10 Reasons to Remember Shashi Kapoor (1938-2017)

05 Tuesday Dec 2017

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Actor, Bollywood, Career, James Ivory, Top 10

Shashi Kapoor (18 March 1938 – 4 December 2017)

That Shashi Kapoor became an actor and producer should be no surprise given that he was born into Indian acting royalty. His father, Prithviraj, was a leading light in Hindi silent cinema, and went on to become a successful theatre producer and director. Shashi was soon inducted into his father’s touring theatre troupe, and it wasn’t long after that that he was appearing in movies. During the late Fifties he worked as an assistant director before making his debut as an adult actor in Dharmputra (1961). It was the start of a career that would span nearly forty years and see him appear in over a hundred and fifty movies (though he had a rocky start, with most of his early movies being box office flops).

Kapoor had an ebullient screen presence, and though he was often called upon to play the leading man, he wasn’t afraid to take a back seat when needed to some of his co-stars, such as Amitabh Bachchan or Sanjeev Kumar. For Kapoor his theatrical background ensured that the story was the main thing, and whether he was appearing in a Bollywood production, or an English language movie – he was the first Indian actor to move comfortably between the two arenas, and he worked particularly well with James Ivory – Kapoor’s commitment to the roles he played was unwavering. Even if a movie he appeared in wasn’t successful (and there were many), Kapoor retained his popularity, and his career maintained a momentum that, at its height, saw him appear in six or seven movies a year for a number of years. The Sixties and Seventies were perhaps his best period, but he continued to give good performances right up until his last movie, the unfortunately titled Dirty British Boys (1999).

In his home country he will always be remembered as the handsome leading man of so many Bollywood musical extravaganzas, while his appearances in the movies of James Ivory will keep his memory alive in the West. He had a much more substantial tie to the West, of course, through his marriage to the actress Jennifer Kendal, who he appeared with in Shakespeare-Wallah (1965). With her he continued the Kapoor family dynasty, and now he has children who work in the industry as well as various nieces and nephews. He made a couple of forays into directing, and could be called upon to provide the odd guest appearance in a movie from time to time, but it will be those traditional leading man roles from the Sixties and Seventies for which he will be best remembered, roles that showcased both his star quality and his commitment to acting.

1 – Shakespeare-Wallah (1965)

2 – Jab Jab Phool Kihle (1965)

3 – Pyar Ka Mausam (1969)

4 – Bombay Talkie (1970)

5 – Deewaar (1975)

6 – Kabhie Kabhie (1976)

7 – Junoon (1979)

8 – Shaan (1980)

9 – Heat and Dust (1983)

10 – New Delhi Times (1986)

Top 10 Pixar Movies at the International Box Office

28 Tuesday Nov 2017

Posted by dullwood68 in Movies

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Animation, International Box Office, Pixar, Sequels, Top 10

With Coco (2017), the latest Pixar movie, stomping all over the competition since its release on 22 November – over $155 million worldwide and counting – it’s a salient reminder that Pixar, despite a run of less than stellar pictures in recent years, still know how to surprise and engage us, and that worldwide haul, achieved in just five days is not to be sneezed at, denigrated, or viewed as anything other than a major achievement for a company that seemed in danger of having lost its edge completely (especially since those little yellow Minions came along). But even when Pixar doesn’t exactly hit a home run with its releases, they’re still making huge profits and are still able to draw in audiences around the world. Whatever you may think about the likes of Cars 2 (2011), or The Good Dinosaur (2015), Pixar are still winners at the box office. Don’t believe it? Then read on…

10 – Cars 2 (2011) – $562,110,557

If there’s one movie that you could be forgiven for thinking should be on this list it’s WALL-E (2008), but both this movie and Brave (2012) were more profitable worldwide. With the critical drubbing Cars 2 received, not to mention its subsequent reputation as the worst Pixar movie ever made, this disastrous “spy caper” was Pixar’s first serious misstep in a dozen movies, and its success can only be put down to audiences ignoring the reviews and heading to cinemas anyway. That anyone came away pleased that they went is another matter entirely, but there must have been quite a few who were wondering if they could try and turn back time just as Holley Shiftwell tries to in the movie.

9 – Monsters, Inc. (2001) – $577,425,734

Still perhaps one of Pixar’s most engaging and sharply realised movies, Monsters, Inc. is a monstrously enjoyable fairy tale that like all the best Pixar movies, carries a tremendous amount of emotional depth, and feeling, around with it. There’s also the inspired casting of Billy Crystal and John Goodman, an incredibly detailed world for their characters to inhabit, and Pixar’s trademark heart and soul to anchor all the drama and the laughs. Pixar’s fourth movie saw them gaining more and more confidence, both in terms of the animation and the storylines, and this remains one of the best examples of Pixar’s ability to create a world out of nothing and make it entirely credible.

8 – Ratatouille (2007) – $620,702,951

Ten years on, and though it may be unfair to say so, there’s a sense that, along with A Bug’s Life (1998), Ratatouille is the Pixar movie that people forget is a Pixar movie. Fantastically entertaining and richly rewarding in its depiction of a culinary world that puts food on a pedestal (and then provides another pedestal for its central character to reach the soup tureen), it’s another inspired movie that works on so many different emotional levels that it’s almost embarrassing (for other animation studios to watch). It’s also a movie that contains one of the finest moments ever created by Pixar, the moment when detached and dismissive food critic Anton Ego tastes Remy’s ratatouille and is immediately transported back to the more carefree days of his childhood. Sheer perfection.

7 – The Incredibles (2004) – $633,019,734

Pixar does superheroes – and in the only way they know how: by making them a mostly dysfunctional family with more problems than whether or not some evil villain is planning to take over the world. The Incredibles can lay claim to being the funniest Pixar movie so far (“Where’s my super suit?”), but it’s the way in which it takes superhero tropes and visual stylings and melds them to its own way of looking at the world through demoralised superhero eyes that makes it work so well. That, and the fact that the action sequences are cleverly orchestrated, something that the movie doesn’t always get an appropriate amount of credit for. With a sequel fast approaching, let’s hope it adds to this movie’s lustre and legacy, and doesn’t wind up as another unnecessary, and underwhelming, Pixar sequel.

6 – Up (2009) – $735,099,082

Justly celebrated for that opening montage of the highs and lows of a couple’s life, Up peaks incredibly early, and the story that follows isn’t quite able to raise the bar any higher, but the movie carries itself well, and it’s still an enjoyable jungle romp that harks back to the old-time serials of the Thirties and Forties. It’s touching, thrilling, funny, happily melodramatic when it wants to be, and is the first Pixar movie to deal with notions of mortality in a way that isn’t indirect or which sidesteps the issue. And like a lot of Pixar movies, it’s about the power of friendship, a theme that is given full and credible expression through the unlikely, yet growing co-dependence of an old man and a boy scout.

5 –Monsters University (2013) – $744,229,437

Not one of Pixar’s best received sequels – and despite its being a major financial success – Monsters University did well because of the affection audiences have for Mike Wazowski and James P. Sullivan. But it encumbered them in a storyline that showed promise but which petered out in terms of originality and audience engagement (even Crystal and Goodman seem to be giving muted performances), and there were awkward, unresolved issues with the timeline and its connection to Monsters, Inc. There were also too many occasions where it seemed to be trying too hard, something that afflicted Cars 2 as well. By this stage, Pixar wasn’t the creative juggernaut it had been just a few short years before, and the caché they had built up was slowly being eroded. Thankfully, they took a two year break, and then came back with…

4 – Inside Out (2015) – $857,611,174

The movie that reaffirmed our faith in Pixar’s ability to “get the job done” and present us with a highly original idea rendered in a highly original fashion, Inside Out was and is a triumph of production and character design, and it provides moments of intense meditation on how difficult it is to find yourself while going through the maelstrom of puberty. Alternately touching and reflexive, the movie covers so much ground, both emotionally and intellectually, that it’s hard sometimes to work out just how Pixar got this so right, and without making any glaring mistakes in the process. Effortless, and extremely likeable, this is a movie that should resonate with anyone who struggled through their teenage years.

3 – Finding Nemo (2003) – $940,335,536

Pixar’s first true box office juggernaut, and their fifth release over all, Finding Nemo‘s simple premise works precisely because it is so simple. Blessed with a terrific vocal performance by Ellen DeGeneres as Dory, the movie is made up of one distinctive scene after another, and plays with its notions of family with intelligence and heartfelt honesty, making this – yet again – a Pixar movie that works on far more levels than it has any right to, and which succeeds brilliantly in capturing the anxiety and fear of being separated from a loved one, and never knowing if you’ll ever see them again. It’s so good it’s hard to work out who’s likely to be more shaken by its tale of abbreviated safety: the parent or the child.

2 – Finding Dory (2016) – $1,028,570,889

In many ways a re-run of its predecessor, Finding Dory is a Pixar sequel that has all the hallmarks of a “safe bet”: it brings back a good many of the original characters, sends them on another journey where humans act as unwitting imprisoners, and throws in a number of set pieces that are both energetic and well thought out, but there’s something missing that stops it from being as good (even if audiences didn’t think so). DeGeneres is still good value though, and helps the movie over some unexpected rough patches, but though this isn’t too far off the top spot in terms of money earned, it’s not quite the success that its position warrants. Still, if you settle back and don’t think it about it too much, then it can be as funny and as engaging as you want it to be.

1 – Toy Story 3 (2010) – $1,066,969,703

That rare beast, a second sequel that’s as good, if not better, than the original or its immediate sequel, Toy Story 3 is Pixar’s most financially successful movie after twenty-two years and nineteen movies. As animated movies go, it’s near perfect: a combination of earnest sentimentality, wistful regret, touching emotional candour, and the kind of endearing behaviour we’ve come to expect from such an amazing cast of characters (aided and abetted of course by some group of humans who aren’t nearly as important). It has some darker elements that would have made the movie feel false if they hadn’t been included, and like the montage at the beginning of Up, is almost guaranteed to reduce you to tears towards the end. A fitting conclusion to what many people regard as the “best trilogy ever made”, and even without that affirmation, a genuinely superb movie that rewards the viewer every time they watch it.

Top 10 Actresses at the Box Office 2017

22 Friday Sep 2017

Posted by dullwood68 in Movies

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2017, Actresses, Box Office, Highest grossing movie, Top 10

As with the list of the Top 10 Actors at the Box Office 2017, this has been returned to its usual slot in September, thanks to a number of changes within the list itself, including a goodbye to Anne Hathaway, and some interesting jockeying for position. With only a few months left to go before 2018 potentially changes things even more, the list continues to reflect the popularity of older movies made by these actresses, and the likelihood that the top six all are here to stay indefinitely. Last year‘s list was interesting because of how many changes there were and this year is no different, making it look as if the Top 10 Actress list can provide more surprises than its male counterpart. And with many of the stars on the list appearing in some big movies in 2018, where they land up this time next year is just as open to debate as previous years.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Sandra Bullock / HGM: Minions (2015) – $1,159,398,397

Down two places from last year, Bullock has been quiet of late, and at the moment has only Ocean’s Eight next year ready to hit our screens. It’s too early to tell if this female-centric reboot will attract audiences in the same way that Steven Soderbergh’s own reboot/remake did, but if it doesn’t, then there’s a good possibility that Bullock will be off the list next year and back to the fringes.

9 – Jennifer Lawrence / HGM: The Hunger Games: Catching Fire (2013) – $865,011,746

Up one place from last year, Lawrence has had a patchy couple of years recently, but though Passengers (2016) made over $300 million, her place on the list is just as liable to be taken over by someone else as it is to be retained. Watch this space then, because Lawrence’s upcoming slate of releases consists of just three movies, one of which is the not-exactly-wanted-right-now X-Men: Dark Phoenix, due next year. If she’s to stay on the list, that movie needs to be more like X-Men: Days of Future Past (2014), and less like X-Men: Apocalypse (2016).

8 – Zoe Saldana / HGM: Avatar (2009) – $2,787,965,087

The newbie on the list, Saldana arrives thanks to her involvement in not only Avatar (and just think where she could be in a few years’ time if that movie’s sequels are anywhere near as successful as James Cameron hopes they’ll be), but also through her work for Marvel, and to a lesser extent, her thankless role in the latest Star Trek franchise. It’s as much a certainty as you could get that she’ll be on this list now for quite some time to come. The only question is: how far will she go?

7 – Julia Roberts / HGM: Pretty Woman (1990) – $463,406,268

Dropping two places a la Bullock, Roberts keeps a firm grip on her place in the Top 10, but with her workload getting lighter and lighter – just one TV episode lined up for 2018 at the moment – and with everyone immediately around her appearing in movies that have the potential to bring in blockbuster-sized returns, her place on the list isn’t quite as assured as it has been since it started back in 2014. It would be a shame too, as she’s the only person on either list whose HGM earned less than $500 million.

6 – Cate Blanchett / HGM: The Lord of the Rings: The Return of the King (2003) – $1,119,929,521

Also dropping two places (is this a theme?), Blanchett is unlikely to be any lower on next year’s list thanks to her upcoming appearances in the eagerly awaited Thor: Ragnarok later this year, and that Ocean’s Eight reboot. There’s also the (hopefully less than) small matter of Andy Serkis’s version of The Jungle Book in which she plays Kaa. She may even bound back up a place in the process. But a mid-place position seems to be where she’ll remain whatever happens.

5 – Elizabeth Banks / HGM: Spider-Man 3 (2007) – $890,871,626

Roberts and Blanchett’s misfortune is Banks’s gain as she moves up one place from last year, and does so thanks to her appearance in the moderately successful Power Rangers. However, with only her supporting role in Pitch Perfect 3 (this year’s most dubious Xmas present), and high concept The Happytime Murders along with her directorial turn on the Charlie’s Angels reboot keeping her occupied, Banks’ rise up the list may come to a halt, or even a decline, a lot sooner than expected.

4 – Helena Bonham Carter / HGM: Harry Potter and the Deathly Hallows Part 2 (2011) – $1,341,511,219

Bonham Carter slips one place to four (she’s never been lower), and retains her position in the top five despite making a number of low profile, barely-registered-at-the-box-office movies in the last few years. She too is in Ocean’s Eight, and so it’s likely she’ll remain in the top five, but with little else on the horizon, there’s equally a chance that she’ll be even further down the list come next September. If there’s one actress on the list who it’s hard to determine if they’ll suffer or not in the rankings, Bonham Carter is that actress.

3 – Cameron Diaz / HGM: Shrek 2 (2004) – $919,838,758

Diaz’s top three place on the list is all the more astonishing due to the fact that she hasn’t made a movie since the ill-advised remake of Annie in 2014. Since then, Diaz hasn’t been attached to a single project and appears to be in some kind of semi-retirement, seemingly content to write self-help books instead. Whatever the future may bring, it’s still unlikely that she’ll slip from the list altogether, but her tenure in the top three – unassailable until now – may not last too much longer.

2 – Emma Watson / HGM: Beauty and the Beast (2017) – $1,262,852,042

A leap of five places from last year’s number seven spot sees Watson challenging hard for the number one spot, but even though Beauty and the Beast will keep her near the top for some time to come – probably – she is currently on something of a sabbatical, with no projects currently lined up in the near future. This may see her drop a place or two next year, but again, like so many others on the list, suffering that kind of result in future years won’t necessarily mean au revoir but à bientôt instead.

1 – Scarlett Johansson / HGM: The Avengers (2012) – $1,518,812,988

Perhaps an inevitable outcome, Johansson retains the top spot she grabbed last year, and like her Marvel co-star Samuel L. Jackson on the Top 10 Actors list, looks set to stay where she is for quite some time to come. Beyond Avengers: Infinity War there’s nothing else lined up for her (not even a Black Widow solo movie – surprise, surprise), but it won’t matter a bit; Johansson is here to stay and no one else can touch her.

Top 10 Actors at the Box Office 2017

21 Thursday Sep 2017

Posted by dullwood68 in Movies

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2017, Actors, Box Office, Highest grossing movie, Top 10

Welcome to this year’s look at the great and good amongst movie actors, those stars who keep us coming back to the cinema time after time, and help put as many bums on seats as they possibly can. As with last year’s list, I was going to do this post nearer to Xmas to get a picture of the year as a whole, but with the summer period now over (bar the screams from those who’ve yet to see It), there has been enough movement to warrant returning it to its usual appearance in September. In the lower half there are some changes as we say goodbye to Michael Caine and Anthony Daniels, but the upper half still resembles a shoving match at a Russell Crowe impersonators’ convention. So whose turn is it in the top spot this year? Read on to find out.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Johnny Depp / HGM: Pirates of the Caribbean: Dead Man’s Chest (2006) – $1,066,179,725

Last year’s number nine drops one place and faces dropping even further, despite his appearance in the latest Pirates of the Caribbean movie, and a cameo in J.K. Rowling’s franchise starter, Fantastic Beasts and Where to Find Them. Depp hasn’t impressed since he played James “Whitey” Bulger in Black Mass (2015), and before then you have to go back to Public Enemies (2009). If he’s going to retain his place on the list then he’ll need to make some much better choices than he has done over the last ten years or so, but looking at the movies he has got lined up, his place on the list next year isn’t guaranteed.

