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thedullwoodexperiment

~ Viewing movies in a different light

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Tag Archives: Movie stars

Ten Stars and the Movies You Might Not Realise They Were In

10 Sunday May 2015

Posted by dullwood68 in Movies

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Actors, Actresses, Amy Adams, Cameos, Cameron Diaz, Colin Firth, Early movies, Ian McKellen, Jason Statham, Jeremy Renner, Julianne Moore, Leonardo DiCaprio, Movie stars, Natalie Portman, Nicolas Cage, Performances, Robert Downey Jr, Stars

Sometimes, watching old movies can provide the occasional surprise, like seeing an actor or actress in an early role – or movie – when you least expect it. This happened to me recently when I saw National Lampoon’s Senior Trip (1995) (I’m a National Lampoon movie completist – what can I say?). Imagine my surprise when I saw Jeremy Renner’s name come up in the title credits. Imagine my further surprise when it turned out he gave one of the best performances in the movie (though not that much of a surprise if you’ve seen it).

It got me thinking about other stars and their early appearances, and what other movies are out there with fledgling – or fleeting – performances from today’s big name actors and actresses. So, a few quick searches on imdb.com later, and voilà!, this post was born. I hope you have some fun with it, and if there are any other examples that you think should have been included, or are worth mentioning, feel free to let me know.

Leonardo DiCaprio – Poison Ivy (1992)

While it’s well-known that DiCaprio’s first movie role was in Critters 3 (1991), what’s perhaps less well-known is his participation in Katt Shea Ruben’s perverse shadow play of teenage sexuality run amok. But before anyone gets too excited, his role in the movie (as ‘Guy”) amounts to a walk-on part where he comes out of a school building and crosses in front of the camera. It’s a blink-and-you’ll-miss-it part, and perhaps best regarded as an example of how good DiCaprio’s agent was back then: out of nothing he got ninth billing.

Robert Downey Jr – Weird Science (1985)

Way back before he became Marvel’s go-to guy for the grounding of their Cinematic Universe, Downey Jr made an appearance in this fondly remembered ode to teenage hormones and the fetishisation of Kelly LeBrock. Cast as “Ian”, Downey Jr plays a bit of a douchebag who acts as a bully to the two main characters. It’s not a particularly memorable role, and there’s nothing to suppose that his career would take off in the way it has – twice – but it’s in keeping with John Hughes’ studied look at teenagers and their idiosyncrasies, and isn’t too embarrassing when looked back on from thirty years later.

Robert Downey Jr

Julianne Moore – The Hand That Rocks the Cradle (1992)

As the realtor who holds the key to the reason for Rebecca De Mornay’s psychotic dismantling of Annabella Sciorra’s life, Moore made only her second movie, and met a memorable end in a booby-trapped greenhouse. Feisty and forthright – almost a template for some of her future roles – the Oscar-winning actress catches the eye but still doesn’t quite give notice of how good an actress she really is. That would be left to Short Cuts (1993), one of her most memorable performances.

Julianne Moore

Colin Firth – The English Patient (1996)

As the movie’s star-crossed lovers, everyone remembers Ralph Fiennes and Kristin Scott Thomas, but when it comes to the actor playing Thomas’s jilted husband, that’s when the mind may well go completely blank. But Firth matches his (then) more illustrious co-stars, and shows that, only a year after playing Mr Darcy in the BBC’s Pride and Prejudice, that he can play a cuckold just as well as a romantic heart-throb.

Colin Firth

Ian McKellen – Last Action Hero (1993)

In amongst Last Action Hero‘s gunfire and car chases and explosions, you may remember towards the end of the movie, the character of Death from Ingmar Bergman’s The Seventh Seal (1957) stepping out of the big screen and into the real world. As audacious homages go it’s a great example of what made the movie so uneven, but McKellen brings the necessary gravitas to the role, and even adds a degree of nonchalant amusement.

