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thedullwoodexperiment

~ Viewing movies in a different light

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Tag Archives: Blue Sky

Monthly Roundup – April 2018

12 Saturday May 2018

Posted by dullwood68 in Movies

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Tags

Action, Adventure, Alain Guiraudie, Alberto Cavalcanti, Amen Island, Animation, Anthony Russo, Assassin, Avengers: Infinity War, B-movie, Babak Nafari, Bank robbery, Barbara Britton, Billy Brown, Blaxploitation, Blue Sky, Brad Peyton, Bullfighting, Burglars, Carlos Saldanha, Children of the Corn: Runaway, Children's Film Foundation, Chris Evans, Christina De Vallee, Comedy, Crime, Danny Glover, David Paisley, Drama, Eugeniusz Chylek, Ferdinand, France, Genetic experiment, Hafsia Herzi, Horror, Jake Ryan Scott, Jeffrey Dean Morgan, Joe Russo, John Cena, John Gulager, Johnny on the Run, Kate McKinnon, Le roi de l'évasion, Lewis Gilbert, Literary adaptation, Ludovic Berthillot, Maggie Grace, Marci Miller, Mark Harriott, Marvel, Marvel Cinematic Universe, Mike Matthews, Naomie Harris, Pine-Thomas, Proud Mary, Rampage, Reviews, Rival gangs, Rob Cohen, Robert Downey Jr, Robert Lowery, Romance, Ryan Kwanten, Sequel, Sydney Tafler, Taraji P. Henson, Thanos, The Hurricane Heist, The Monster of Highgate Ponds, They Made Me a Killer, Thriller, Toby Kebbell, Unhappy Birthday, Video game, William C. Thomas

They Made Me a Killer (1946) / D: William C. Thomas / 64m

Cast: Robert Lowery, Barbara Britton, Lola Lane, Frank Albertson, Elisabeth Risdon, Byron Barr, Edmund MacDonald, Ralph Sanford, James Bush

Rating: 5/10 – a man (Lowery) drives across country after the death of his brother and gives a lift to a woman (Lane) who tricks him into being the getaway driver in a bank robbery, a situation that sees him on the run from the police but determined to prove his innocence; a gritty, hard-boiled film noir, They Made Me a Killer adds enough incident to its basic plot to keep viewers entertained from start to finish without really adding anything new or overly impressive to the mix, but it does have a brash performance from Lowery, and Thomas’s direction ensures it’s another solid effort from Paramount’s B-movie unit, Pine-Thomas.

Proud Mary (2018) / D: Babak Najafi / 89m

Cast: Taraji P. Henson, Billy Brown, Jahi Di’Allo Winston, Danny Glover, Neal McDonough, Margaret Avery, Xander Berkeley, Rade Serbedzija, Erik LaRay Harvey

Rating: 3/10 – a female assassin (Henson) finds herself protecting the teenage boy (Winston) whose father she killed years before, and at a time when her actions cause a murderous dispute between the gang she works for and their main rival; as the titular Proud Mary, Henson makes for a less than convincing assassin in this modern day blaxploitation thriller that lets itself down constantly thanks to a turgid script and lacklustre direction, and which has far too many moments where suspension of disbelief isn’t just required but an absolute necessity.

Children of the Corn: Runaway (2018) / D: John Gulager / 82m

Cast: Marci Miller, Jake Ryan Scott, Mary Kathryn Bryant, Lynn Andrews III, Sara Moore, Diane Ayala Goldner, Clu Gulager

Rating: 3/10 – arriving in a small Oklahoman town with her teenage son, Ruth (Miller) attempts to put down roots after over ten years of running from the child cult that nearly cost her her life, but she soon finds that safety still isn’t something she can count on; number ten in the overall series, Children of the Corn: Runaway is yet another entry that keeps well away from any attempts at providing anything new, and succeeds only in being as dull to watch as you’d expect, leaving unlucky viewers to ponder on why these movies still keep getting made when it’s clear the basic premise has been done to death – again and again and again…

Johnny on the Run (1953) / D: Lewis Gilbert / 68m

Cast: Eugeniusz Chylek, Sydney Tafler, Michael Balfour, Edna Wynn, David Coote, Cleo Sylvestre, Jean Anderson, Moultrie Kelsall, Mona Washbourne

Rating: 7/10 – after running away from his foster home in Edinburgh, a young Polish boy, Janek (Chylek), unwittingly falls in with two burglars (Tafler, Balfour), and then finds himself in a Highland village where the possibility of a new and better life is within his grasp; an enjoyable mix of drama and comedy from the UK’s Children’s Film Foundation, Johnny on the Run benefits from sterling performances, Gilbert’s astute direction, excellent location work, and a good understanding of what will interest both children and adults alike, making this one of the Foundation’s better entries, and still as entertaining now as when it was first released.