9 – Ian McKellen / HGM: Beauty and the Beast (2017) – $1,262,852,042

The first of the two new entrants on the list, McKellen’s placement is due entirely to his playing a clock in a movie that was always going to do well at the box office even as it drained the magic out of its story with every scene. With this and his appearances as Gandalf in a certain sextet of movies, McKellen may hold on to a place in the Top 10 come this time next year, but with only a couple of voice roles and a reworking of Hamlet on the horizon, McKellen is just as vulnerable as Johnny Depp, and may make a swift return back to the outer fringes of the list.

8 – Tom Cruise / HGM: Mission Impossible: Ghost Protocol (2011) – $694,713,380

Last year, and despite his being at number seven on the list, Cruise was considered to be something of a good bet to be off the list this year, but here he is, down one to eight and hanging in there (no pun intended) despite a relatively poor showing for Jack Reacher: Never Go Back and a disastrous showing for The Mummy. Cruise has yet another impossible mission to go on next year (if he can remain uninjured for the rest of the shoot that is), but otherwise his slate is pretty clear. Whether that means anything though is yet to be seen…

7 – Stanley Tucci / HGM: Beauty and the Beast (2017) – $1,262,852,042

Perhaps unsurprisingly, the other new entrant on the list is also there because he’s played an inanimate object given specious life, but Tucci’s appearances in the Hunger Games quartet have also helped boost him to the number seven spot. Tucci is keeping himself busy with a number of upcoming projects, but none of them scream huge box office winner, so his continued appearance here is just as hard to predict as his fellow thespians below him. Still, it’s good to see someone who’s generally regarded as a supporting actor make it onto the list, even if it does only turn out to be for this year.

6 – Eddie Murphy / HGM: Shrek 2 (2004) – $919,838,758

Murphy’s downward slide since this thread began comes to a halt, and he continues to provide proof that you don’t have to be appearing in every latest blockbuster under the sun in order to make the list, and that you don’t even have to be making that many anyway. Murphy is attached to just three projects at present, and only one of them, the long-proposed sequel to Twins (1988), is anywhere near being made, but it probably won’t make the slightest difference to his position on the list. And that’s completely and totally okay.

5 – Robert Downey Jr / HGM – The Avengers (2012) – $1,518,812,988

Another non-mover on the list, Downey Jr’s place is likely to be much higher next year once Avengers: Infinity War hits our screens, empties our wallets, and paves the way for Untitled Avengers Movie in 2019. He has a couple of equally high profile projects heading our way as well – the long-rumoured third Sherlock Holmes movie, and The Voyage of Doctor Dolittle – so Downey Jr could well be in contention for a top three spot come September next year.

4 – Morgan Freeman / HGM: The Dark Knight (2008) – $1,004,558,444

Another non-mover, Freeman’s presence on the list – like Murphy’s – is a potent reminder that sometimes it only takes a handful of successful movies to make the list. After that, you can make as many small, financially under-achieiving movies as you like and it won’t make a difference. Like Tucci he’s keeping himself busy over the next year – including, God help us, appearing in Angel Has Fallen – but whatever happens, his place on the list is assured for some time to come.

3 – Tom Hanks / HGM: Toy Story 3 (2010) – $1,066,969,703

Even though Hanks is still in third place for the second year running, and even though he’s made a few unsuccessful choices in the last few years – Sully aside, of course – he’s still made enough bona fide classics and box office successes to keep his place in the top five until the end of recorded time and beyond. There’s the small matter of a fourth Toy Story movie coming up, but that’s not until 2019, and in the meantime there aren’t that many projects with Hanks’ name attached to them. He may well be slowing down, or maybe he’s becoming more choosy. Either way, he’s not going anywhere except a place or two down the list; out of it altogether, though? Not a chance.

2 – Harrison Ford / HGM: Star Wars: The Force Awakens (2015) – $2,068,223,624

So Ford’s reign at the top lasts just a year, and though his dropping down to second place isn’t entirely surprising, whether or not he’ll drop another place next year may not be so surprising either. With only Blade Runner 2049 occupying his time between now and 2020’s Untitled Indiana Jones Project (they do know he’ll be seventy-eight by then, right?), Ford doesn’t have to work if he doesn’t want to, and if he doesn’t it won’t have too much of an effect on the list – he’ll still be on it somewhere – but having hit the top spot, it would be a shame to see him out of contention in the years to come.

1 – Samuel L. Jackson / HGM: The Avengers (2012) – $1,518,812,988

He’s back, he’s… ah, you get the gist. The sweariest actor this side of Joe Pesci in GoodFellas (1990) continues to dominate the list, aided by the success of Miss Peregrine’s Home for Peculiar Children, and Kong: Skull Island. Jackson makes a lot of movies each year, some of which are big box office draws, others that don’t fare so well, and others that just make the viewer want to scream “motherf*cker!” at the screen they’re so bad (The Legend of Tarzan, anyone?). And even though Jackson as Nick Fury won’t be in Avengers: Infinity War, he’s got plenty of other movies in the pipeline that should bring huge box office returns. Still at the top next year? Don’t bet against it.

Top 10 True Crime Movies at the International Box Office

07 Wednesday Jun 2017

Posted by dullwood68 in Movies

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American Gangster, Black Mass, Catch Me If You Can, Changeling, Crime, Donnie Brasco, Gangster Squad, Johnny Depp, Leonardo DiCaprio, Pain & Gain, Public Enemies, The Wolf of Wall Street, Top 10, True crime, Zodiac

In a very real sense we’re all fascinated by crime, and the behaviour of criminals. We all like to think that we wouldn’t do anything like the things we see in our movies and on television, but as that’s very likely the thinking that every criminal starts out with, it’s not so surprising then that there are all kinds of thoughts and plans and counter measures in place to offset this leaning, but there will always be those for whom the regular rules won’t apply – and they’ll tell you that if you’re unlucky. Thankfully, history is full of criminal activities, and many of them have been adapted for the big screen. And some have been very successful indeed. So, here they are: the Top 10 True Crime Movies at the International Box Office.

10 – Zodiac (2007) – $84,785,914

During the late 1960’s and early 1970’s, a serial killer operated in the San Francisco Bay area. The unsolved murders he was responsible for, and the manhunt for him, are the movie’s prime focus, with director David Fincher offering a clinical yet thrilling exercise in true crime that grips from its opening scene, and which never lets go. The recreation of the period, and the events that occurred back then, is played out on an almost forensic level, and Zodiac‘s amazing cast – which includes Jake Gyllenhaal, Robert Downey Jr, and Mark Ruffalo – all give career-defining performances. Gripping despite the absence of a cathartic ending – the Zodiac killer was never caught – this is still a bold and uncompromising movie that remains as impressive now as it was on its original release.

9 – Pain & Gain (2013) – $86,175,291

Body building, kidnapping, blackmail, and torture – three of those things seem like natural bedfellows, but in the mid-1990’s all four elements came together when a Sun Gym employee Daniel Lugo (Mark Wahlberg) recruited Adrian Doorbal (Anthony Mackie) and Paul Doyle (Dwayne Johnson) in a plot to kidnap and extort a ransom from local Florida businessman Victor Kershaw (Tony Shalhoub). It was a plan almost doomed to end in disaster, and Michael Bay’s uneven, and superficially appealing black comedy benefits from good performances, and a sense of its own violent absurdity. Not a hit with the critics, Bay and Wahlberg’s names nevetheless helped Pain & Gain in its success, and if it’s a movie neither mentions very often, then this quote by Ed Harris’s detective perfectly sums it all up: “Unfortunately, this is a true story.”

8 – Black Mass (2015) – $99,775,678

The first of three movies on the list that star Johnny Depp in the lead role, Black Mass charts the criminal life and career of South Boston mobster James “Whitey” Bulger. His association with the FBI remains an incredible example of real life mutual dependency and manipulation, with both sides certain they were “in control” of the other. As the reptilian Bulger, Depp has the look and gaze of a velociraptor, and his performance is probably his best in a very long time, but ultimately the movie suffers from poor pacing and too many unresolved subplots. There’s terrific support from Joel Edgerton, Jesse Plemons, and Peter Sarsgaard, and the soundtrack supports the tone and the mood of the movie with aplomb, but again, this is a movie where a lot happens but not all of it matters or has any impact.

7 – Gangster Squad (2013) – $105,200,903

A heavily fictionalised account of the LAPD’s attempts to neutralise crime czar Mickey Cohen, Gangster Squad plays fast and loose with the truth in an effort to be as slick and entertaining as possible. Terrific period detail and a great cast can’t compensate for the movie’s many shortcomings, or the emerging feeling that it’s the violent action sequences that mattered most when the movie was being put together. Still, it’s these same sequences that provide Gangster Squad with the crude energy that makes it acceptable on a visceral level, but if it’s well rounded characters, a coherent plot, or credible dialogue you’re looking for, then this isn’t the movie for you’re looking for.

6 – Changeling (2008) – $113,020,256

The 1928 Wineville Chicken Coop case may not be one of the more widely known criminal cases of the twentieth century, but in the hands of director Clint Eastwood it becomes a fascinating, and thought-provoking drama about police intransigence and the determined efforts of a mother (Angelina Jolie) to convince the authorities that the boy returned to her after her son has been abducted, isn’t really her son. Jolie gives a fearless performance, but while the movie is generally compelling in a “what happens next?” sense, as a whole Eastwood’s decision to dial down the inherent melodrama of the case leads to the movie feeling lacklustre and pedestrian.

5 – Donnie Brasco (1997) – $124,909,762

The second movie on the list to feature Johnny Depp examines the career of Joseph Pistone, an undercover FBI agent. During the 1970’s, Pistone infiltrated the Mafia Bonnano crime family, an assignment that led to the convictions of over one hundred Mafia members. Depp is superb in the title role, but he’s edged out – just – by Al Pacino’s portrayal of Benjamin “Lefty” Ruggiero, the low-level soldier Pistone uses as a way to gain acceptance by the crime family. Both actors challenge each other in their scenes together, and they’re ably supported by the likes of Michael Madsen and Bruno Kirby. With a terrific script by Paul Attanasio and scalpel-like direction from Mike Newell, Donnie Brasco offers ethical and moral dilemmas, friendships borne out of necessary deceit, and a trawl through the criminal underworld that is both attractive and repulsive – and unapologetically so.

4 – Public Enemies (2009) – $214,104,620

Depp 3.0 sees him as notorious Depression-era bank robber John Dillinger, otherwise regarded as Public Enemy No. 1. Michael Mann’s ode to a more lawless, bygone era, plays somewhat as a Western, with Depp as the bad guy and Christian Bale as the good guy, FBI agent Melvin Purvis. Mann’s trademark visual aesthetic is on display as expected, and often to breathtaking effect, and the supporting cast includes the likes of Giovanni Ribisi, Carey Mulligan, Channing Tatum, and Lili Taylor. It’s a movie that has as many detractors as it does supporters, but what can be said with confidence is that it features one of Depp’s very best performances, an impressive level of period detail, and a handful of superbly choreographed action sequences.

3 – American Gangster (2007) – $266,465,037

The life of Frank Lucas (Denzel Washington) and how he became a North Carolina crime lord through his efforts smuggling heroin into the US from Vietnam during the 1970’s, is told in a very heavily fictionalised way that also includes his nemesis, task force detective Richie Roberts (Russell Crowe). Directed by Ridley Scott, American Gangster is a pungent, gritty examination of the dark side of the American dream, and while the real Frank Lucas was nothing like the way he’s portrayed by Washington, the movie has him take charge of his criminal empire in bold, vicious strokes that highlight the menace beneath the suave exterior. It does drag in places as the script attempts to cram in as much as it can, but this is still an absorbing, meticulously constructed movie that rewards far more than it disappoints.

2 – Catch Me If You Can (2002) – $352,114,312

Crime comes in various forms and is committed by people from all walks of life – as evidenced by Catch Me If You Can, essentially a caper movie about real life conman Frank Abagnale Jr (Leonardo DiCaprio). It’s hard not to sympathise with Abagnale as he leads a life, and several lifestyles, that are far removed from his humble beginnings in New York state. In the hands of Steven Spielberg the movie offers a virtual kaleidoscope of funny, sweet-natured moments that are entertaining and delightfully assembled, making this a movie that celebrates Abagnale’s quick-witted charm and ebullient nature, and which rarely complicates matters by criticising his actions or behaviour. Tom Hanks is excellent as the FBI bank fraud agent charged with catching Abagnale, and there’s fine support from Christopher Walken as Frank’s father. Not necessarily one of Spielberg’s best, but definitely one of his most enjoyable movies, and a more than pleasant way to spend nearly two-and-a-half hours.

1 – The Wolf of Wall Street (2013) – $392,000,694

DiCaprio again, as Jordan Belfort, the corrupt stockbroker whose excessive lifestyle, paid for by insider trading, brought him to the attention of the FBI (them again!), and precipitated his arrest and subsequent imprisonment. Directed by Martin Scorsese, The Wolf of Wall Street is possibly the moviemaker’s most exuberant and freewheeling movie ever, with an ever-increasing number of directorial flourishes being brought into play, and a sense of overriding fun that becomes contagious the longer the movie continues. However, it’s celebration of the hedonistic times Belfort thrived on (and benefitted from) becomes wearing after a while, and too much repetition threatens to harm the movie’s pace irreparably. DiCaprio is on fine form, and the likes of Margot Robbie and Jonah Hill flesh out their slightly underwritten characters to good effect. Scorsese’s most successful movie at the box office isn’t necessarily his best, but it’s a lot better when it’s not focusing on the excess.

Nicolas Cage’s Top 10 Movies at the International Box Office

08 Wednesday Feb 2017

Posted by dullwood68 in Movies

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Actor, Career, International Box Office, Nicolas Cage, Top 10

The career of Nicholas Kim Coppola has had its fair share of ups and downs (though in recent years it’s consisted mostly of downs). Inhabiting the strange netherworld of DtV movies nowadays, Cage seems to be flitting from one career-killing project to another with no apparent concern for his legacy as an actor (something that could be attributed to a lot of other actors as well – eh, John Travolta?). But overall, Cage has had a great career, and appeared in several modern classics over the years, and this is reflected in the movies that make up the list below (though it doesn’t include his Oscar win for Leaving Las Vegas (1995). The most recent movie in the list is an unexpected success from 2013, but his recent cameo in Snowden (2016) and a well-received outing in Army of One (2016) are, hopefully, signs that the tide is turning. Cage has six movies due for release in 2017, but if none of them improve his standing, we’ll still have all these (mostly) great movies to remember him by.

10 – The Sorcerer’s Apprentice (2010) – $215,283,742

Surprisingly enjoyable on a “don’t-expect-too-much” level, Cage enters into the spirit of things (along with a wonderfully hissable Alfred Molina as the villain) in this barmy fantasy movie. As the ever-so-slightly po-faced Balthazar, Cage has to make one too many trips to Exposition Central, but acquits himself well in a role that could have been played oh-so-seriously. The movie has its fans, and if you haven’t seen it yet, it’s well worth seeking out as an undemanding treat.

9 – Con Air (1997) – $224,012,234

After making the very downbeat Leaving Las Vegas, Cage surprised everyone by making a string of big-budget, high-concept action movies, including this riotous romp where he plays the one good guy on a prison transport plane full of murderers, rapists, thieves, and Steve Buscemi. Cage goes for laconic, brooding and ironically mirthless (“Put… the bunny… back… in the box”), and cements the action credentials he established for himself in The Rock. He’s the calm at the centre of the storm, and all the more convincing for it.

8 – Ghost Rider (2007) – $228,738,393

The first of two outings as stunt motorcyclist turned demonic revenger Johnny Blaze, Ghost Rider sees Cage play the flame-headed title character against the backdrop of an increasingly silly script, and a lacklustre plot. But against the odds, Cage’s interpretation of the character works better than expected, and his understanding of the role lends some gravitas when it’s most needed, making this a definite guilty pleasure, and whether you’re a Marvel fan or not.

7 – Gone in Sixty Seconds (2000) – $237,202,299

Cage saw in the new century with this remake of H.B. Halicki’s 1974 counter-culture classic, but somewhere along the way it failed to replicate what made the original so memorable. Cage gives an unremarkable performance, and the movie’s surface sheen hides a superficial storyline that no amount of slickly produced car chases can hide. That it did so well at the box office is a testament to Cage’s popularity at the time, and a vigorous marketing campaign that promised more than the movie could actually deliver.

