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~ Viewing movies in a different light

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Tag Archives: 2016

2017 – A Review

31 Sunday Dec 2017

Posted by dullwood68 in Movies

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Tags

10 Best movies, 10 Worst movies, 2016, 2017, Disney, Hype, International Box Office, Marvel, Review of the Year, The Dark Tower, The Mummy (2017)

For a lot of people, 2017 was a marked improvement over 2016, but in many ways it was business as usual, with Hollywood preferring to churn out sequels, remakes and reboots instead of providing us with original material, or taking risks. The first half of the year was particularly disappointing. After an early burst of award-worthy movies such as Moonlight, La La Land and Manchester by the Sea (all 2016 movies most of us didn’t see until this year), there was hope for 2017 in the form of Logan, but that was an early high point, and from then on the big mainstream movies that we’d all been looking forward to let us down time after time, with only the likes of Spider-Man: Homecoming and War for the Planet of the Apes compensating for the overall dreariness of the movies competing for our attention. Soon, 2017 was inter-changeable with 2016, and as the year wore on, it seemed as if there would be no turn around, even though It and the flawed Blade Runner 2049 did their best to provide audiences with something different to appreciate.

In the end, the year saw itself out in time honoured tradition with a handful of award-worthy movies being released that will have more impact in the early part of 2018. Looking back, there were gems to be found and cherished, disappointments on an almost weekly basis, and enough rotten apples to make going to the cinema something of a risky business. It was a year that saw Netflix and Amazon release more original movie content, though a lot of those releases showed the problems inherent in streaming services believing they can just jump in and swim with the “big boys”. Both companies only succeeded in showing that it’s very early days for both of them, and that there’s a long way to go before their business models will provide them with critical and commercial success.

At the international box office, Disney once again ruled the roost, with six movies in the Top 10. Superhero movies also dominated, and Marvel continued their remarkable run of movies with all three of their 2017 releases placing within $32,000,000 of each other. But if there’s any hope that superhero movies aren’t the be-all and end-all of modern day movie making, then it’s in the fact that the top four spots have been taken by non-superhero outings. And the entry at number six is a Chinese movie that has quietly made its presence known by virtue of its being a major success in its home country. But if one statistic is more worrying than anything else, it’s that there are eight sequels in the Top 10, which can only mean that perhaps the mainstream studios are right after all, and all we want is more of the same, year after year. Now that’s depressing.

Top 10 Movies at the International Box Office

10 – Pirates of the Caribbean: Dead Men Tell No Tales – $794,861,794

9 – Wonder Woman – $821,847,012

8 – Thor: Ragnarok – $848,013,810

7 – Guardians of the Galaxy Vol. 2 – $863,732,512

6 – Wolf Warrior 2 – $870,325,439

5 – Spider-Man: Homecoming – $880,166,924

4 – Despicable Me 3 – $1,033,508,147

3 – Star Wars: The Last Jedi – $1,040,444,228

2 – The Fate of the Furious – $1,235,761,498

1 – Beauty and the Beast – $1,263,521,126

2017 was also a year when the hype surrounding certain movies proved to be just that: hype. If you were keenly anticipating the long-awaited first adaptation of Stephen King’s The Dark Tower series, then the pain you must have felt at seeing what was eventually released to a largely unsuspecting public must still be causing you some level of discomfort. Likewise if you were looking forward to Universal’s Dark Universe getting properly off the ground with The Mummy. Both movies showed that their makers had absolutely no idea what they were doing, and both franchises are officially dead in the water. This can only be a good thing as the possibility of there being any further outings in either world is just too terrible to bear.

Incredibly, though The Dark Tower and The Mummy were two of the worst movies released in 2017, there were others that equalled them for their poor quality and inability to tell a story coherently. Whether it’s a Top 10 or a Worst 10, putting said movies in the right order is always a challenge. The number one movie is usually an easy pick, which was definitely the case in 2017 with the 10 Worst Movies, with a certain TV adaptation proving that having a recognisable concept and worldwide fan base, along with big name stars, isn’t any guarantee of quality or success. Further down the list it becomes trickier, as the various degrees of awfulness have to be weighed and assessed. To be honest, this year’s list from number three to number ten could have been put together in a variety of ways and each would have looked right.

