s entirely accurate. And the beauty of this movie is that it knows it as surely as finger-banging is really known as finger-blasting… or is it finger-bombing…?

Rating: 8/10 – a delight from start to finish and one that doesn’t patronise either its characters or its audience, The To Do List is one of the more honest movies about sex you’re ever likely to see; funny, compassionate, disarming, and defiantly rude, it’s some of the best fun you can have with your clothes on.

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