6 – Face/Off (1997) – $245,676,146

John Woo given (nearly) free rein + Nicolas Cage + John Travolta + more mayhem and carnage than you can shake a church full of doves at = an even barmier and over the top movie than The Rock. Face/Off is one of the maddest, strangest, but totally enjoyable action movies of the Nineties. Woo directs as if he doesn’t care how looney it all is, and Cage – along with his future DtV compatriot Travolta – goes along for the ride, hamming it up as much as he can and having a whale of a time. He’s out there, and he wants you to come with him… and how can you refuse?

5 – G-Force (2009) – $292,817,841

Cage has contributed his vocal talents to a handful of other movies, but his role as Speckles the mole in G-Force may just be his goofiest performance yet. And it’s made all the more impressive by the fact that, for the most part, it doesn’t even sound like it’s Cage. A kids’ movie that doesn’t try too hard with its script, it’s nevertheless a minor pleasure, and has enough wit about it to offset the unnecessarily convoluted nature of the central plot.

4 – The Rock (1996) – $335,062,621

The first of Cage’s forays into the action movie genre, The Rock gave him a new lease of life on the big screen, and brought him to the attention of a whole new audience. Beginning as a nerd but inevitably transforming into a kick-ass action hero, it’s obvious that Cage is having fun with his role, and this transfers itself to the viewer. Rarely have the gung ho endeavours of an unprepared yet adaptable rookie been so coated in so many levels of ridiculousness, and rarely has an actor proved so effective in carrying it all off as if they were born to it.

3 – National Treasure (2004) – $347,512,318

An action-adventure movie that came out of nowhere and proved unexpectedly successful, National Treasure takes the template that has made Dan Brown such a household name, and tweaks it so that it’s fun and not at all pompous in its self-important outlook. Cage revisits his action hero period but makes his character more like Indiana Jones than Cameron Poe, and in doing so gives one of his loosest, most enjoyably Cage-like performances in years. The plot is suitably daft, but who cares when the aim is to have as much fun as possible? Certainly not this movie, as it revels in its absurdity from start to finish, and continually winks at the audience to reassure them that, for once, it is all just an act.

2 – National Treasure: Book of Secrets (2007) – $457,364,600

A sequel to National Treasure was perhaps inevitable, but what wasn’t as predictable was said sequel out-grossing its predecessor. More convoluted than the original, but lacking the flair that made the first movie so enjoyable, the movie bounces from one absurdist set piece to another with galling regularity, but somehow still manages to keep the audience on board, a feat that is the one thing that makes this poorly constructed – and thought out – sequel as successful as it is.

1 – The Croods (2013) – $587,204,668

An animated movie about a family of Neanderthals with Cage as its male figurehead? A surefire box office success? Unlikely on the face of it, but that’s what happened as audiences took the Crood family to their hearts, and gave Cage his most unexpected hit to date. As in G-Force, Cage shows an aptitude for voice work that makes his role all the more enjoyable, and he finds various and varied ways to display the character’s frustration at continually being ignored by his family. Cage sounds relaxed in the role, and is clearly having fun, an experience his fans haven’t had for quite some time – since this movie, in fact.

John Travolta’s Top 10 Movies at the International Box Office

06 Friday Jan 2017

Posted by dullwood68 in Movies

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Actor, Career, International Box Office, John Travolta, Movies, Top 10

The career of John Joseph Travolta has had its fair share of ups and downs (though in recent years it’s consisted mostly of downs). Inhabiting the strange netherworld of DtV movies nowadays, Travolta seems to be flitting from one career-killing project to another with no apparent concern for his legacy as an actor (something that could be attributed to a lot of other actors as well – eh, Nicolas Cage?). But overall, Travolta has had a great career, and appeared in several modern classics over the years, and this is reflected in the movies that make up the list below. The most recent movie in the list may be from 2008, but a recent return to form in The People v O.J. Simpson: American Crime Story (2016) hopefully will see the tide turn. But if it doesn’t, we’ll still have all these great movies to remember him by.

10 – Broken Arrow (1996) – $150,270,147

John Woo + John Travolta + Christian Slater + more exploding helicopters than you can shake an AK-47 at = a hundred and eight minutes of loud, dumb, spectacular fun. Not the greatest of movies on Travolta’s CV, nevertheless Broken Arrow is hugely enjoyable in a crass, leave-your-brain-at-the-door kind of way, and should best be looked on as a guilty pleasure. It features Travolta hamming it up like crazy (and smoking in the most affected way ever seen on screen), and delivering one of action cinema’s most memorable lines (courtesy of Speed scribe Graham Yost): “Would you mind not shooting at the thermonuclear weapons?”

9 – Phenomenon (1996) – $152,036,382

In the year that also saw Travolta play an angel in Michael, Phenomenon gave us a chance to see him as, possibly, the recipient of a gift from God. Newly imbued with super-intelligence and telekinesis after seeing a bright light in the sky, Travolta’s ordinary Joe becomes an object of fascination, and notions of faith arise too. It’s an uneven movie, but Travolta is good in the central role of George, and if the whole thing falls apart by the end it’s not because of bad intentions, but purely because the script paints itself into a corner it can’t get out of.

8 – Hairspray (2007) – $202,548,575

John Waters + John Travolta in a female body suit + song and dance numbers = one of Travolta’s most enjoyable movies. He may not have been everyone’s first choice for Edna Turnblad, but Travolta gives one of his most relaxed and engaging performances alongside “hubbie” Christopher Walken. A movie bursting with energy and giddy vitality, Hairspray is still as vibrant today as it was ten years ago, and Travolta is a big part of why that’s the case, reminding us that he can still move it and groove it.

7 – Pulp Fiction (1994) – $213,928,762

Quentin Tarantino’s second movie has been pulled part, analysed from the first frame to the last, and generally obsessed over by critics and fans alike ever since its release. It’s simply an incredible breath of fresh cinematic air, and remains a true one of kind over twenty years later. It’s also the movie that brought Travolta back in out of the cold after a career slowdown that had left those same critics and fans wondering if he’d ever get his career back on track after a string of duds that included Two of a Kind (1983) and Chains of Gold (1991). In terms of his performance, it’s arguable that he’s never been better, and his scenes with Uma Thurman are as mesmerising now as they were back then.

6 – Saturday Night Fever (1977) – $237,113,184

The movie that brought Travolta everlasting fame, Saturday Night Fever is a gritty wish-fulfilment tale that’s become overshadowed by its soundtrack, but forty years on it still has a power and a coarse energy that keeps it feeling fresh and not just a time capsule look at an era now long gone. Travolta is so convincing as Tony Manero that you can’t imagine anyone else playing the role, and though it spawned a million and one parodies – the best being in Airplane! (1980) – that white suit and Travolta’s defiant strutting, both on and off the dancefloor, are still as iconic as ever.

5 – Face/Off (1997) – $245,676,146

John Woo given (nearly) free rein + John Travolta + Nicolas Cage + more mayhem and carnage than you can shake a church full of doves at = an even barmier and over the top movie than Broken Arrow. Face/Off is one of the maddest, strangest, but totally enjoyable action movies of the Nineties. Woo directs as if he doesn’t care how looney it all is, and Travolta – along with his future DtV compatriot Cage – goes along for the ride, hamming it up as much as he can and having a whale of a time. He’s out there, and he wants you to come with him… and how can you refuse?

4 – Wild Hogs (2007) – $253,625,427

At this point, you might be saying to yourself, “Wow! Really? Wild Hogs? Over two hundred and fifty million? How did that happen?” And on the surface, you’d be right, but dig a little deeper and the movie has some (well) hidden depths, as well as a quartet of hugely enjoyable performances, including Travolta as the de facto leader of the Hogs. It’s an undemanding movie, but Travolta is easy-going (even when playing uptight) and immensely likeable, and when his character gets easily flustered, it’s a sight to see – purely because it’s a trait he rarely gets to display elsewhere. One to file under Don’t Knock It If You Haven’t Seen It, and a lot funnier and warm-hearted than you’d expect.

3 – Look Who’s Talking (1989) – $296,999,813

The first of three – Travolta appears in all of them – Look Who’s Talking was a surprise box office success back in 1989, but though the basic premise is clever: baby expresses his thoughts and feelings as he would if he were an adult (and with Bruce Willis’s voice), the movie is genuinely funny, and has a lot of heart, making it easy to like. Travolta plays a more charming version of Tony Manero, and there’s a definite chemistry with Kirstie Alley that allows Travolta to show he can do a straightforward romantic role as well. Now if only they’d left things well alone and not made two more movies…

2 – Bolt (2008) – $309,979,994

To date, Bolt is Travolta’s second and last animated movie, after Our Friend, Martin (1999). Unfairly overlooked when it was first released, there’s a lot to be said for the first movie that John Lasseter oversaw upon jumping ship from Pixar to Disney, not the least of which is the unexpectedly inspired choice of Travolta as the title pooch. He’s clearly having fun with the role, and that comes across in his performance; which begs the question, why hasn’t he made more animated movies? Whatever the reason, Travolta is definitely one of the main reasons for the movie’s success, and his performance more than justifies the producers’ making him first choice for the role all along.

1 – Grease (1978) – $394,955,690

As the Kurgan (Clancy Brown) put it in Highlander (1986), “There can be only one”, and sure enough it had to be Grease. Even if you’re not a fan of musicals, you have to admire the sheer exuberance and exhilaration of the dance sequences that make up most of Grease‘s allure, along with its way-too-catchy songs and endlessly quotable dialogue (“Let’s hear it for the toilet paper!”). As the belligerent/charming Danny Zuko, Travolta makes a virtue (of sorts) of thrusting his hips as often as he can in Olivia Newton-John’s direction, as well as looking out of his depth, and all with a virile swagger that recalls any number of teenagers from those Sixties beach movies. A great performance in a classic musical, pure and simple.

Top 10 Actresses at the Box Office 2016

20 Sunday Nov 2016

Posted by dullwood68 in Movies

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2016, Actresses, Box Office, Highest grossing movie, Movies, Top 10

As with the list of the Top 10 Actors at the Box Office 2016, this was meant to be posted back in September, but with some wholly expected box office successes this year it seemed prudent to wait to see if these successes had any effect on the list as a whole. As it turns out, there were quite a few changes to the list from last year, with only one actress not returning, and several of the other actresses on the list leap-frogging all over the place. So much so, in fact, that it’ll be even more interesting to see who’s on the list next year – and where.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Jennifer Lawrence / HGM: The Hunger Games: Catching Fire (2013) – $865,011,746

Replacing Sigourney Weaver on the list, Lawrence trades on her role as Katniss Everdeen to make the Top 10, but whether or not she stays here is another matter, as the likelihood of her making any more movies in her other franchise, the X-Men series, are dwindling thanks to the poor reception given to X-Men: Apocalypse (2016). With nothing too blockbuster-like on the horizon, expect Lawrence to be absent from the list come this time next year.

9 – Anne Hathaway / HGM: The Dark Knight Rises (2012) – $1,084,939,099

The Christopher Nolan effect keeps Hathaway in ninth place, and while her return to the role of the White Queen in Alice Through the Looking Glass (2016) has helped her cause, she may yet be a casualty come next year’s list, as the only potential money spinner ahead of her is the all-female Ocean’s Eleven reboot – and that’s not due until 2018.

8 – Sandra Bullock / HGM: Minions (2015) – $1,159,398,397

Down one place from last year, Bullock is becoming less and less of a presence on our screens, and right now, won’t be seen until 2018 with Anne Hathaway in the Ocean’s Eleven reboot. Potentially then, Bullock may drop down (or be completely out of) the list come 2017, but even if she is, chances are she won’t be in that position for long, though again, right now, nothing can be relied upon.

7 – Emma Watson / HGM: Harry Potter and the Deathly Hallows Part 2 (2011) – $1,341,511,219

Down three places from last year’s number four, Watson’s post-Harry Potter career continues to be sporadic, yet interesting for the choices she’s made, but it’s clear that she’s unlikely to feature in another box office juggernaut like the Harry Potter franchise anytime soon. Whether or not she’ll maintain her position next year is uncertain at this point, but she should still be with us – somewhere on the list – but what is certain is that a return to the top five isn’t on the cards.

6 – Elizabeth Banks / HGM: Spider-Man 3 (2007) – $890,871,626

Firstly, an apology to Elizabeth Banks and any of her fans who felt that The Hunger Games: Catching Fire (2013) couldn’t be her HGM; you were absolutely right. Due to an oversight, and the way in which boxofficemojo.com only regards starring roles in their deliberations, Banks’ appearance as Miss Brant, J. Jonah Jameson’s secretary, wasn’t given its box office due in last year’s list, so it’s only right that amends are made here and now. And she’s moved up two places from last year’s number eight, which is like icing on the cake.

5 – Julia Roberts / HGM: Pretty Woman (1990) – $463,406,268

Another non-mover, Roberts’ HGM is the only movie on either list – Actor or Actress – that has a box office take of less than $500,000, proof that the actress has made some astute choices throughout her career, even if some of them recently have felt a little underwhelming – Secret in Their Eyes (2015) and Mother’s Day (2016) in particular. But she’ll remain on the list for a while to come it seems, though she only has next year’s Wonder wrapped and almost ready to go, which could mean a lower ranking come 2017’s list.

4 – Cate Blanchett / HGM: The Lord of the Rings: The Return of the King (2003) – $1,119,929,521

Last year’s number two drops two places, but with outings in the Marvel Cinematic Universe – Thor: Ragnarok (2017) – and that darned Ocean’s Eleven reboot still to come, it’s likely that Blanchett will find herself climbing back up the list in the next couple of years. If she does she’ll be the first person on either list to reverse a downward trend… and you wouldn’t write off that possibility, now, would you?

3 – Helena Bonham Carter / HGM: Harry Potter and the Deathly Hallows Part 2 (2011) – $1,341,511,219

The last non-mover on the list, Bonham Carter’s place is assured thanks to her roles in Cinderella (2015) and Alice Through the Looking Glass (2016). These should keep her in the top five for now, but where, say, Emma Watson’s place in the Top 10 seemed assured, Bonham Carter may find herself slipping down the list come next year, as the majority of her upcoming projects look unlikely to boost her box office returns.

2 – Cameron Diaz / HGM: Shrek 2 (2004) – $919,838,758

After two years at the top, Diaz drops to second place. With no projects in the works and her last movie having been Annie (2014), it’s likely that Diaz will find herself slipping even further down the list as time goes on and some of her fellow actresses align themselves with blockbusters and franchise money-grabbers. Of course, this isn’t Diaz’s fault, but it would be a shame if she decided to continue to cut back so drastically on acting as she seems to have done since 2014.

1 – Scarlett Johansson / HGM: The Avengers (2012) – $1,518,812,988

To borrow a line from Russell Mulcahy’s Highlander (1986): “There can be only one.” On the 2014 list, Johansson was in ninth place; last year she’d jumped to sixth. Now she’s sitting head and shoulders above everyone else in the top spot and all thanks to a certain black leather-clad assassin she’s played five times now. She’s unlikely to be dethroned anytime soon, but if she is it’s unlikely that it’ll be anyone on this current list (unless they can rack up an overall box office success that amounts to over $8.5 billion).

Top 10 Actors at the Box Office 2016

20 Sunday Nov 2016

Posted by dullwood68 in Movies

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2016, Actors, Box Office, Highest grossing movie, Movies, Top 10

Welcome to this year’s look at the great and good amongst movie actors (for the actresses, click here), those stars who keep us coming back to the cinema time after time, and help put as many bums on seats as they possibly can. As with last year’s list, I was going to do this post back in September, but wanted to wait and see if there were any surprising outcomes at the 2016 box office that might lead to some major changes to last year’s list. As it turns out there wasn’t, though we have lost Gary Oldman from the list, but overall it seems as if this is a year for positions and box office returns to keep the rest of the Top 10 in a kind of holding pattern, even if there’s a bit of shoving and pushing when it comes to the actual rankings.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Michael Caine / HGM: The Dark Knight Rises (2012) – $1,084,939,099

Down one place from last year’s number nine, Caine holds onto his place in the list thanks to his involvement in the Dark Knight trilogy. That those movies did so well at the box office is a testament to the visionary talents of Christopher Nolan, but the role of Alfred has probably never been portrayed as effectively as Caine did it. It was doubtful he’d remain on the list this year, but he’s held on. Again, though, it’s still unlikely he’ll be here this time next year.

9 – Johnny Depp / HGM: Pirates of the Caribbean: Dead Man’s Chest (2006) – $1,066,179,725

Also down one place from last year, Depp has the potential to be higher up the list next year if the latest, potentially overblown Captain Jack Sparrow-fest, Pirates of the Caribbean: Salazar’s Revenge, is successful enough. If not, Depp will still be on the list in 2017, and again probably higher up, thanks to his involvement in the Fantastic Beasts and Where to Find Them franchise.

8 – Anthony Daniels / HGM: Star Wars: The Force Awakens (2015) – $2,068,223,624

This year’s newbie, Daniels has made it into the Top 10 by virtue of appearing as C-3PO in every one of the Star Wars movies so far – and not to mention the same role in The Lego Movie (2014) – so his inclusion could be construed as “just waiting to happen”. With two more movies to come in the third trilogy, Daniels’ place on the list is assured for some time to come, and he has the potential to be much higher in the list come 2018.