Ferdinand (2017) / D: Carlos Saldanha / 108m

Cast: John Cena, Kate McKinnon, Anthony Anderson, Bobby Cannavale, Peyton Manning, David Tennant, Jeremy Sisto, Lily Day, Gina Rodriguez, Daveed Diggs, Gabriel Iglesias

Rating: 8/10 – a young bull called Ferdinand (Cena) whose disposition includes a fondness for flowers and protecting other animals, finds himself temporarily living with a supportive family, until events bring him back to the world of bullfighting that he thought he’d left behind; the classic children’s tale gets the Blue Sky treatment, and in the process, retains much of the story’s whimsical yet pertinent takes on pacifism, anti-bullying, and gender diversity, while providing audiences with a rollicking and very humorous adventure that makes Ferdinand a very enjoyable experience indeed.

The Hurricane Heist (2018) / D: Rob Cohen / 98m

Cast: Toby Kebbell, Maggie Grace, Ryan Kwanten, Ralph Ineson, Melissa Bolona, Ben Cross, Jamie Andrew Cutler, Christian Contreras

Rating: 4/10 – thieves target a US Treasury facility during a Category 5 hurricane, but don’t reckon on their plans going awry thanks to a Treasury agent (Grace), a meteorologist (Kebbell), and his ex-Marine brother (Kwanten); as daft as you’d expect, The Hurricane Heist continues the downward career spiral of Cohen, and betrays its relatively small budget every time it sets up a major action sequence, leaving its talented cast to thrash against the wind machines in search of credibility and sincerity, a notion that the script abandons very early on as it maximises all its efforts to appear as ridiculous as possible (which is the only area in which it succeeds).

The Monster of Highgate Ponds (1961) / D: Alberto Cavalcanti / 59m

Cast: Sophie Clay, Michael Wade, Terry Raven, Ronald Howard, Frederick Piper, Michael Balfour, Roy Vincente, Beryl Cooke

Rating: 6/10 – when his uncle (Howard) returns home from a trip to Malaya, David (Wade) gets to keep a large egg that’s been brought back, but little does he realise that a creature will hatch from the egg – a creature David, his sister Sophie (Clay), and their friend, Chris (Raven) need to protect from the authorities until his uncle returns home from his latest trip; though the special effects that bring the “monster” to life are less than impressive, there’s a pleasing low budget, wish fulfillment vibe to The Monster of Highgate Ponds that allows for the absurdity of it all to be taken in stride, and thanks to Cavalcanti’s relaxed direction, that absurdity makes the movie all the more enjoyable.

Rampage (2018) / D: Brad Peyton / 107m

Cast: Dwayne Johnson, Naomie Harris, Malin Akerman, Jeffrey Dean Morgan, Jake Lacy

Rating: 5/10 – a gorilla, a wolf, and an alligator are all exposed to an illegal genetic engineering experiment and become massively bigger and more aggressive thanks to the corporation behind the experiment, leaving the gorilla’s handler (Johnson) to try and help put things right; based on a video game, and as brightly ridiculous as any movie version of a video game could be, Rampage uses its (very) simple plotting to bludgeon the audience into submission with a variety of exemplary digital effects, while also trying to dredge up a suitable amount of emotion along the way, but in the end – and surprisingly – it’s Johnson’s knowing performance and Morgan’s affected government spook that trade this up from simple disaster to almost disaster.