Ian McKellen

Amy Adams – Talladega Nights: The Ballad of Ricky Bobby (2006)

Though Adams has a track record in comedies before and since Talladega Nights, it’s unlikely that most people would place her as Will Ferrell’s love interest, whatever the circumstances (though the glasses may have helped). But as Susan, Ricky Bobby’s assistant-cum-paramour, Adams more than holds her own amidst all the manic goings-on and provides a welcome distraction from the otherwise testosterone-laden script.

Amy Adams

Cameron Diaz – Fear and Loathing in Las Vegas (1998)

One of a number of cameos in Terry Gilliam’s spirited psychedelic imagining of Hunter S. Thompson’s book, Diaz’s appearance as “Blonde TV Reporter” is brief, but a great example of the kind of “roles” that some stars will take either as a favour to the director, or just to be involved in a particular movie project. Plus it’s always fun to see someone pop up unexpectedly in a movie, even if it’s only for a moment.

Cameron Diaz

Nicolas Cage – The Cotton Club (1984)

Working with his uncle, Francis Ford Coppola, Cage’s turn as Richard Gere’s unpredictable, violent brother is another of the actor’s mercurial early roles, and a reminder of the raw, vital talent that has been lost in the welter of tired, mortgage-paying performances Cage has given us in recent years. Taking what could have been a stereotypical role and giving it the kind of spin only he could, it shows Cage acting up a storm and commanding the viewer’s attention.

Nicolas Cage

Jason Statham – Collateral (2004)

Billed as “Airport Man”, Statham has a small but pivotal role in Michael Mann’s L.A.-set thriller, and he more than holds his own in his scene with Tom Cruise. It’s the kind of unexpected appearance that enriches a movie, and lets the audience know that Statham – already an established star in his own right – can still do character work when required… and very effectively.

Jason Statham

Natalie Portman – Mars Attacks! (1996)

Three years before she became Queen Amidala in Star Wars Episode I: The Phantom Menace (1999), Portman took a supporting role as the President’s daughter, Taffy, in Tim Burton’s anarchic alien invasion romp. Sharing scenes with Jack Nicholson and Glenn Close, Portman enters into the spirit of things with gusto, and has one of the best lines in the movie: “Guess it wasn’t the dove.”

Natalie Portman

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Poster of the Week – Casablanca (1942)

24 Tuesday Jun 2014

Posted by dullwood68 in Movies

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Tags

Casablanca, Humphrey Bogart, Ingrid Bergman, Movie poster, Movie stars, Poster of the week, Romantic drama, Tag line

Casablanca

Casablanca (1942)

What I like most about this poster is its simplicity.  It tells you as little as possible.  There’s the three main stars, the name of the film company, the title, the supporting players, the director, and the producer.  From this, the potential viewer doesn’t have a clue as to what the movie’s about, or where it’s set, or if it’s a period piece, or more contemporary, or if it’s a drama – though with that cast it’s unlikely to be a comedy – or if it’s even the latest “screen sensation!”

Even the main image, of Bogart and Bergman huddled together, doesn’t give anyone a clue.  He looks pensive and sad, but as to why, well, it could be anything.  And she is looking off into the distance, apprehensive, worried perhaps, at what she sees.  Together they’re a couple who could be facing any number of problems, but until you see the movie you’ll never know what they are, or how much those problems will affect them.

In many ways, the poster is a bit of a gamble, using the stars’ brand-name recognition to entice an audience into seeing a movie that they don’t know anything about.  And the title could mean anything: the place where the movie is set, a character’s name perhaps, or even a code name (that’s a bit of stretch, admittedly, but from the perspective of ignorance, it could even be the name of a company or a product).  And back in the days when there was generally one poster created per movie, the deceptive brilliance of this particular poster has got to be admired.  It’s lack of artifice seems to be saying, “Bogart, Bergman, Henreid, Casablanca – what else do you need to know?”  (Well, nothing – obviously.)  And to cap it all off, it’s clear that, in this instance, the movie’s title is also it’s tag line.  Just genius, sheer genius.

Agree?  Disagree?  Let me know.

 

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