7 – Tom Cruise / HGM: Mission Impossible: Ghost Protocol (2011) – $694,713,380

Down one from last year, Cruise’s HGM has made the least amount of money of all the movies on the list, but thanks to his solid, dependable presence at the box office, he retains his mid-place ranking. His upcoming movies include Universal’s update of The Mummy (2017), and at some stage, Top Gun 2. Whether these will be enough to keep him on the list remains to be seen, but if you want to make a wager on who’ll be gone this time next year, the Cruiser isn’t such a bad outside bet.

6 – Eddie Murphy / HGM: Shrek 2 (2004) – $919,838,758

Another drop of one place, this time for possibly the least likely actor to be included in the list, and to remain in roughly the same position for three years running now. Murphy’s continued presence seems to be in spite of his recent movie choices – which have been so few as to mean just one movie in particular, Mr. Church (2016) – but if it gives thedullwoodexperiment another excuse to include a picture of Donkey then that’s absolutely fine.

5 – Robert Downey Jr / HGM: The Avengers (2012) – $1,518,812,988

Downey Jr continues to ascend the list, moving up two places from last year’s number seven (and which was three places up from his spot in the 2014 list), and does so thanks to his co-starring role in Captain America: Civil War (2016). With at least two more Marvel appearances to come, as well as a third Sherlock Holmes movie in 2018, the acting capstone of the Marvel Cinematic Universe is definitely here to stay.

4 – Morgan Freeman / HGM: The Dark Knight Rises (2012) – $1,084,939,099

Down one place from last year, Freeman remains in the top five thanks to Christopher Nolan and the Dark Knight trilogy. Amazingly, the likes of Momentum (2015) and the ill-advised remake of Ben-Hur (2016), haven’t seriously damaged his chances of staying on the list, and it’s entirely probable that come next year he’ll still be placed around the midway mark.

3 – Tom Hanks / HGM: Toy Story 3 (2010) – $1,066,969,703

Slipping down another place after being in 2014’s top slot, Hanks is still an actor whose presence on the list is almost required. But the Toy Story sequel is still in the works, though not due until 2019, and after next year’s The Circle, Hanks has nothing else lined up. That can’t possibly stay the same, but even if it does, Hanks is unlikely to ever drop so far down the list that he’ll drop out altogether.

2 – Samuel L. Jackson / HGM: The Avengers (2012) – $1,518, 812,988

A brief stay at the top for Jackson, but as with anyone in the top three, he’s not going anywhere anytime soon. Like Downey Jr, he’s got more Marvel time coming up, and he’s still landing roles in box office successes such as Miss Peregrine’s Home for Peculiar Children ($259,862,899 and counting), so it’s not just the MCU that’s keeping him here. But once Avengers: Infinity War (2018) is released, expect him to reclaim his place at the top of the list…

1 – Harrison Ford / HGM: Star Wars: The Force Awakens (2015) – $2,068,223,624

…because Harrison Ford can’t make any more Star Wars movies. The seventh outing for the Force and all its adherents has, unsurprisingly, pushed Ford up three places from number four and into the top spot before you can shout, “Look out, Han, he’s got a lightsabre!” But while it’s likely that Samuel L. Jackson will supersede him at some point (though probably not until 2018), it’s good to see the top spot change hands again, and to see franchise veteran Ford sitting (fairly) pretty on top.

Robert Zemeckis’ 10 Most Successful Movies at the International Box Office

10 Monday Oct 2016

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Career, Director, International Box Office, Robert Zemeckis, Top 10

Robert Zemeckis has been making movies for nearly forty years. He’s been at the forefront of a variety of technical firsts, from motion capture (on The Polar Express) to digital effects (Lieutenant Dan’s missing legs in Forrest Gump), but despite all this he’s still an actors’ director at heart, and he loves to tell a story. Even when his aim is to tell a serious story, such as in The Walk (2015), he still wants to entertain the audience, and to take them on a journey to a place they’ve never seen or experienced before. Along the way he’s made a handful of movies that are bona fide modern classics, and made a little town called Hill Valley into a place we’d all like to visit. For providing us with so many wonderful movie memories, here’s how we’ve repaid him at the international box office.

10 – Beowulf (2007) – $196,393,745

The middle picture in Zemeckis’ motion capture trilogy, Beowulf sees him trying to stretch the boundaries of both motion capture and 3D but with predictably mixed results. While his use of 3D is exemplary, the problems that prevented The Polar Express from being completely effective – the dullness of the eyes, the subtleties of lip movement – remain to make for some awkward moments. Nevertheless, the final showdown with the dragon is still one of the best fantasy sequences yet committed to screen (in any format), and Angelina Jolie is a great choice for Grendel’s mother.

9 – Back to the Future Part III (1990) – $244,527,583

The last in the trilogy was always going to divide audiences. Some were always going to love it for its Western setting, others were going to hate it for exactly the same reason. Whatever your leaning, what is unassailable is the movie’s appreciation for the genre, and the very satisfactory way in which Zemeckis and co-writer Bob Gale have wound up the overall story. Few trilogy closers are this triumphal, and fewer still are as emotionally astute – only Toy Story 3 (2010) springs to mind – but when you’re having this much fun saying goodbye, it seems right and proper to such a degree that you never think about just how much you’re going to miss the characters when it’s done.

8 – What Lies Beneath (2000) – $291,420,351

Zemeckis tries his hand at a psycho-drama with supernatural overtones, ropes in Michelle Pfeiffer and Harrison Ford as the leads, and manages to pull off a number of effective sequences, but ultimately, What Lies Beneath is a movie that doesn’t quite work in the way that Zemeckis and screenwriter Clark Gregg want it to. The tone of the movie fluctuates too often, leaving viewers uncertain if they’re watching a bloodless horror, a taut thriller, or a domestic drama gone awry. There are elements of all three on display, but it’s when they’re all combined in the same scene that things go badly wrong. Still, the scene where Pfeiffer is paralysed in the bathtub is unbearably tense, and Zemeckis handles it with accomplished ease.

7 – The Polar Express (2004) – $307,514,317

Best seen in its IMAX 3D format, The Polar Express (now a Xmas staple) sees Zemeckis experimenting for the first time with motion capture and gives Tom Hanks the chance to emulate Alec Guinness’s eight role appearance in Kind Hearts and Coronets (1949). It’s a heartwarming tale, with a plethora of breathtaking visuals and sequences – the train racing across a frozen lake as the ice breaks up is simply stunning – and if it’s a little too smothered in saccharine at times, then it’s a small price to pay for a movie that in terms of its original look (and the problems that come with it) is endlessly fascinating to watch.

6 – A Christmas Carol (2009) – $325,855,863

Zemeckis teams with Jim Carrey for a version of Dickens’ classic tale that dials back on The Polar Express‘s sometimes overbearing sentimentality, and offers all kinds of visual tricks and complexities as the director tries once more to convince audiences that motion capture is the way of the future. But even though many of the issues surrounding facial expressions and physical movement that hampered The Polar Express and Beowulf have been addressed, there’s still an inherent “unreality” to the characters that, in the end (and despite the movie’s success), audiences couldn’t ignore, or overlook.

5 – Who Framed Roger Rabbit (1988) – $329,803,958

When Who Framed Roger Rabbit was first released, there were plenty of people who were fooled by the opening Baby Herman cartoon into thinking the whole movie was going to be animated. That might have been a good move on Zemeckis’ part, but how less satisfying it would have been than this perennial crowd-pleaser, both an homage to the Golden Age of Animation, and the most expensive movie (animated or otherwise) made in the Eighties. It’s an almost perfect blend of comedy, drama, pathos and nostalgia that moves at a cracking pace, and has so many visual gags in it you can’t catch them all in a single viewing. Roger is adorable, his wife Jessica Rabbit “isn’t bad… [she’s] just drawn that way”, and when revealed, Judge Doom is one of the scariest villains in any movie, period.

4 – Back to the Future Part II (1989) – $331,950,002

Many people felt that Back to the Future Part II was too complex, too convoluted, and too much of a head-scratcher, especially when Marty travelled back to 1955 to ensure his parents got together – again. But it’s the movie’s complex understanding of time travel, and the consequences that can arise when time is tinkered with, that makes this first sequel such an unexpected joy to watch. It’s also darker and more cynical than the first and third movies, but Zemeckis handles the material with confidence and no small amount of flair. For some fans, this is the best movie in the trilogy.

3 – Back to the Future (1985) – $381,109,762

The movie that made Zemeckis’ career, Back to the Future is a delight from start to finish, a beautifully rendered love poem to a bygone era, and one of the smartest sci-fi comedies ever made (if not the smartest). Michael J. Fox and Christopher Lloyd make for an inspired teaming, and the whole thing is both whimsical and irresistible, with some classic lines of dialogue (“Roads? Where we’re going, we don’t need roads.”), and a whole raft of smart, enagaging performances. A movie you can watch over and over again and never tire of it.

2 – Cast Away (2000) – $429,632,142

If all you take away from Cast Away is that Tom Hanks lost an awful lot of weight to convince viewers his character was living on a desert island, and that he talked (a lot) to a volleyball called Wilson, then you’re missing the point of a movie that paints a vivid, unsentimental portrait of a man believed missing at sea who learns the art of survival the hard way. Hanks gives one of his best-ever performances, but the script includes too many longeuers for comfort, and the final third fails to match the impetus of the opening scenes. Zemeckis shows a keen eye for the practicalities of surviving on a desert island, and along with a committed Hanks, ensures the audience is just as invested in Hanks’s character getting off the island as he is.

1 – Forrest Gump (1994) – $677,945,399

Unsurprisingly, it’s the Oscar-winning home run that is Forrest Gump which sits atop this list. A perfect combination of director, script and star, the movie blends so many disparate elements, both thematically and visually (and with such confidence), that it’s easy to forget just how much of a surprise this movie was when it appeared over twenty years ago. Hanks, arguably, has never been better, and the same can be said of Zemeckis, who displays a fearlessness in handling the material that he’s never quite managed to recapture in his work since then.

Tim Burton’s 10 Most Successful Movies at the International Box Office

07 Wednesday Sep 2016

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A consistently quirky and visually inventive director, Tim Burton’s career has followed a steady path through some of the most iconic settings in recent cinema history, from the cod-Gothic streets of Gotham, to a future(past?)-Earth ruled by apes, to the haunted woods of 18th Century New England, and the outer limits of Lewis Carroll’s vivid imagination. For over thirty years, ever since the release of Pee-Wee’s Big Adventure (1985), the wild-haired director has taken us on startling journey after startling journey, and kept us entertained throughout. If his more recent output hasn’t exactly overwhelmed critics and audiences in the way that previous movies have, Burton still has the capacity to excite and stimulate his admirers in a way that few other directors can. This explains the level of anticipation surrounding his latest feature, Miss Peregrine’s Home for Peculiar Children (due later this year), a movie that seems a perfect fit for Burton’s own “peculiar” sensibility. Whether or not it will be as successful as the movies listed below, no one knows – yet* – but if it is, then it will be interesting to see just how successful it is… and how far up the list it lands.

10 – Corpse Bride (2005) – $117,195,061

A companion piece to Henry Selick’s The Nightmare Before Christmas (1993) with its songs, portrayal of a darker world beyond ours, and stylised animation, Corpse Bride has a lyrical quality to it that highlights the sweetness of the relationship that develops between the nervous Victor Van Dort (Johnny Depp) and the Corpse Bride herself, Emily (Helena Bonham Carter). Burton’s love of animation and its visual possibilities shines through here, as he depicts a world at once familiar and yet also removed from our own, and tugs at our heartstrings in often surprising, yet affecting ways.

9 – Big Fish (2003) – $122,919,055

A terrific cast – headed by Ewan McGregor and Albert Finney – and Burton’s use of fantasy to illustrate the differences (and similarities) between a father and son, helps Big Fish to branch out in unexpected dramatic directions for most of its running time. After the critical debacle of Planet of the Apes, Burton’s foray into what could be loosely termed the Great American Saga is a winning, immensely enjoyable fable that mixes drama, comedy and a delightful imagination to create a uniquely heartfelt story, and is one of Burton’s shamefully under-appreciated features.

8 – Sweeney Todd: The Demon Barber of Fleet Street (2007) – $152,523,164

Tim Burton and Johnny Depp – making a musical together? While the subject matter may well have been a good fit for Burton given his love of Hammer horror movies, an adaptation of the Stephen Sondheim/Hugh Wheeler Broadway success looked like it would fall as flat as Depp’s singing voice. But an arresting production design, plenty of gory throat cuttings, vivid presentations of the songs, and a well-chosen supporting cast all help to make Burton’s incursion into the world of the musical a triumphant success, and one of the best of its kind in recent years.

7 – Sleepy Hollow (1999) – $206,071,502

One of Burton’s more enjoyable romps, Sleepy Hollow is another movie that seems to have been tailor-made for him. The bleak New England setting, the palpable sense of fear amongst the townfolk, and a memorable villain in the Headless Horseman, all contrive to make the movie an ominous yet light-hearted escapade that has a great deal of energy and purpose about it. The period setting, and its science versus the supernatural angle, is deftly handled, and Johnny Depp gives one of his better performances as the in over his (potentially decapitated) head policeman, Ichabod Crane.

6 – Dark Shadows (2012) – $245,527,149

A big fan of the original televison show that ran from 1966-1971, Burton’s take on the Collins’ clan of vampires and their home town of Collinsport, Maine proved to be a misfire that relied way too much on its comedic elements (which aren’t that funny to begin with), and never managed to find a consistent tone. Johnny Depp serves up a prime slice of ham, Eva Green tries to match him, and Burton’s direction feels like it was put together in the editing suite. Even the visuals have a flat, uninspired air about them, as if Burton and his team realised early on that their passion for the project wasn’t going to be enough.

5 – Batman Returns (1992) – $266,822,354

For some, Batman Returns will always be the best of the quartet of Caped Crusader movies made back in the late Eighties/Nineties, and in terms of the story and the plotting, they’d be right. It also sees Burton’s wild and wonderful imagination given even freer reign than on the first movie. Another triumph of production design, Burton’s Gotham is a heavily stylised, bleakly functional place that is the perfect backdrop for its tale of good versus evil. And any movie that features Michelle Pfeiffer in figure-hugging black leather…

4 – Planet of the Apes (2001) – $362,211,740

If there’s one movie in Burton’s oeuvre that really shouts “massive mistake!” it’s the often unbearable-to-watch Planet of the Apes. Remakes of beloved classics rarely turn out well, and this proved the rule. Whether it’s the miscasting of Wahlberg, the terrible script that couldn’t be its own thing and had to keep referencing the 1968 original, the recurring sense of déja vu that dogs the movie as a result, or the defiantly daft-as-a-box-of-frogs surprise ending, the problems are all topped by Burton’s almost complete lack of engagement with the material. There’s a sci-fi movie that Burton could direct out there somewhere, but this definitely isn’t it.

3 – Batman (1989) – $411,348,924

By the time Burton was earmarked to make Warner Bros.’ new take on Bruce Wayne’s alter ego, he’d achieved a modicum of success and respect thanks to his two previous features, Pee-Wee’s Big Adventure (1985) and Beetlejuice (1988). Batman, though, launched Burton’s career into the stratosphere. It was a brave move on the part of Warner Bros., but Burton rewarded them with a take on the Dark Knight that was at once visionary, bold, and inherently psychological. With strong performances from Michael Keaton and Kim Basinger (usually overlooked, and unfairly so), it’s biggest coup was Jack Nicholson as the Joker, a dazzling, out-there portrayal that in its own, surprisingly effective way, is a match for any other interpretation of the character that’s, well… out there.

2 – Charlie and the Chocolate Factory (2005) – $474,968,763

Roald Dahl and Tim Burton seem like an obvious combination, and it took a while for them to be “teamed up”, but the results were mixed to say the least. While financially successful, Charlie and the Chocolate Factory lacks a lot of the charm of the original, and some of the additions to the script shift the focus away from Charlie himself, and onto Willy Wonka (something Dahl probably wouldn’t have approved of). Along with the movie in the No. 1 spot, it’s also a movie that has been production designed to death, leaving each new “moment of wonder” much like all the rest, and blending into one. Burton reflects on notions of fatherhood and abandonment – a common theme in his movies – but here they feel tired, leaving only Freddie Highmore’s quietly impressive performance for audiences to respond to.

1 – Alice in Wonderland (2010) – $1,025,467,110

Burton’s most successful movie at the box office is not his best, and like Charlie and the Chocolate Factory features a riotous production design that helps paper over the cracks of a wayward script and equally wayward performances. Burton’s usual flair for the bizarre is firmly on display but in such a watered-down fashion that it’s difficult to work out if he was fully engaged with the material (he’s always seemed more at home working on a movie’s pre-production than on the actual shoot). Looking back at the movie, it’s hard to see why Alice in Wonderland has been so successful, as it’s colour-rich phantasmagoria lack the kind of emotional investment to make it all work as it should, and Johnny Depp provides yet another irritating performance. But ultimately it’s Burton’s distance from proceedings that hurts the movie most, and makes it a less than rewarding experience.