Unhappy Birthday (2011) / D: Mark Harriott, Mike Matthews / 91m

aka Amen Island

Cast: David Paisley, Christina De Vallee, Jill Riddiford, Jonathan Deane

Rating: 4/10 – Rick (Paisley) and his girlfriend, Sadie (De Vallee), along with their friend Jonny (Keane), travel to the tidal island of Amen to reunite Sadie with her long lost sister, only to find that the islanders have a secret that threatens the lives of all three of them; a low budget British thriller with distinct echoes of The Wicker Man (1973) – though it’s not nearly as effective – Unhappy Birthday highlights the isolated nature of the island and the strangeness of its inhabitants, but reduces its characters to squabbling malcontents pretty much from the word go, which makes spending time with them far from appealing, and stops the viewer from having any sympathy for them once things start to go wrong.

Avengers: Infinity War (2018) / D: Anthony Russo, Joe Russo / 149m

Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Chris Pratt, Josh Brolin, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Karen Gillan, Tom Hiddleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Peter Dinklage, Benedict Wong, Pom Klementieff, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, William Hurt, Letitia Wright

Rating: 8/10 – Thanos (Brolin) finally gets around to collecting the Infinity stones and only the Avengers (and almost every other Marvel superhero) can stop him – or can they?; there’s much that could be said about Avengers: Infinity War, but suffice it to say, after eighteen previous movies, Marvel have finally made the MCU’s version of The Empire Strikes Back (1980).

The King of Escape (2009) / D: Alain Guiraudie / 90m

Original title: Le roi de l’évasion

Cast: Ludovic Berthillot, Hafsia Herzi, Pierre Laur, Luc Palun, Pascal Aubert, François Clavier, Bruno Valayer, Jean Toscan

Rating: 6/10 – when a middle-aged homosexual tractor salesman (Berthillot) falls in love with the daughter (Herzi) of a rival salesman, this unexpected turn of events has further unexpected repercussions, all of which lead the pair to go on the run from her father and the police; as much a comedy of manners as an unlikely romance, The King of Escape is humorous (though far from profound), and features too many scenes of its central couple running across fields and through woods, something that becomes as tiring for the viewer as it must have been for the actors, though the performances are finely judged, and Guiraudie’s direction displays the increasing confidence that would allow him to make a bigger step with Stranger by the Lake (2013).

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Monthly Roundup – August 2016

03 Saturday Sep 2016

Posted by dullwood68 in Movies

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Tags

A Perfect Day, Aid workers, Animation, Benicio Del Toro, Blue Sky, Curt Siodmak, Denis Leary, Drama, Espionage, EVP, Fedja Stukan, Fernando León de Aranoa, Galen T. Chu, Harrison Gilbertson, Haunt, Haunted house, Horror, Ice Age: Collision Course, Ione Skye, Jacki Weaver, Jean Byron, John Leguizamo, Ken Hughes, King Donovan, Liana Liberato, Little Red Monkey, Mac Carter, Mélanie Thierry, Meteorite, Mike Thurmeier, Morello Curse, Murder, Nuclear scientists, Olga Kurylenko, Queen Latifah, Ray Romano, Review, Richard Carlson, Richard Conte, Rona Anderson, Russell Napier, Sci-fi, Scrat, Simon Pegg, Spaceship, Sylva Langova, The Balkans, The Fifties, The Magnetic Monster, Thriller, Tim Robbins

The Magnetic Monster (1953) / D: Curt Siodmak / 76m

Cast: Richard Carlson, King Donovan, Jean Byron, Harry Ellerbe, Leo Britt, Leonard Mudie, Byron Foulger, Michael Fox

The Magnetic Monster

Rating: 6/10 – a sample of selenium, bombarded with alpha waves, becomes a lethal danger to mankind as it develops exponentially – and only the A-Men from the Office of Scientific Investigation can stop it; an exposition heavy sci-fi thriller that takes time out for (stranger) domestic interludes involving Carlson and Bryan, The Magnetic Monster packs a lot in to its relatively short running time and is unexpectedly entertaining for all its techno-speak and overly serious demeanour.

Haunt (2014) / D: Mac Carter / 86m

Cast: Harrison Gilbertson, Liana Liberato, Ione Skye, Jacki Weaver, Brian Wimmer, Danielle Chuchran, Ella Harris, Carl Hadra

Haunt

Rating: 3/10 – a family move into a house where tragedy struck the previous owners, and the son (Gilbertson), along with abused neighbour Sam (Liberato), discovers that the place is haunted by a vengeful spectre; muddled, confused and scare-free, Haunt aims for unsettling and frightening but misses by a mile thanks to weak plotting, a jumbled storyline, stock characters, absentee direction, and an overbearing score (and that’s without mentioning the performances, particularly Weaver’s – which is dreadful).