10 Worst Movies of 2017

10 – The Hunter’s Prayer

9 – Pottersville

8 – Hangman

7 – King Arthur: Legend of the Sword

6 – I.T.

5 – Attack of the Killer Donuts

4 – Sharknado 5: Global Swarming

3 – The Layover

2 – Death Race 2050

1 – Baywatch

But thankfully, where there are bad movies, equally there are good ones, but as mentioned above, the flurry of 2016 movies that reached the UK at the beginning of the year meant that this year’s Top 10 Movies list would be over-run by “older” titles. So a decision was made to only include movies actually released or first shown in 2017. However, this has led to the list becoming over-run in a different way. The opportunity to see some of this year’s award-worthy movies in recent weeks has meant that a few movies that were previously shoo-ins for the Top 10 have been demoted, and their places taken by these award-worthy movies. That’s not a complaint however, because now those movies will get the recognition they deserve in the year that they deserve it.

Top 10 Movies of 2017

10 – Detroit

9 – The Villainess

8 – The Big Sick

7 – The Meyerowitz Stories (New and Selected)

6 – Wind River

5 – Marjorie Prime

4 – Call Me by Your Name

3 – Three Billboards Outside Ebbing, Missouri

2 – Lady Bird

1 – The Florida Project

Whatever full-scale delights or unwanted horrors 2018 holds for us all remains to be seen, but as ever, hopefulness should be the year’s watchword. Although it could be argued that nobody sets out to make a bad movie, experience does teach us that people do complete bad movies and release them to the public. As already mentioned on this site (here), mega-budget, mega-hyped movies will have less of a public face on thedullwoodexperiment in 2018, and the focus will be on finding good movies overall, ones to recommend that might not have had the exposure of their big-budget cousins. That’s a pretty good challenge and one to look forward to.

In closing, I’d like to offer a big Thank You to everyone who visited thedullwoodexperiment in 2017 and read a review or some other post, or who became a follower (not sure that term feels right), or left a comment. Your interaction with the site makes it all worthwhile. I would also like to wish everyone a very Happy New Year and many happy viewing experiences in the year ahead. And let’s hope we can all meet back here in a year’s time and still be buzzing about the movies we’ve seen and loved (or seen and hated), and that we still have that passion for movies that keeps us going and going and going. It’s been a pleasure sharing another year with you all.

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2016 – A Review

01 Sunday Jan 2017

Posted by dullwood68 in Movies

≈ 4 Comments

Tags

10 Best movies, 10 Highest Grossing Movies Worldwide, 10 Worst movies, 2016, 2017, Disney, International Box Office, Marvel, Posters, Review

If 2016 had to be summed up in one word, that word would be: Nooooooooo!!

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Time and time again we were led up the proverbial garden path, promised so much, and by studios and production companies who must have known that their promises were emptier than the mind of a Republican voter on November 8. Sequels and remakes and reboots that nobody wanted clogged up our multiplexes and taught us to run for the hills in search of movies that didn’t play to the common denominator, and which wouldn’t treat us like sheep.

But luckily there were enough movies that fit that particular bill, and so 2016 wasn’t a total bust, and even though there are many who feel that 2016 was a good year for movies, the negative reaction that surrounded releases such as Batman v Superman: Dawn of Justice and Ghostbusters (to name but two) was a clear indication that the public wasn’t buying everything they were being told or sold. Inevitably, there was the battle between fans of Marvel and DC about whose product was the best, but it was a waste of time and data bytes: the problem for DC is that Marvel know exactly what they’re doing, and Warner Bros. (who are overseeing the DC Extended Universe) absolutely and positively don’t.