*Miss Peregrine’s Home for Peculiar Children has been as successful as everyone hoped. As of 21 October 2016 it’s made $200,165,118 at the international box office.

Steven Soderbergh’s 10 Most Successful Movies at the International Box Office

30 Tuesday Aug 2016

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An indie movie maker through and through, Steven Soderbergh has made some of the most compelling and thought-provoking movies of the last thirty years. From his breakout Sundance hit sex, lies and videotape (1989), Soderbergh has tackled projects in a wide variety of genres and with an appropriately wide variety of results at the box office. Some have failed to make back the money they cost to make – Gray’s Anatomy (1997), The Good German (2006) – while others have underperformed (see the Top 10 below). But he has had some successes, mostly thanks to a certain franchise, but even outside of those movies, and despite his decision to retire from making movies in 2013, Soderbergh has remained a director you can never quite pin down. If nothing else, this list reflects the diversity of his output, and is a reminder of the quality of his work over the years.

10 – The Informant! (2009) – $41,771,168

A movie that never quite achieved the recognition it deserves, The Informant! uses its real life story in a way that refutes the “zany” approach presented in its trailers, and by doing so makes it much more rewarding. This is due to the combination of Scott Z. Burns’ clever screenplay, Soderbergh’s relaxed direction, and Matt Damon’s beautifully judged performance as deluded whistleblower Mark Whitacre. Ripe for rediscovery, it’s a tragic farce that has far more going on under the surface than most casual viewers will be aware of.

9 – Side Effects (2013) – $63,372,757

Soderbergh brings his usual intelligence and cool approach to thriller-dom with this convoluted and surprisingly well-constructed story set around medical ethics and the nature of psychopathology. While that may sound too highbrow for some, Side Effects revels in its Hitchcockian twists and turns – Soderbergh wanted to recreate the look and feel of old suspense movies for a modern era – and manages to keep audiences guessing all the way to its final reveal.

8 – Out of Sight (1998) – $77,745,568

The oldest Soderbergh movie on the list is also possibly his best, a funny, dramatic, odd couple romance (based on the novel by Elmore Leonard) that features a career-best performance from Jennifer Lopez, and George Clooney in the role that cemented his reputation as an A-lister. Soderbergh is clearly having fun with the material, and it’s easily one of his most visually entertaining movies as well, thanks to his use of stylised colour palettes and freeze frames to highlight significant moments in the story.

7 – Contagion (2011) – $135,458,097

A timely warning about the nature of pandemics and the ease with which they can spread, along with the inability of governments to deal with them in a constructive way, Contagion may have too many storylines (some of which don’t add much to the narrative), but is still an intelligently mounted, urgently prescient movie that uses its multi-national cast to (mostly) good effect – sorry, Marion Cotillard – while maintaining a focus on the pandemic’s impact on regular, individual lives.

6 – Magic Mike (2012) – $167,221,571

If you had any doubts about Soderbergh’s ability to tackle a variety of genres and stories, then this behind-the-scenes look at the lives of a group of male strippers should have dispelled any lasting uncertainty. Raucous, raunchy and down to earth, Magic Mike features a terrific performance from Matthew McConaughey, the kind of off-colour humour you’d expect given the characters, and a succession of stage routines that should have female viewers leaning forward in their seats – a lot.

5 – Traffic (2000) – $207,515,725

Another contender for Soderbergh’s best movie (and winner of four Oscars, including one for Soderbergh himself), Traffic is a jolt to the senses that grips from the beginning and never lets go. Examining the drug trade from both sides of the US/Mexico border, from the highest echelons of US law enforcement to the infrastructure of a Mexican cartel, Stephen Gaghan’s impressively detailed script is given more than due justice by Soderbergh, and features equally impressive performances from the likes of Michael Douglas, Don Cheadle, Dennis Quaid, Catherine Zeta-Jones, and Oscar-winning Benicio Del Toro.

4 – Erin Brockovich (2000) – $256,271,286

2000 was an amazing year for Soderbergh, what with this and Traffic being released to critical and commercial acclaim. Based on the true story of its titular character, an Oscar-winning Julia Roberts has probably never been better as the no-experience paralegal who brings down a polluting Californian power company through a landmark class action suit. Threaded through the obvious drama are several moments of beautifully judged humour, and Roberts’ teaming with Albert Finney is inspired. All in all, a strong contender for Soderbergh’s most enjoyable and rewarding movie.

3 – Ocean’s Thirteen (2007) – $311,312,624

By the time this second sequel rolled around, Soderbergh and Clooney et al were determined not to make the same mistakes that made Ocean’s Twelve so underwhelming. While still not perfect, Ocean’s Thirteen is definitely more entertaining than its predecessor, even if it tries too hard to be as charming as the first outing, but audiences were willing to give the movie a chance. That it did as well as it did at the box office may well be due to brand recognition, and the popularity of its cast, but it’s also a movie that sees Soderbergh come as close to going through the motions as he’s ever done.

2 – Ocean’s Twelve (2004) – $362,744,280

A sequel to Ocean’s Eleven was always going to come along at some point, but when it did no one could have predicted it would be such a humourless, drama-free non-event. Easily the worst movie of Soderbergh’s entire career – yes, even worse than Underneath (1995) – Ocean’s Twelve is the very definition of a lacklustre movie. It’s almost as if Soderbergh and the returning cast decided to make a movie that was the very antithesis of Ocean’s Eleven, leaving it flat, unsatisfactory, unnecessarily confusing, and too reliant on “reveals” that are in no way foreshadowed anywhere else in the movie.

1 – Ocean’s Eleven (2001) – $450,717,150

Soderbergh’s most successful movie is probably his most well-known and well-regarded feature, a sharp, funny, engaging, clever, mischievous rascal of a movie that recreates the tone of the 1960 original and lends it a (then) modern sensibility that still holds up well fifteen years later. The scam is beautifully staged, the cast make it all look so easy, and the whole thing is handled with Soderbergh’s customary visual flair. It’s a movie that creates tension and expertly crafted edge-of-the-seat moments at every turn, and all of it while the movie is winking at the audience as if to say, “Well? Can you guess what’s happening?”

Ron Howard’s 10 Most Successful Movies at the International Box Office

04 Thursday Aug 2016

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Having successfully made the transition from actor to A-list director, Ron Howard has retained his populist focus ever since he made his first short movie, Old Paint, back in 1969. He’s also a director who moves from genre to genre, and while some of his detractors insist he doesn’t imprint his own particular stamp on any of them, he still has a recognisable style that’s all his own, whether it’s ramping up the tension as the Apollo 13 crew try to solve the problem of getting back home from the Moon, examining the life and times of one of Britain’s most iconic racing drivers, or indulging in some light-hearted fantasy romance involving a mermaid. In each of these there’s a subtle understanding that Howard takes it all very seriously but at the same time is having fun putting it all together, like a kid in a candy store who can pick anything he wants. He’s not the edgiest, or grittiest of directors, and sometimes the subject matter isn’t always a good match for his strengths (e.g. In the Heart of the Sea), but he isn’t afraid to take risks, and when he does connect with the right material, the effect can be breathtaking. Here then are his ten most successful movies at the international box office, and evidence (if it were needed), that you don’t have this much success unless you’re getting it right more times than not.

NOTE: As always, box office figures are all thanks to the good folks at boxofficemojo.com.

10 – Cinderella Man (2005) – $108,539,911

Howard’s biopic of the boxer James Braddock – apparently washed-up but with one last championship fight left in him – Cinderella Man reunites the director with Russell Crowe and makes the Depression-era Thirties as much of a character as any of the people depicted. It’s a powerful piece about pride and redemption, and of all the movies on this list is probably Howard’s most underrated project. A towering achievement, and in terms of recreating an age where people had to fight for so many things, including the right to a basic life, Braddock’s tale is a salutary lesson in self-belief and how not to give up.

9 – Parenthood (1989) – $126,297,830

Howard has always been able to assemble great casts for his movies, and Parenthood is no exception. A comic ramble through the ups and downs of, yes, parenthood, Howard deftly explores the stresses and strains, and quiet heroics, that make up being a parent, and along the way keeps things grounded yet heartfelt. It’s a small, unassuming masterpiece of a movie, with terrific performances from Steve Martin and Dianne Weist, and features early turns from Keanu Reeves and Joaquin Phoenix (back when he was known as Leaf Phoenix). And as Jason Robards’ character so aptly puts it, parenting is “like your Aunt Edna’s ass. It goes on forever and it’s just as frightening.”

8 – Far and Away (1992) – $137,783,840

Tom Cruise and Nicole Kidman in a romantic drama set against the backdrop of the Irish famine – what could possibly go wrong? Critics were quick to answer, and while it’s true that Far and Away isn’t the best example of Howard’s work in this list (it lacks passion and sincerity, and never engages the audience as powerfully as it should), it still retains a certain flavour that helps overcome the movie’s soap opera narrative and the overly romanticized nature of much of the material. Howard plays up the central relationship but is hampered by (then married couple) Cruise and Kidman’s lack of chemistry, leaving him adrift in a way that wouldn’t happen again until In the Heart of the Sea.

7 – Backdraft (1991) – $152,368,585

In between Parenthood and Far and Away, Howard made this testosterone-fuelled homage to US firefighters, and in the process made a movie that easily fits the term “guilty pleasure”. A certain amount of romanticism is involved (witness Kurt Russell tackling raging infernos without a helmet or breathing apparatus), and it’s allied to a mystery concerning a string of arson attacks, but the movie scores highly when it puts its willing cast in amongst the flames, and when Howard dials back the heroics to examine just what it is that drives these men on in such dangerous circumstances. Nascent star William Baldwin has never been better, but he’s still overshadowed by the likes of Scott Glenn, Robert De Niro, J.T. Walsh, and Donald Sutherland as Backdraft‘s very own version of Hannibal Lecter (“Burn it all”).

6 – Ransom (1996) – $309,492,681

A cynical yet memorable thriller with stellar turns from Mel Gibson and Gary Sinise, Ransom sees Howard apply tension by the bucket load as he charts the response by Gibson’s mega-rich businessman to the kidnapping of his son. Howard pulls out all the stops, making the movie an often heart-stopping experience, and it’s a shame that he’s not found another project to bring out the same qualities he displays here. Helped immeasurably by his star’s commitment, the former Richie Cunningham dispels any idea that he can’t do “edgy” when the material requires it, making this one of the rare occasions in his career when Howard has actively refuted his critics.

5 – A Beautiful Mind (2001) – $313,542,341

The true story of asocial mathematician John Nash, A Brilliant Mind brought Howard and Russell Crowe together for the first time, and earned Oscars for both of them. A meticulous, solidly grounded exercise that explores with creativity and sensitivity the mind of a schizophrenic genius, the movie is far more audacious than perhaps even its supporters are aware, and its place in the list shows just how successfully Howard’s approach to the material scored a hit with, and resonated with, audiences around the world. A strong contender for the title of Howard’s best movie, and a testament to the notion that there are no stories – true or otherwise – that can’t be made if a director is confident enough to trust in the material (in this case, Akiva Goldsman’s succinct and sympathetic screenplay).

4 – How the Grinch Stole Christmas (2000) – $345,141,403

A rare foray into fantasy for Howard, and twelve years after the disappointment that was Willow. Adapting Dr Suess for a live action big screen outing may have seemed foolhardy at the time, but Howard enters into the spirit of things and makes the movie one giant confection to be enjoyed over and over again. With the inspired casting of Jim Carrey as the Grinch, and the good doctor’s off-kilter sensibility given free rein, Howard is free to indulge himself as much as the audience, and the result is a movie that sees him having fun with the garish environs of Whoville, the innate pomposity of the Whovian “intelligentsia”, and the waspish barbs uttered by the Grinch. A joy from start to finish.

3 – Apollo 13 (1995) – $355,237,933

Howard has always had a healthy attraction for true stories of courage, but he excelled himself with this gripping, incredibly well mounted account of the crew of Apollo 13’s attempt to get back home after their mission suffers from setback after setback after setback. Howard is aided by a string of impressive performances, from Tom Hanks, Kevin Bacon and Bill Paxton as the beleaguered astronauts, to Ed Harris’s no-nonsense mission controller, and all the way down the cast list to people such as Kathleen Quinlan, and good luck charm Clint Howard. But it’s the verisimilitude achieved by Howard and his design team that registers the most, making Apollo 13 entirely credible and helping to make the astronauts’ predicament as taut as possible. Even if you know the outcome, Howard’s ability as a director will still keep you guessing if they actually get home – and that’s no small feat.

2 – Angels & Demons (2009) – $485,930,816

This and Howard’s most successful movie probably won’t be any surprise but what can’t be denied is that having a built-in audience is half the battle won. Reteaming with Hanks for what is actually a prequel to The Da Vinci Code, Howard retains the faithful adaptation approach he took with Dan Jones’ first outing for symbologist Robert Langdon, but still can’t do anything to combat the problems inherent in Jones’ wayward tale of corruption and murder within the Vatican. As a result, this seems more like Howard taking a back seat to the material and getting on board solely as a director for hire, rather than as an instigator.

1 – The Da Vinci Code (2006) – $758,239,851

The fan base was there, and a big screen adaptation was always going to happen, but of all the directors to take up the challenge of making Dan Jones’ literary behemoth, Howard probably wasn’t anyone’s first choice. Nevertheless, he does the best he can to replicate the pace and urgency of the novel, and elicits another committed performance from Hanks, but is hampered at every turn by the absurdities of Jones’s story; so much so that the book’s big revelation is a tepid affair at best, and risible at worst. But this was always going to be a success, and if you’re going to be attached to the movie version of a global phenomenon, that’s still no bad thing for your reputation. With third adaptation Inferno due to hit screens later this year, it’ll be interesting to see where it will fit into this list in a year’s time, though it’s unlikely to topple this first outing.

Ridley Scott’s 10 Most Successful Movies at the International Box Office

17 Sunday Jul 2016

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In a career that spans nearly forty years, Ridley Scott has directed so many arresting and visually memorable movies, and in such a wide variety of genres, that it doesn’t seem to matter what projects he takes on, he’s pretty much guaranteed an audience when they’re released. He’s a meticulous, well-prepared director who likes to do as much as possible practically, though is more well-known for two movies whose use of CGI made them more successful than they perhaps would have been without it. The movies in this list have made over $3 billion at the international box office, so you can see why he’s a much sought after director, and never seems to take a break between movies. In his seventies now, he’s still preparing and making movies with the same energy and passion that he had nearly forty years ago. Let’s hope most, if not all, of his future projects are as successful as the ones listed below.

NOTE: Figures for Alien (1979) and Blade Runner (1982), two movies you would have thought would make the list, are sadly unavailable.

10 – Body of Lies (2008) – $115,097,286

Terrorism in the Middle East, and the murky involvement of the CIA, are the focus of Scott’s taut thriller which reunites Leonardo DiCaprio and Russell Crowe for the first time since Sam Raimi’s The Quick and the Dead (1995). It’s a complex piece of work with many subplots and layer upon layer of political expediency and moralising adding texture to the movie’s more overt thriller elements. If it doesn’t succeed entirely then it’s not for want of Scott trying, and there’s a standout performance from Mark Strong that overshadows the work of both DiCaprio and Crowe – and that’s saying something.

9 – Black Hawk Down (2001) – $172,989,651

Scott has always had a penchant for true stories, and Black Hawk Down, the tale of one hundred and twenty-three elite US soldiers making an incursion into Somalia and then finding themselves battling against a much stronger Somali force than their intelligence was aware of, is no exception. Scott brings an impressive sense of realism to the movie, and the fighting sequences are as intense as you’d expect, but what makes this movie work is the way in which Scott and screenwriter Ken Nolan manage to make the audience care about each and every one of those one hundred and twenty-three soldiers as if we’d known them all our lives.

8 – Kingdom of Heaven (2005) – $211,652,051

Unfairly maligned when it was first released, Kingdom of Heaven is a sprawling epic set at the time of the Crusades that feels like it was made to (belatedly) cash in on Scott’s success with Gladiator (2000). Happily, this is its own movie, and while some of the politicking of the time is overlooked in favour of too many battle scenes, Scott keeps things relatively simple and coaxes a better-than-expected performance from Orlando Bloom. That said, if you want to see the movie, choose the three-hour Director’s Cut instead of the theatrical version.

7 – American Gangster (2007) – $266,465,037

Another true story, this time centred around the life of drugs kingpin Frank Lucas (played by Denzel Washington), and set in the Seventies, American Gangster sees Scott reunited again with Russell Crowe, and holding back on the visual flourishes in order to tell a dramatic story on its own terms. It’s not quite the sweeping historical epic that its run time would have you believe, but it does feature strong performances from its two leads, and the clever tricks of Lucas’s trade make for fascinating viewing.