Ice Age: Collision Course (2016) / D: Mike Thurmeier, Galen T. Chu / 94m

Cast: Ray Romano, John Leguizamo, Denis Leary, Queen Latifah, Simon Pegg, Keke Palmer, Adam Devine, Wanda Sykes, Seann William Scott, Josh Peck, Jennifer Lopez, Jesse Tyler Ferguson, Jessie J, Nick Offerman, Chris Wedge

Ice Age Collision Course

Rating: 5/10 – while Scrat does his best to keep his acorn safe aboard a spaceship, his actions lead to a massive meteorite heading for Earth, which in turn leads to Manny (Romano) and the usual gang having to formulate a plan to avoid the extinction of them all; while the series can still manage to sprinkle a handful of inspired visual gags throughout each entry (and this is no different), the law of diminishing returns is having a savage effect on the storylines, with this outing proving less than inspired, and leaving the characters teetering on the edge of becoming their own caricatures.

Little Red Monkey (1955) / D: Ken Hughes / 71m

aka The Case of the Red Monkey

Cast: Richard Conte, Rona Anderson, Russell Napier, Sylva Langova, Colin Gordon, Donald Bisset, John King-Kelly, Bernard Rebel, Arnold Marlé, John Horsley

Little Red Monkey

Rating: 7/10 – when several nuclear scientists are murdered, and the culprit appears to be a little red monkey, Scotland Yard and a visiting US State Department agent have to make sure that defecting Professor Leon Dushenko (Marlé) doesn’t end up dead as well; an agreeable, fast-paced thriller, Little Red Monkey mixes international espionage, early Cold War paranoia, romance, and intrigue to good effect, and thanks to the script by Hughes and James Eastwood, has a discreet Hitchcockian vibe that benefits it tremendously.

A Perfect Day (2015) / D: Fernando León de Aranoa / 106m

Cast: Benicio Del Toro, Tim Robbins, Olga Kurylenko, Mélanie Thierry, Fedja Stukan, Eldar Residovic, Sergi López

A Perfect Day

Rating: 7/10 – a group of aid workers in the war-torn Balkans try to have a dead body removed from a well that provides drinking water, and are met by every type of obstruction possible – bureaucratic, cultural, and just plain bizarre; A Perfect Day‘s very good cast can’t mitigate against the episodic nature of the story, or de Aranoa’s offhand treatment of some of the minor characters, but otherwise this is a pointed, unsentimental look at the quieter horrors that war can throw up, and when it wants to be, uses black humour as a trenchant counterpoint to all the tragedy.

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Short Movies Volume 1

27 Friday Nov 2015

Posted by dullwood68 in Movies

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Tags

Aliens, Andrea Jensen, Animation, Blue Sky, Brian Dietzen, Camera, Casino, Christmas Scrat-tastrophe, Dave Calub, David Mead, Devon Avery, Documentary, Erinn Hayes, Galen Chu, Gambling, History, Horror, Invasion, Is This Free?, Jack Hawkins, Lauris Beinerts, Matthew Kalish, Megan Prescott, Mike Thurmeier, One-Minute Time Machine, Ransom Riggs, Reviews, Romance, Ryder Bach, Salton Sea, Scrat, Short movies, Spaceship, The Accidental Sea, The Plan (2008), Time travel, Turn Around When Possible

The short movie is an oft-neglected aspect of movie viewing these days, with fewer outlets available to the makers of short movies, and certainly little chance of their efforts being seen in our local multiplexes (the exceptions to these are the animated shorts made to accompany the likes of Pixar’s movies, the occasional cash-in from Disney such as Frozen Fever (2015), and Blue Sky’s Scrat movies (see below). Otherwise it’s an internet platform such as Vimeo, YouTube (a particularly good place to find short movies, including the ones in this post), or brief exposure at a film festival. Even on DVD or Blu-ray, there’s a dearth of short movies on offer. In an attempt to bring some of the gems that are out there to a wider audience, here is the first in an ongoing series of posts that will focus on short movies. Who knows? You might find one that becomes a firm favourite – if you do, please let me know.