6 – Exodus: Gods and Kings (2014) – $268,175,631

You can see the attraction for Scott in a movie based around the rivalry between Moses and his “brother” the Pharaoh Ramses, but thanks to a script that seems to have been patched together at short notice, Exodus: Gods and Kings is a dramatic mess that can’t even elicit good performances from Christian Bale and Joel Edgerton, and also features some of the least convincing (i.e. ropiest) CGI seen in recent years. A misfire then, but Scott still manages to invest the movie with his customary, and always worthwhile, attention to detail.

5 – Robin Hood (2010) – $321,669,741

Less of a swashbuckling approach to the Robin Hood myth than a retread (in part) of Robin and Marian (1976), Scott’s fifth collaboration with Russell Crowe aims for earthy realism, but in doing so, fails to include a lot of what makes the myth so popular and entertaining. Scott marshals the visual elements with his trademark flair but can’t seem to inject any energy into Brian Helgeland’s too-respectful script. This leaves the movie feeling uneven and less than engaging, and the relationship between Robin and Maid Marian (played by Cate Blanchett) seems more matter-of-fact than truly romantic.

4 – Hannibal (2001) – $351,692,268

Scott’s first sequel (and so far only one, until Alien: Covenant comes out next year) sees him inherit the services of Anthony Hopkins but not Jodie Foster as Hannibal details what the cannibal doctor did next. There’s an over-abundance of style that should seem out of place but somehow works, and though Julianne Moore struggles as Clarice Starling, nevertheless Scott imbues her scenes with Hopkins with a delicate mutual dependency that gives the storyline some much-needed depth. And then there’s that scene at the end…

3 – Prometheus (2012) – $403,354,469

When it was first announced that Scott was returning to the world of Alien, and with a prequel at that, fans of the series wept for joy. Alas, Prometheus left audiences with more questions than they had answers to, and in particular, what on earth happened that it turned out so badly? Scott may know the answer to that one, but his insistence on practical physical surroundings aside, this woeful exercise in late-bloom franchise expansion lacked subtlety, a coherent script, and featured a drab performance from Noomi Rapace – all things that Scott didn’t appear to have a solution for.

2 – Gladiator (2000) – $457,640,487

They said the days of sword-and-sandal epics was dead, that audiences didn’t want to see those kinds of movies anymore, where the hero had bigger breasts than the heroine, and the sets wobbled if anyone went near them. Thankfully, Scott and co-screenwriters David Franzoni, John Logan and William Nicholson had other ideas and the result is a triumphant reminder that when Scott is on top form there’s very few directors who can match him. Stirring, impressive (the scenes in the Coliseum really do buzz with excitement), with a handful of terrific performances and a sense of its own destiny (along with its lead character), this is high concept movie making at its best.

1 – The Martian (2015) – $630,161,890

Despite his being known as a director of science fiction movies, The Martian is only Scott’s fourth outing in the genre, but thanks to a near-perfect blend of drama, comedy and thrills, along with a standout performance from Matt Damon, this tale of an astronaut stranded on Mars and needing to stay alive until a rescue mission can reach him, is gripping, tightly structured, and a few narrative concerns aside, absolutely commanding. That it’s Scott’s most successful movie so far is perhaps not so surprising given the subject matter and Damon’s performance, but when you consider this was made very quickly indeed, it’s a tribute to Scott and his cast and crew that it turned out as well as it did.

Steven Spielberg’s 10 Most Successful Movies at the International Box Office

06 Wednesday Jul 2016

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Career, International Box Office, Steven Spielberg, Top 10

He’s been entertaining audiences for nearly fifty years now, ever since his first professional gig directing an episode of Marcus Welby, M.D. in 1970. Since then he’s become the world’s most successful director, his movies earning a combined total of over four billion dollars. But which of Steven Spielberg’s movies have attracted the biggest audiences and earned the most at the international box office? Read on to find out.

10 – Minority Report (2002) – $358,372,926

“Everybody runs…” stated the tagline, and audiences flocked to see Spielberg’s adaptation of a short story by Philip K. Dick, with its clever, cerebral murder mystery and crunching action sequences. It also marked the first of two collaborations with Tom Cruise, and showed that, once again, Spielberg was more than capable of creating a believable vision of the future.

9 – The Adventures of Tintin (2011) – $373,993,951

Spielberg takes on motion capture with mixed results, in a movie that translates Hergé’s tenacious young detective from page to screen in a way that provides some stunning visuals but which also forgets to make the story more involving than it is. The Bearded One has a ball, and this is perhaps Spielberg’s loosest, most carefree movie since 1941 (1979).

8 – Jaws (1975) – $470,653,000

The movie that made Spielberg a household name, Jaws still has the power to unnerve successive generations of audiences, and persuade viewers that staying out of the water is still a pretty good option. A rollercoaster ride that never lets up, Spielberg pulls out all the stops, makes Peter Benchley’s source novel seem better than it is, and elicits a trio of terrific performances from Robert Shaw, Roy Scheider and Richard Dreyfuss.

7 – Indiana Jones and the Last Crusade (1989) – $474,171,806

What should have been the last in the series sees Spielberg make up for the darker excesses of Indiana Jones and the Temple of Doom (1984), and regain the sense of fun that made Raiders of the Lost Ark (1981) so appealing. The inclusion of Sean Connery is, of course, a stroke of genius, but the movie’s highlight is that tank chase, a marvellous exercise in thrills, perfectly timed stuntwork, and breezy humour that still impresses today.

6 – Saving Private Ryan (1998) – $481,840,909

After pulling no punches in his examination of the Holocaust in Schindler’s List (1993), Spielberg brought home the true horror of the D-Day landings by thrusting his audience into the thick of it all for twenty of the most gruelling, gut-wrenching minutes in cinema history. The search for Private Ryan and the events that follow lack that initial visceral intensity, but this is still Spielberg operating at a level that few other directors can match.

5 – War of the Worlds (2005) – $591,745,540

Spielberg’s second collaboration with Tom Cruise was a box office success but lost its way in the final third, leaving critics and audiences alike wondering how Spielberg and screenwriter David Koepp could have failed to maintain the movie’s pace and energy from its stunning opening, and gripping central section. Whatever your view, this is easily one of the best, most effective alien invasion movies ever made, and all because the characters and not the spectacle are the focus.

4 – The Lost World: Jurassic Park (1997) – $618,638,999

Not one of Spielberg’s best thanks to an erratic screenplay courtesy of the normally reliable David Koepp, this inevitable sequel sees Spielberg struggling to repeat the sense of wonder he brought to the original. It’s overlong as well, and there are only a few instances where Spielberg finds his groove, but this took as much as it did at the box office because nobody else was able to come close to making dinosaurs look this impressive.

3 – Indiana Jones and the Kingdom of the Crystal Skull (2008) – $786,636,033

A prime example of one too many trips to the well, what was until recently Indiana Jones’s swansong movie – a fifth entry is due in 2019 (when Harrison Ford will be seventy-seven) – this sees Spielberg aiming to restore the last-gasp, derring-do atmosphere of Ark and Crusade, while being undermined by a script that loses sight of what made those movies so enjoyable in the first place.

2 – E.T. – The Extra-Terrestrial (1982) – $792,910,554

Spielberg’s ode to childhood and miracles can still invoke a wide variety of emotions including wonder. It also provides all the evidence needed to remind audiences that Spielberg is a director who has such a deep connection to the child in all of us, that he can make us wish we were that young again. Forget the minor changes he made in the 20th anniversary re-release, this remains one of the most powerful, and emotional, fantasy movies ever made.

1 – Jurassic Park (1993) – $1,029,153,822

Dinosaurs. ‘Nuff said.

Top 10 Movies at the International Box Office – January-April 2016

05 Thursday May 2016

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International Box Office, Movies, Top 10

With 2016 already a third of the way gone (where does the time go?), it’s time to take a look at the movies that have raked in the cash across the globe in the first four months. There are some surprising entries, and the top spot is held by a movie which may well breach the billion mark by the year’s end – which will be an amazing achievement and completely unexpected. Half are sequels, one is a remake, which leaves just four movies that are original – if that isn’t a sad reflection on the make up of movies released so far this year then nothing will be. All have made over $150m at the international box office, but whether they’ll still be in the Top 10 at year’s end (or even in another four months) remains to be seen. So here they are: the movies we’ve gone out of our way to see at the box office, whether we live in Hollywood or Hunan Province. See how many you can guess in advance.

NOTE: All figures are courtesy of the good folks at boxofficemojo.com.

10 – London Has Fallen – $191,295,451

London Has Fallen seems to have made its money off the back of a residual fondness for its US based predecessor. That a movie as poorly constructed and flaky as this can make as much money as it has is both worrying and oddly comforting – worrying because audiences will flock to a movie even when it’s clearly a case of stupid is as stupid does, and oddly comforting because there’s always room for movies that wear their stupidity like a badge of honour.

9 – The Monkey King 2 – $193,677,158

The second sequel on the list was released back in February and shows just how important the international markets, and particularly China, are now when determining the box office success of foreign language movies. The Monkey King 2 tanked in the US, earning only $709,982, but its performance overseas is a salutary reminder that Hollywood can’t have it all – and that’s a good thing.

8 – Captain America: Civil War – $261,600,000

Captain America: Civil War doesn’t open in the US until tomorrow – what’s the betting it’s as successful on its home turf as it has been abroad? (Don’t bother to answer that.) Marvel have another potential billion dollar movie on their hands, and if it can rake this much in in just one week then the sky’s the limit. It’s also proved itself as yet another critic-proof behemoth; a good job then that it’s as good as everyone hoped.

7 – Monster Hunt – $385,274,702

The second foreign language movie on the list, Monster Hunt‘s total haul is yet another snub to the US market, which allowed it to play for just one week back in January and make a massive $32,766. It may not be the best example of Chinese fantasy movie making, but international audiences have taken it to their hearts, and in the end that’s all that matters.

6 – Kung Fu Panda 3 – $508,538,424

And now we reach the big guns. A massive leap in ticket sales takes us to the third outing for lovable Po, irascible Master Shifu, and the Famous Five. Well on the way to emulating both its predecessors’ haul of over $600m, Kung Fu Panda 3 is the latest in a series that has quietly earned its success without appearing to do too much in the process. Both sequels have built on what’s gone before, and this instalment is a testament to the way in which a simple formula can be enriched and expanded and keep drawing audiences back.

5 – The Mermaid (Mei ren yu) – $552,521,248

The third (and final) foreign language movie on the list, Stephen Chow’s fantasy drama is yet further proof that the US box office, once regarded as the main arbiter of a movie’s success, doesn’t occupy that role as comprehensively as it used to. In comparison with The Monkey King 2 and Monster Hunt, The Mermaid performed respectably in the US, earning $3,232,685, which makes its international haul all the more impressive. Perhaps there’ll come a time when foreign language movies will bypass the US box office altogether; after all, how much profit can they be making in such a suffocating market?

4 – The Jungle Book – $725,233,678

With brand-name recognition and an impressive promotional push by the House of Mouse, The Jungle Book was always going to be on this list somewhere, but for a movie that was only released over a few weeks ago it’s put an equally impressive number of bums on seats in a relatively short space of time. Will it break the billion dollar mark? Possibly, but the point here is that the movie is a triumph of expectation and promotion that has performed exceptionally well around the world, and without really bringing anything special to its audiences.

3 – Deadpool – $761,707,675

Deadpool has proved to be a runaway, unabashed success story at the box office, and all despite its raunchy, coarse, crude, hyper-violent excesses (or is it because of all those things?). It’s great to see such an unapologetically adult movie do so well, and find itself outperforming so many family friendly (and demographically targeted) movies. With this amount of money taken at the box office, there should be no excuse for the sequel to be anything other than as raunchy etc as its forebear.

2 – Batman v Superman: Dawn of Justice – $864,255,044

It had to be near the top, what with the high levels of fanboy expectation and the overwhelming promotional barrage we were subjected to from the moment the movie was announced. But with the movie itself proving less than stellar, this is the perfect example of a movie earning a shed load of money while not actually offering an experience that justifies people shelling out for it in the first place. Go figure!

1 – Zootopia – $933,713,976

If you said to yourself at the beginning of this post, I bet Zootopia is the number one movie, then give yourself a pat on the back (you sly old fox you). A complete surprise that it’s unlikely Disney themselves could have predicted, this reaffirms the notion that a genuinely good movie will win out if given the chance. That audiences have taken to Zootopia so completely and unreservedly is another positive that shouldn’t be ignored, and of all the movies released so far in 2016, its success should be celebrated for what it is: truly deserved.

Top 10 Actresses at the Box Office 2015

11 Friday Dec 2015

Posted by dullwood68 in Movies

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2015, Actress, Box Office, Highest grossing movie, Top 10

As with the list of the Top 10 Actors at the Box Office 2015, this was meant to be posted back in September, but with some unexpected box office successes this year it seemed prudent to wait to see if these successes had any effect on the list as a whole. As it turned out, there were quite a few changes to the list from last year, with only Kathy Bates not returning, but several of the other actresses in the list ended up leap-frogging all over the place. So much so, in fact, that it’ll be even more interesting to see who’s on the list next year – and where.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Sigourney Weaver / HGM: Avatar (2009) – $2,787,965,087

Down three from last year, Weaver maintains her hold on the Top 10 by virtue of being in the biggest movie at the box office ever, but her choices since then seem to have been entirely personal ones and not with a view to achieving further box office success. Without another potential blockbuster on the horizon until Avatar 2 hits our screens, it’s entirely likely that this time next year, Weaver will be absent from the list.

9 – Anne Hathaway / HGM: The Dark Knight Rises (2012) – $1,084,939,099

Moving up the list from last year’s number ten, Hathaway has increased her earnings power by a further association with Christopher Nolan in Interstellar (2014), but it’s her appearance in The Dark Knight Rises that keeps her firmly in the Top 10. And if she continues to make the kind of canny choice that The Intern (2015) has turned out to be, then there’s no reason why she shouldn’t move even further up the list.

8 – Elizabeth Banks / HGM: The Hunger Games: Catching Fire (2013) – $865,011,746

The only newcomer to this year’s list, Banks is here purely because of her role in the Hunger Games series; before 2012 she had very little chance of appearing on this list at all. In between the big-scale shenanigans involving Katniss Everdeen she makes small-scale movies that don’t always perform that well – The Details (2011), Little Accidents (2015) – but her increased involvement in the Pitch Perfect movies may keep her in the list for a while longer.

7 – Sandra Bullock / HGM: Minions (2015) – $1,157,197,402

No change in the list for Bullock but her involvement with those little yellow henchmen has meant a change in HGM from last year’s Gravity (2013). That aside, her place in the list is curious due to the perceived lack of real box office success that she’s had throughout her career, but the truth is she’s made some very smart choices over the years, from Miss Congeniality (2000) to The Heat (2013), and continues to be a solid, dependable draw at the box office.

6 – Scarlett Johansson / HGM: The Avengers (2012) – $1,519,557,910

Up three places from last year, Johansson’s climb can be attributed entirely to her appearances as a certain black leather-clad assassin. Her continued presence in the Marvel Cinematic Universe seems to be assured, so there’s no reason for her to continue to climb the list over the next few years… unless she herself decides to retire from the franchise, or Marvel begins to experience difficulties at the box office (unlikely, yes, but you never know).

5 – Julia Roberts / HGM: Pretty Woman (1990) – $463,406,268

Roberts drops down two places as her recent choices continue to perform merely to expectation (though incredibly, Mirror Mirror (2012) bucked the trend). The actress is likely to drop down even further by this time next year, but it’s not something she’s ever going to worry about. That said, she still makes interesting choices when it comes to the movies she makes, so there’s always the possibility she’ll pick another major box office winner at some point in the future.

4 – Emma Watson / HGM: Harry Potter and the Deathly Hallows Part 2 (2011) – $1,341,511,219

A drop of two places for Watson from last year is unsurprising given that the movies she’s made post-Potter have been either under-performers – My Week With Marilyn (2011), The Bling Ring (2013) – or surprisingly successful – Noah (2014). With only a small handful of projects lined up between now and the live action Beauty and the Beast (not due until 2017), Watson is likely to slip further down the list as the years pass.

3 – Helena Bonham Carter / HGM: Harry Potter and the Deathly Hallows Part 2 (2011) – $1,341,511,219

Carter jumps up one place from last year, her appearance in Cinderella (2015) having given her the boost that Emma Watson needed. By rights though, she should be further down the list though rather than creeping up it, but thanks to Roberts and Watson’s lack of box office results, she finds herself in a better position than expected. But with only Alice Through the Looking Glass (2016) to come in the next year (so far), it’ll have to do just as well as its predecessor to keep Carter this high in the list.

2 – Cate Blanchett / HGM: The Lord of the Rings: The Return of the King (2003) – $1,119,929,521

Up three places from last year, Blanchett continues to be the one actress whose career choices continue to amaze and astound, from her return to Middle Earth as Galadriel (the main reason for her leap into second place), to appearances in movies as diverse as Blue Jasmine (2013) and How to Train Your Dragon 2 (2014). With such a mercurial career paying out such continually high dividends, Blanchett may well find herself sitting at the top of the tree, if not next year, then maybe in 2017.

1 – Cameron Diaz / HGM: Shrek 2 (2004) – $919,838,758

Still at the top of the list thanks to her role as Princess Fiona in the Shrek franchise, Diaz continues to be a popular draw at the box office, though she’s not really had a big success since Bad Teacher (2011). Whether or not she remains in the top spot will depend on any upcoming projects (and there aren’t any in the pipeline at present), but when they do, they’ll need to make some serious money at the box office to keep her sitting pretty at the top of the list.

Top 10 Actors at the Box Office 2015

06 Sunday Dec 2015

Posted by dullwood68 in Movies

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Actors, Box Office, Highest grossing movie, Marvel, Top 10

Welcome to this year’s look at the great and good amongst movie actors, those stars who keep us coming back to the cinema time after time, and help put as many bums on seats as they possibly can. I was going to do this post back in September, but with some surprising outcomes at the 2015 box office I thought I’d give it a bit more time, and see if there were any major changes to last year’s list. As it turns out there wasn’t, though we have lost Robin Williams and Bruce Willis from the list, but overall it seems as if this is a year for positions and box office returns to keep the rest of the Top 10 in a kind of holding pattern.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Gary Oldman / HGM: The Dark Knight Rises (2012) – $1,084,939,099

The first of two newcomers to the Top 10, Oldman is fast becoming a franchise expert, having appeared in not only the Dark Knight trilogy, but the Harry Potter series and the last Planet of the Apes movie. Without these appearances though, Oldman would be way down the list, but it’s good to see someone who truly doesn’t have that opening weekend star factor showing up in the list, and relying more on some good acting choices.

9 – Michael Caine / HGM: The Dark Knight Rises (2012) – $1,084,939,099

The another newcomer to the list, and another beneficiary of the Dark Knight trilogy boosting them into the Top 10. Caine has obviously had a varied career but it’s his recent affiliation with Christopher Nolan that seems to have made all the difference, with Interstellar also adding to the star’s recent run of prestige movies. With the million dollar mark being passed by more and more movies each year though, whether or not he can maintain his position remains to be seen, but as with Oldman, it’s great to see a character actor break into the Top 10.

8 – Johnny Depp / HGM: Pirates of the Caribbean: Dead Man’s Chest (2006) – $1,066,179,725

Up one place from last year, Depp retains his position in the Top 10 despite appearing in the awful Mortdecai and the risible Transcendence. Without the Pirates franchise to keep him in the Top 10, Depp wouldn’t even be close to appearing in it, and while the disappointing Black Mass has allowed the actor to regain some of the critical standing he used to enjoy, another trip to the Pirates well doesn’t bode well, even if it does provide a boost to his box office status.

7 – Robert Downey Jr / HGM: The Avengers (2012) – $1,519,557,910

Up three places from 2014, Downey Jr continues to rely on his Marvel Cinematic Universe outings as Iron Man to keep him in the Top 10. That he’s still the best thing in the MCU is a given, but with only a supporting turn in Chef and a less than gripping courtroom drama The Judge under his belt away from Marvel, he’s yet another actor who might not even reach the Top 20 if it wasn’t for his association with a major franchise (if not the major franchise). It’ll be interesting to see how he fares once he hangs up the iron suit and goes back to making more “regular” movies.

6 – Tom Cruise / HGM: Mission: Impossible – Ghost Protocol (2011) – $694,713,380

No change for Cruise even though it looked for a while as if Mission: Impossible – Rogue Nation was going to surpass its predecessor at the box office, and despite the relative failure of Edge of Tomorrow. Cruise chooses his movies carefully, but with only two in the pipeline, and one of them the sequel to Jack Reacher, he’ll need to rely on his outings as Ethan Hunt to keep him in the Top 10.

5 – Eddie Murphy / HGM: Shrek 2 (2004) – $919,838,758

No change either for Murphy, his place in the Top 5 secured by his role as Donkey in the Shrek franchise, and seemingly unassailable as a result. His place in the list is proof that you only have to pick just one part and have it becomes hugely successful to retain that place seemingly forevermore. Murphy hasn’t made a movie since A Thousand Words (2012), but he is attached to the Beverly Hills Cop reboot due in 2016, but whether that can be successful enough to push him up the list remains to be seen.

4 – Harrison Ford / HGM: Indiana Jones and the Kingdom of the Crystal Skull (2008) – $786,636,033

Another non-mover, it’s strange perhaps that Ford’s biggest success at the box office is also the least of the four Indiana Jones movies, but with a certain sequel heading its way to our screens very soon, there’s a good chance that this time next year Ford will be either heading up the list or will at least have a different HGM. Either way, it’s going to be quite a while before he loses his place in the Top 5, and it’s great that he’s done it all without making a superhero movie.

3 – Morgan Freeman / HGM: The Dark Knight Rises (2012) / $1,084,939,099

Down one place from last year, Freeman’s attachment to the Dark Knight trilogy keeps him in the Top 5, but recent choices such as 5 Flights Up and Dolphin Tale 2 haven’t added to his box office lustre, and the result is a slip that may well be the start of a more serious downward trend (though let’s hope not). With the veteran actor now taking what are largely supporting roles, there’s always the chance he’ll find himself in another blockbuster, but with the movies he has coming up, it doesn’t look as if that’s going to happen anytime soon.

2 – Tom Hanks / HGM: Toy Story 3 (2010) – $1,063,171,911

Down one place as well, Hanks loses the top spot by not releasing a movie in 2014, and only recently reappearing on our screens in Bridge of Spies. But like Harrison Ford, there’s a certain sequel on the horizon that could very well see him grab back the top spot in a couple of years’ time, and that combined with another outing as Robert Langdon in Inferno next year could well be all he needs to reassert his position as numero uno.

1 – Samuel L. Jackson / HGM: The Avengers (2012) – $1,519,557,910

Up from last year’s third place to the number one spot, Jackson reigns supreme thanks to another treasure chest-bulging performance at the box office by a Marvel movie, namely Avengers: Age of Ulton. Full marks to Jackson for getting to the top of the list by virtue of playing a supporting character in an ongoing franchise, because like Downey Jr, without Marvel he wouldn’t be here. And as his continued involvement as Nick Fury hasn’t been confirmed as yet, a change at the top come this time next year could well be on the cards.

10 Best Explosions in the Movies

12 Sunday Jul 2015

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Blown Away, CutThroat Island, Die Hard, Explosions, Independence Day, Lethal Weapon 3, Speed, Stealth, The Dark Knight, The Long Kiss Goodnight, Top 10, Tropic Thunder

Come closer – I want to tell you something. I love explosions in the movies. There, I’ve said it. And now that I’ve got that off my chest, let me explain why. It’s the level of devastation, pure and simple. The bigger the bang, the better the explosion. And there’s got to be a bit of a wow factor, both in the build up and the final detonation. If it’s just another car with the obligatory four sticks of dynamite wrapped around the fuel tank, then I’m not interested. The pyrotechnics have got to look impressive, so scale is often a deciding factor.

But most important of all – and it’s a consideration that a lot of movies get completely wrong – is the way in which it’s filmed and edited. Cast your mind back to The Specialist (1994), where Sylvester Stallone’s bomb expert has a hideaway that’s rigged to explode should the site be compromised. When it is, Stallone triggers his hideaway’s destruction and thanks to director Luis Llosa’s “smart thinking” the resulting explosions are seen mostly in close up and with little idea of which part of the compound is being destroyed. It’s a letdown, and more so because it should have been the high point of the movie; instead it’s a wasted opportunity that should have had a place in the following list.

The criteria then: the explosion has to be big and loud, and if possible, one of a kind, or in this writer’s opinion, the best of its kind. It should be an explosion that makes the viewer applaud the makers for their ingenuity, and balls-to-the-wall approach to blowing shit up. In short, it should make you want to watch it again – right away.

10 – Independence Day (1996) – The White House

In most lists of this sort, Independence Day would probably be higher up the ladder, but its iconic explosion involving the White House is obviously model work, and while it’s impressive model work, it’s still not real. But as noted, it is impressive, and even nearly twenty years on it’s still able to create a frisson of awe at seeing such a famous building reduced to rubble. With all the disaster movies that have followed since then, and with pretty much every famous landmark having been destroyed in the meantime, it’ll be interesting to see if Roland Emmerich and his special effects team can come up with an equally impressive explosive moment in Independence Day: Resurgence (2016).

9 – Die Hard (1988) – “You just blew up a building!”

With the police making a doomed attempt at retaking the Nakatomi Building, and being soundly thrashed by Hans Gruber’s “terrorists”, it’s down to John McClane to turn the tide. Lashing some high explosives to a chair and sending it down a lift shaft, the resulting explosion rips apart one of the lower floors of the building and sends a fireball back up the lift shaft. The effect of several windows being blown out is hugely impressive, and all the more so because the whole thing is a trick involving powerful camera flashbulbs and a superimposed shot of an actual explosion. So, not real either, but still so memorable that it had to be included in this list.

8 – Tropic Thunder (2008) – There goes the jungle

Things aren’t going too well on the set of Tropic Thunder, a movie based around the experiences of a Vietnam veteran. When one particularly poignant scene goes wrong, the director’s fit of apoplexy leads pyro expert Cody to believe he’s got the go ahead to set off the movie’s most expensive effect: a series of explosions that climb high into the sky and stretch for nearly half a mile. As an homage to a similar series of explosions in Apocalypse Now (1979), this is large scale destruction that is all the better for being real – at last! – and for being filmed from overhead to get the full effect. As an effect it’s terrific, but it is only jungle that’s been devastated, so this is one for the aesthetes.

7 – Stealth (2005) – Escape from the hangar

In this terrible mix of military hysterics and AI nonsense, a mission to stop the “memory wipe” of a plane flown by a rogue computer system, Navy pilot Ben Gannon finds himself trapped in a hangar surrounded by gun-toting bad guys. So what’s a guy to do? Why, blast his way out through the hangar doors, of course. The resulting explosion doesn’t just vaporise the doors, it spreads a fireball that sends the bad guys hurtling through the air along with several vehicles. It’s an over-the-top moment that finally brings a semblance of life to a movie that has struggled to get airborne for most of its running time, and at last involves some real damage.

6 – Lethal Weapon 3 (1992) – “Grab the cat!”

A bomb in a car in an underground car park proves to be a particular challenge for partners Riggs and Murtaugh, as another of Riggs’ bright ideas (to not wait for the bomb squad) literally blows up in their faces – along with the building the car park was underneath. Taking advantage of the city of Orlando, Florida’s need to see the back of their old, ugly City Hall building, the producers took a real building and levelled it to the ground in spectacular fashion. Some might argue that the amount of dust and debris obscures the building’s collapse, but this is an explosion that shows just what happens when a demolition is carried out to purpose.

5 – The Dark Knight (2008) – Gotham Hospital

Having paid Harvey Dent a visit, the Joker starts to leave Gotham Hospital, and as he does so, he presses a remote control device that starts a series of explosions intended to destroy the building entirely. But once outside, the trigger malfunctions and the explosions stop. Bemused and baffled, the Joker tries again and again to restart the explosions, and finally he succeeds, levelling the building as he wanders off in his nurse’s uniform. A series of explosions that grow in size, and that contain a great deal of unexpected comedy, this is brilliant stuff, with Heath Ledger’s performance adding an extra layer of fun to the proceedings, and which is topped off – á la Tropic Thunder – with a gloriously framed overhead shot of the hospital’s demise.

4 – The Long Kiss Goodnight (1996) – A bridge, a tanker, a shootout – guess what happens next

Having stopped a tanker full of explosives from reaching its destination, recently amnesiac assassin Charly Baltimore must fend off the murderous intentions of bad guy Timothy as the timer on the explosives counts down to zero. Leaving Timothy wounded on top of the tanker she makes her escape with the aid of private eye Mitch Henessey, and with her young daughter in tow. The resulting detonation obliterates the bridge they’ve just crossed, and releases a fireball that races to incinerate the car they’re in. A mixture of model work and carefully positioned camera work, this is a big dumb loud explosion that fills the screen and feels like it should be lighting up the night sky and all surrounding areas. As it spreads it looks and sounds like an angry beast raging to cause more devastation, and is all the better for the sheer size of it all.

3 – Speed (1994) – Bus meets plane

Having made it to the airport, interrupted the live feed to the bomber, and got most of the passengers off, it’s now Jack Traven and Annie Porter’s turn to save themselves and leave the bus to do what Howard Payne has wanted it to do all along: blow up. As the bus slows down to that all-important fifty-mile per hour mark, it heads towards a taxi-ing plane, and at the magic moment, hits it. The bomb goes off, destroying the bus and with it, the plane. Shot from several angles, this has beauty and style to it, and is a great example of an audience not being let down by something they’ve been waiting a long time for. Satisfying and convincing.

2 – CutThroat Island (1995) – Dawg’s ship

With her villainous uncle Dawg despatched by a cannon ball, pirate Morgan Adams goes in search of William Shaw who’s trapped below decks with the water rising quickly. She frees him and together they make for the bow of the ship, just as a stray line of fire reaches the ship’s powder kegs. The first explosion blows a hole up through the centre of the ship, and as Morgan and Shaw dive to safety, the whole ship explodes at once, sending wooden debris everywhere. An incredible piece of pyrotechnics, expertly shot by extremely well-positioned cameras, and having a heft to it that most explosions don’t carry, this example – and despite the movie’s poor reception – makes for a loud, impressive bang that’s second only to…

1 – Blown Away (1994) – That’s no gambling ship, that’s a bomber’s hideout

Confronting mad Irish bomber Ryan Gaerity in his dilapidated and abandoned ship, the Dolphin, bomb disposal expert Jimmy Dove gets the best of him but not before Gaerity has set in motion the destruction of the ship thanks to a complicated, sinister version of Ker-Plunk! Helped to safety by colleague Anthony Franklin, the two hurry along a short pier as the ship explodes behind them, section by section and with ever increasing force. The ne plus ultra of cinematic explosions, Blown Away‘s superb blast shattered windows up to five miles away, and even with the terrible inserts of Jeff Bridges and Forest Whitaker, remains the single most impressive piece of pyrotechnical destruction ever committed to celluloid. The sheer size and scope of it beggars belief, and the excellent positioning of the cameras means it’s all there to enjoy, every blast and concussive eruption. Over twenty years later, it’s still an awe-inspiring sight, and one that’s unlikely to be beaten.

Top 10 Best Film Oscar Winners at the Box Office

29 Friday May 2015

Posted by dullwood68 in Movies

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Best Film, Box Office, Oscar Winners, Top 10

With the Oscars hyped to the point where the recipient of each year’s Best Film award is regarded as the best movie of the preceding year, it’s interesting to see that most Best Films of the last twenty-five years do reap the benefits of winning one of those shiny gold statuettes – the exceptions being Crash (2005) and The Hurt Locker (2009). These two have failed to crack the $100,000,000 million mark (in fact The Hurt Locker hasn’t even cracked the $50,000,000 million mark), a surprising outcome considering the quality of both movies.

For every other movie it’s been a tale of critical kudos and box office glory. Here then are the top 10 Best Film Oscar winners of the past twenty-five years in terms of international box office returns. But before you start scrolling down, stop for a moment and try and pick the movies you think are in the list (a clue: the top two are incredibly easy to guess). Whatever ten movies you come up with, it’s likely there’ll be one or two that will surprise you.

NOTE: All figures are courtesy of the good folks at boxofficemojo.com.

10 – A Beautiful Mind (2001) – $313,542,341

Ron Howard’s biopic of the late John Nash Jr featured a sterling performance from Russell Crowe, but it’s story of mental illness and a central character whose genius with mathematics may have depended on said same illness was heavily dependent on some narrative trickery and a visual approach that did its best to mirror the conflict going on inside Nash’s mind. That said, the movie is absorbing and doesn’t try to treat Nash with unnecessary sympathy, a rare thing indeed when the movies try to deal with real life disabilities.

9 – Schindler’s List (1993) – $321,306,305

Despite being best known (still) for his more populist movies, Steven Spielberg’s examination of the nature of heroism in the face of unspeakable evil (memorably incarnated by Ralph Fiennes) is still the director’s most affecting movie, and on many levels his best. Shot in black and white to heighten the horrific nature of the atrocities carried out by the Nazis, this is one of the few movies that can burrow under your skin and stay there for days afterward.

8 – American Beauty (1999) – $356,296,601

It’s hard to think of now, but this was Sam Mendes’ first movie – and what a debut! Featuring career best performances from all concerned, writer Alan Ball’s excoriating dissection of American suburban life still has the power to astound that it had on its first release. With some of the most lyrical and inventive visual moments of any movie – who can forget those falling rose petals, or that carrier bag? – this is a modern classic pure and simple.