One-Minute Time Machine (2014) / D: Devon Avery / 6m

Cast: Brian Dietzen, Erinn Hayes

One-Minute Time Machine

Rating: 9/10 – A comedy about a young man who invents a time machine in order to impress the girl of his dreams, this brief but inventive short is like a sci-fi version of Groundhog Day, but with a humorous sting in the tale. The two leads are well chosen, with Dietzen (NCIS‘s Jimmy Palmer) playing the lovelorn geek to perfection, and Hayes proving to be an equally effective sparring partner. It does make up its own rules about time travel but that’s no bad thing, and Avery makes a virtue of the way in which he cuts between his two characters. A rewarding little movie that is well worth watching.

Turn Around When Possible (2014) / D: Dave Calub, David Mead / 7m

Cast: Megan Prescott, Holly Hoyland

Turn Around When Possible

Rating: 7/10 – Two young women trust their sat-nav too much in this British short that sees them lost in the forest and at the mercy of something strange lurking in the undergrowth. Just what is lurking in the undergrowth is very reminiscent of a creature you shouldn’t get wet or feed after midnight, and the acting is a little amateurish, but this is still an atmospheric, well-shot movie that also manages to provide viewers with a surprisingly ambiguous ending.

Is This Free? (2011) / D: Lauris Beinerts / 8m

Is This Free?

Cast: Jack Hawkins, Tarryn Meaker, Abdiel LeRoy, Cornelia Baumann, Julian Lamoral-Roberts, David Cullinane, Chloe Massey, Katie Goldfinch, Véronique Sevegrand

Rating: 8/10 – Observational comedy is the focus here as Hawkins’ Luka illustrates the various responses he gives to people who ask if the seat next to him is free. Ranging from the risible – woman agrees to pay £2 to avoid someone else getting the seat – to the awkwardly humorous – Luka allows someone to sit next to him on a bench but tells them they’re being watched – Beinerts makes the most of his central idea, and it’s put together with a great deal of heart. And of course Luka doesn’t get it all his own way, which helps the movie avoid being too clever for its own good.

The Plan (2008) / D: Matthew Kalish / 4m

Cast: Ryder Bach, Andrea Jensen

Plan, The

Rating: 8/10 – Mitch (Bach) is unhappy with his life and decides to ditch his job, his girlfriend, and travel to Las Vegas to bet everything’s he’s got on red. Along the way he meets a young woman (Jensen) who steals his camera, but proves to be an augur of a better future. Shot in black and white, and with a Fifties feel to it that adds to the movie’s overall charm, this is both romantic and transformative at the same time, and despite Kalish’s predilection for unnecessary camera angles.

The Accidental Sea (2011) / D: Ransom Riggs / 6m

Accidental Sea, The

Rating: 8/10 – The writer of the Miss Peregrine’s Home for Peculiar Children‘s trilogy provides a potted history of California’s Salton Sea, from its origins as a major engineering mistake to its heyday as a holiday destination before the sea became too salty to sustain the surrounding infrastructure. Of particular interest thanks to Riggs’ modern day footage, where the area looks like the aftermath of the end of the world, the only fault is the sudden appearance of an old man who’s been making art out of the area’s refuse, and who isn’t on screen for nearly long enough. Haunting and wistful, this is a documentary short that is visually arresting and endlessly fascinating.

Christmas Scrat-tastrophe (2015) / D: Mike Thurmeier, Galen Chu / 5m

Cast: Ray Romano, John Leguizamo, Denis Leary, Chris Wedge

Christmas Scrat-tastrophe

Rating: 9/10 – Scrat’s back, and this time his obsession with keeping his nut all to himself leads to his being aboard the spaceship we glimpsed in the first Ice Age movie. From there, Scrat heads off into space to play havoc with the planets and go for a space walk, with predictably disastrous effects. Unabashedly entertaining (and with a complete disregard for physics and astrodynamics), this is top-notch stuff that, unfortunately, serves as a reminder that Scrat’s solo adventures are still far more entertaining than the full-length movies he has a supporting turn in.

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