7 – Slumdog Millionaire (2008) – $377,910,544

Danny Boyle’s adaptation of the novel by Vikas Swarup was a surprise winner at the Oscars, but it’s tale of perseverance against seemingly overwhelming odds, and the pursuit of love, is so well constructed and acted by its young cast that it can be forgiven for the occasional lapse into sentimentality. With its infectious score courtesy of A.R. Rahman, and authentic Mumbai locations, it’s a feelgood movie that can be enjoyed over and over again.

6 – The King’s Speech (2010) – $414,211,549

There were other, better movies up for the Best Film Oscar in 2011 – The Social Network (2010) and Black Swan (2010) to name but two – but it was this recounting of an Australian speech therapist’s efforts to enable the then King of England, George VI, to speak in public despite his stutter that took the honours. Colin Firth and Geoffrey Rush are both excellent, and the scenes between them are masterclasses in screen acting, but the movie’s emotional core is thrust too often into the spotlight for any subtlety to maintain its hold.

5 – Dances With Wolves (1990) – $424,208,848

Famously beating GoodFellas (1990) (which still gets some people’s backs up even now), what was considered to be Kevin Costner’s folly is in actual fact a very good movie, and one that rewards on repeat viewings. Best seen in its extended, four hour cut, this is still the best representation of the way of life of the American Indian yet committed to screen, and a valedictory salute to a culture that has been subsumed by greed and corruption.

4 – Gladiator (2000) – $457,640,427

The picture that reintroduced the phrase sword and sandals back into the movie lexicon, Ridley Scott’s bold reimagining of Ancient Rome and the glories of the Coliseum remains an extraordinary visual experience. With yet another commanding performance from Russell Crowe, this big budget homage to the epics of the Fifties and Sixties boasts a stand out sequence in the recreation of the Battle of Carthage, superb photography by John Mathieson, and is endlessly thrilling.

3 – Forrest Gump (1994) – $677,945,399

Twenty-one years on and Robert Zemeckis’ finest hour still has the ability to bewitch and amuse and make viewers gratefully sad as Mrs Gump’s boy takes us on a tour of American 20th century history, and his search for his one true love. Tom Hanks deservedly won an Oscar for his portrayal of Forrest Gump, but there are plenty of other great performances to be savoured, as well as – for then – some amazing special effects work.

2 – The Lord of the Rings: The Return of the King (2003) – $1,119,929,521

The conclusion to Peter Jackson’s mammoth adaptation of J.R.R. Tolkien’s epic trilogy is the ne plus ultra of fantasy movie making. Sprawling and yet detailed, expansive and yet intimate, this is breathtaking in its scope and the confidence Jackson, his crew and his cast have in what they’re doing and what they’ve achieved. Too many endings? Who cares, when they give you the chance to stay just a little bit longer in Middle Earth?

1 – Titanic (1997) – $2,186,772,302

No surprises here, with James Cameron’s brash, epic retelling of the most famous maritime disaster in history an object lesson in marrying a somewhat tepid romance with cutting edge special effects, and all in the service of extreme verisimilitude. Still, whatever your view on the movie as a whole, what can’t be denied is the sheer scale of the enterprise, the incredible momentum built up once the ship strikes the iceberg, and Cameron’s overwhelming sense of spectacle.

Top 10 Actresses at the Box Office

04 Saturday Oct 2014

Posted by dullwood68 in Movies

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Actresses, Box Office, Highest grossing movie, Marvel Cinematic Universe, Top 10

Having looked at who makes up the Top 10 Actors at the Box Office, it’s time to see which ten actresses are the most popular with the cinema-going public. There are a couple of actresses you might not expect to see in the list, but with the preponderance of movie series’ that are out there, most shouldn’t come as much of a surprise.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Anne Hathaway / HGM: The Dark Knight Rises (2012) – $1,084,439,099

While you might not hear the phrase, “Let’s go see the new Anne Hathaway movie” very often, nevertheless she has made some good commercial choices over the years, from The Devil Wears Prada (2006) to Alice in Wonderland (2010), all the way to her Oscar winning performance in Les Misérables (2012). With a role in Christopher Nolan’s upcoming Interstellar, and a return to Wonderland in 2016, her place on the list seems assured for some time to come.

9 – Scarlett Johansson / HGM: The Avengers (2012) – $1,518,594,910

Outside of the Marvel Cinematic Universe, Johansson has made a number of movies that have performed well (if not spectacularly), and she’s often the best thing in them. With some canny choices behind her – The Prestige (2006), We Bought a Zoo (2011) – it will be interesting to see how her career develops, as, Black Widow aside, she doesn’t seem to gravitate to one particular kind of role. But with multiple trips to the Marvel well ahead of her, her place on this list is assured.

8 – Sandra Bullock / HGM: Gravity (2013) – $716,392,705

With a career that now spans over twenty years, and with a proven track record in both drama and comedy, it’s Bullock’s more recent forays into drama that have won her the most acclaim and industry kudos. She doesn’t always make the right choices – Gun Shy (2000), All About Steve (2009), a certain sequel that Keanu Reeves wisely side-stepped – but she has a loyal fan base that will probably keep her in the Top 10 for the foreseeable future, even though at present, the only movie she definitely has on the horizon is next year’s Minions.

7 – Sigourney Weaver / HGM: Avatar (2009) – $2,787,965,087

Weaver’s inclusion on this list is due mainly to her role in James Cameron’s epic, and the combined totals for the Alien series – even Alien Resurrection made over $161m – as, like Scarlett Johansson, she’s made a number of movies that have performed well enough at the box office but which aren’t as repeat-friendly as you might expect. Still, with three Avatar sequels in the pipeline, Weaver’s likely to be heading on up the list come 2017, but with a career that’s often been more about the material than the box office, it should be the other movies she makes that will be the more interesting to watch.

6 – Kathy Bates / HGM: Titanic (1997) – $2,186,772,302

Betcha didn’t see this actress being on the list anywhere! Cameron’s blockbuster aside, Bates has appeared in some well-received movies over the years, from Fried Green Tomatoes (1991) to About Schmidt (2002) to The Blind Side (2012), as well as her Oscar winning role in Misery (1990). She’s an actress you can rely on whatever the movie, and while she’s not a box office draw by herself, she’s definitely earned her place on the list (though how long she’ll remain here will probably be down to her fellow listees).

5 – Cate Blanchett / HGM: The Lord of the Rings: The Return of the King (2003) – $1,119,929,521

Perhaps of all the actresses in the list, Blanchett has the best resumé, her movie choices over the years having proved that she has a keen eye for a good script. Even where a movie hasn’t quite worked out as its makers would have hoped – Bandits (2001), Robin Hood (2010) – she’s still been eminently watchable and, as in the wretchedly disappointing Indiana Jones and the Kingdom of the Crystal Skull (2008), has risen above the constraints of the material. Her alliance with Peter Jackson and the realm of Middle Earth has certainly propelled her to this point in the list, so she’s another actress who won’t be dropping out anytime soon.

4 – Helena Bonham Carter / HGM: Harry Potter and the Deathly Hallows Part 2 (2011) – $1,341,511,219

Your husband is a gifted, visionary filmmaker who regularly finds roles for you in his movies. Do you turn him down, afraid of cries of favouritism? Or do you take every opportunity he gives you, and so cement your place in the list of the top ten actresses at the box office? It’s a no-brainer really, but Carter’s place at number four does rely heavily on her work with Tim Burton and the latter entries in the Harry Potter saga. But even so she’s a remarkably talented actress who does some of her best work in movies that get very little exposure – Till Human Voices Wake Us (2002), Enid (2009) – and with a return trip to Wonderland fast approaching, she’s not moving from this list for some considerable time.

3 – Julia Roberts / HGM: Pretty Woman (1990) – $463,406,268

Is it really almost twenty-five years since Pretty Woman made an overnight star of Julia Roberts? (Well, yes of course it is.) One of the most consistently successful actresses of the last quarter century, she’s achieved her place on the list without the benefit of being part of a franchise (the first two Ocean’s movies are the nearest she’s come to being in a series), and by virtue of making some very astute choices; a case in point: Charlotte’s Web (2006) took over $144m. Despite a couple of missteps in recent years, she’s still an actress who commands attention, and with a role in the upcoming remake of The Secret in Their Eyes (2009), it seems she’s not about to slow down anytime soon.

2 – Emma Watson / HGM: Harry Potter and the Deathly Hallows Part 2 (2011) – $1,341,511,219

The youngest member of the Top 10 owes her place to a certain bespectacled wizard, but with This Is the End (2013) and Noah (2014) both taking over $100m at the box office (and Noah considerably more), she seems to have secured her future (and put Hermione firmly behind her). Watson effectively has the world at her feet and it’ll be interesting to see if she continues to make as many interesting movies as she’s made in the last few years. Whatever happens, her place on the list is assured (and especially if J.K. Rowling bows to popular demand and comes up with Harry Potter: The Adult Years).

1 – Cameron Diaz / HGM: Shrek 2 (2004) – $919,838,758

Ruling the roost is an actress whose career has had its ups and downs in recent years, but even the critical duds have made money (The Green Hornet (2011) somehow made $227,817,248 – incredible). With the Shrek franchise, plus fourteen other movies that have broken the $100m barrier, Diaz is an A-lister who consistently brings in the audiences (especially when she’s starring in a comedy). With the remake of Annie due later this year, and a return to being a Bad Teacher also on the cards, Diaz’s mix of safe movies interspersed with more edgy fare looks set to continue to keep her in the top spot.

Top 10 Actors at the Box Office

02 Saturday Aug 2014

Posted by dullwood68 in Movies

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Actors, Box Office, Highest grossing movie, Marvel, Top 10

There are some actors who can practically guarantee a good box office return for their movies, no matter what the subject matter is, who the director is, the genre, or their co-stars. It’s these stars who can make all the difference as to whether or not a movie has just a strong opening weekend, or develops (as the industry has it) “legs”. Here is the current Top 10, based on the box office returns for their career to date. Some of the stars might come as a surprise – I was completely bowled over by the actor at No 2 – while most of their biggest grossing movies probably won’t, but overall this is an intriguing glimpse into how successful an actor can be if they choose their projects wisely.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Robert Downey Jr / HGM: The Avengers (2012) – $1,518,594,910

With The Avengers (2012) weighing in at number three on the all-time box office list, it’s not exactly a stretch to expect one of that movie’s cast to be included in the list, but Downey Jr might not be your first choice (the motherf*cker at number three might earn that approval), but it’s safe to say that his career renaissance has helped him tremendously (although it does seem to have been going on for some time now). Downey Jr’s arch mannerisms and free styling acting abilities make him immensely likeable, and he has a charisma that virtually bounces off the screen (and is even more effective in 3D). With another outing (or two) for Marvel on the horizon it’s unlikely he’ll drop out of the Top 10 anytime soon, and may even head on up the list once a certain bad guy called Ultron gets his comeuppance.

9 – Johnny Depp / HGM: Pirates of the Caribbean: Dead Man’s Chest (2006) – $1,066,709,725

Depp’s inclusion in the list is thanks mainly to the Pirates of the Caribbean franchise, but he’s made enough mildly successful movies over the last thirty years to warrant his placing. Depp’s choices haven’t always been the most box office friendly – The Man Who Cried (2001), anyone? – but he’s a mercurial actor, always watchable, and he’s often the best part of any movie he appears in. Upcoming movies might include a further instalment in the Pirates series, but even if that doesn’t happen, Depp is likely to remain a reliable box office draw for some time to come.

8 – Robin Williams / HGM: Night at the Museum (2006) – $574,480,841

Williams isn’t someone I would have expected to have been so high up on the list, but on closer inspection, he’s appeared in over a dozen movies that have taken over $100 million at the box office, as well as several movies that have performed better than they may have been expected to, such as Insomnia (2002) and Flubber (1997). Bearing this in mind it seems Williams makes more right choices than most, and has a canny knack of picking movies that, while savaged by critics, still bring home the moolah. With a third Museum movie due this December, and a follow-up to Mrs. Doubtfire (1993) in the works as well, it’ll be a while before Williams’ ranking is likely to change.

7 – Bruce Willis / HGM: The Sixth Sense (1999) – $672,806,292

The fact that Willis’s HGM is the brilliant The Sixth Sense is one of the nicest surprises to come out of exploring the list, and shows that no matter how many blockbuster movies an actor appears in – and the Die Hard series hasn’t been as successful as you might think – it’s the movies that sneak in under the radar, as M. Night Shyamalan’s eerie chiller thriller did, that make all the difference. Everyone’s favourite everyman action star will probably continue to balance big-budget extravaganzas with more idiosyncratic fare (and remind us what a good actor he really is), but if he does he’ll still be the likeable rogue that we’ve all come to appreciate.

6 – Tom Cruise / HGM: Mission: Impossible – Ghost Protocol (2011) – $694,713,380

You might have expected Cruise to be further up the list, his well-known box office mojo putting him in the top three, say, but while he has a proven track record, his recent movies haven’t really set the box office alight. Edge of Tomorrow is still out there crunching numbers (and Mimics), but in the US it hasn’t cracked the $100 million mark yet, and movies such as Jack Reacher (2012) and Oblivion (2013) have under-performed, even overseas where Cruise is even more popular. And yet, Cruise has a fan base that will continue to keep him in the Top 10, and with another Mission in the works, his place is assured for some time to come.

5 – Eddie Murphy / HGM: Shrek 2 (2004) – $919,838,758

Trading very much on past glories, Murphy has an animated donkey to thank for his high ranking, along with some of his older movies that have remained popular after thirty years – yes, that’s how long it’s been since Beverly Hills Cop came out. His wisecracking, cracker-baiting manner earned him box office pre-eminence back in the Eighties, but since then it’s been a long slog, with only the Shrek franchise and an Oscar-nominated turn in Dreamgirls (2006) to remind us how good he actually is. Axel Foley should be back on our screens in 2016, and if that potential treat is prepped right, then Murphy’s place on the list should be assured.

4 – Harrison Ford / HGM: Indiana Jones and the Kingdom of the Crystal Skull (2008) – $786,636,033

While Star Wars (1977) might have been the obvious choice as Ford’s top movie at the box office, it’s the fourth (and least) of the Indiana Jones movies that takes first place. But two of the biggest franchises in movie history alas haven’t been as profitable at the box office as you might think, and so my choice for the top spot can only make it to number four. Still, Ford has been consistent at the box office for forty years now and that’s no mean feat, and with the upcoming Star Wars sequels, as well as the oft-wished for Blade Runner sequel likely to happen at long last, his place in the top five should be secure for quite a while.

3 – Samuel L. Jackson / HGM: The Avengers (2012) – $1,518,594,910

Joining his S.H.I.E.L.D. colleague, Mr Downey Jr, Jackson secures the third spot by virtue of being in just about every movie made in the last twenty years, and by appearing in two other movies that have broken the $1 billion barrier, namely Jurassic Park (1993) and Star Wars Episode I: The Phantom Menace (1999). Even movies such as XXX (2002) and S.W.A.T. (2003) have performed in excess of expectations, while Jackson’s gruff but likeable screen persona is consistently entertaining (and even endearing). With the second Avengers movie hitting cinemas next year, as well as further Marvel appearances (including his own Nick Fury movie) alongside a whole raft of other projects, the second hardest working Afro-American in movies isn’t going anywhere anytime soon from this list.

2 – Morgan Freeman / HGM: The Dark Knight Rises (2012) – $1,084,439,099

The hardest working Afro-American in movies – all rise for the man who has played both God and the President of the United States – Freeman has a pretty impressive box office resumé dating all the way back to Driving Miss Daisy (1989). He’s the star you can always rely on, even in the direst piece of rubbish – Moll Flanders (1996) – or the movie that should have been a lot better but wasn’t – Invictus (2009). With his rich, mellifluous tones, and friendly patrician manner, Freeman’s presence in a movie is sometimes all you need. He’s as busy as ever, with several projects in various stages of completion, but rest assured, he’s not retiring anytime soon, thus ensuring his very surprising place on the list.

1 – Tom Hanks / HGM: Toy Story 3 (2010) – $1,063,171,911

Capturing the number one spot with ease, and with a slew of movies that have all been strong performers at the box office, Hanks rules the roost thanks to the Toy Story trilogy mainly, and some obviously clever choices made in a career that dates back to 1980. As dependable an actor as you’re ever likely to see, Hanks may not be as prolific as his nearest rivals, but he is one of the most consistent actors working in movies today, and his wry, affable charm is always a pleasure to watch. The good news? He’s working with Steven Spielberg again. The bad news? He’s also making another appearance as Robert Langdon in The Lost Symbol (release date to be confirmed). Either way, his place at the top of the tree should be okay for now, but let’s see what happens when Avengers: Age of Ultron blasts onto our screens next April.

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