But aside from the continuing glut of superhero movies we were “treated” to, it was Disney’s year, with the top four highest grossing movies worldwide all being Disney-backed productions. The House of Mouse, in acquiring Pixar, and Marvel, and Lucasfilm, has put itself firmly on top of the pile in Hollywood, and there’s no likelihood of anyone toppling them anytime soon. That’s not necessarily a good thing, perhaps, but fortunately for Disney – and for us – they seem to know what they’re doing, and the high ranking for Zootopia is a perfect example.

10 Highest Grossing Movies Worldwide in 2016

10 – Rogue One – $706,054,705

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9 – Suicide Squad – $745,600,054

8 – Fantastic Beasts and Where to Find Them – $772,540,251

7 – Deadpool – $783,112,979

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6 – Batman v Superman: Dawn of Justice – $873,260,194

5 – The Secret Life of Pets – $875,457,937

4 – The Jungle Book – $966,550,600

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3 – Zootopia – $1,023,784,195

2 – Finding Dory – $1,027,771,569

1 – Captain America: Civil War – $1,153,304,495

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There were some surprise successes in 2016, with perhaps the top honours going to The Conjuring 2, a muddled, middling sequel that somehow managed to rake in over $300 million at the worldwide box office. Then there was Sully, Clint Eastwood’s under-rated re-telling of the Miracle on the Hudson, starring Tom Hanks and profitable to the tune of over $200 million. And also there was Don’t Breathe – made on a budget of $9.9 million and finding enough favour to bring in over $150 million. Conversely, there were several movies that proved unable to recoup even their production budgets, movies such as Snowden, Free State of Jones, and Keeping Up With the Joneses (though that shouldn’t be a surprise with the last one).

Looking ahead to 2017, there are enough superhero movies on the horizon for one of them to claim the top spot again, though which one is more open to debate than in 2016. Away from all the spandex, it’s even harder to predict which movies might break  free of any box office preconceptions, though it would be hard to bet against the likes of War for the Planet of the Apes, or Dunkirk.

If there was one area where 2016 did excel, it was with its movie posters. There were some great examples seen throughout the year, and sometimes they were the best thing about the movies they were promoting (Alice Through the Looking Glass, for example). Here are six of the best:

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jungle_book  assassins-creed_wikimedia

If 2016 reminded us of any one thing it was that when movies are bad, they’re really bad. It was one thing to realise that the reboot of Ghostbusters was unlikely to work, but it was also unlikely anyone realised in advance just how unfunny it would be (except for maybe the cast and crew). Time and again, movies that were hyped to the skies and back again proved disappointing at best, and cruelly exposed at worst. Three sequels did their best to ride roughshod over their predecessors – even Ride Along (2014) is a far better movie in comparison with its sequel – and Anthony Hopkins appeared in a brace of “thrillers” that gave new meaning to the phrase “overwrought”. Elsewhere, Sacha Baron Cohen appeared contemptuous of his fans, the Earl of Greystoke was tasked with looking realistic against a constant backdrop of CGI vistas and jungle foliage, Blue Steel was shown to be a tired relic from fifteen years ago, Jackie Chan made one of the most poorly edited and assembled movies of the year, the Ghostbusters reboot had to rely on overseas ticket sales to recoup its budget, and the worst movie of the year – by a huge distance – trampled repeatedly over the legacy of one of British TV’s finest comedy series. What a year, indeed.

10 Worst Movies of 2016

10 – The Legend of Tarzan

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9 – Ghostbusters

8 – Misconduct

7 – Zoolander 2

ZOOLANDER NO. 2

6 – Skiptrace

5 – Grimsby

4 – Ride Along 2

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3 – Solace

2 – Independence Day: Resurgence

1 – Dad’s Army

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To be fair, there were worse movies made and released in 2016, but it’s equally unfair to pick on the likes of, say, Steven Seagal – seven movies released, all of them bad – because his movies are made on modest budgets, with modest ambitions, and with a minimum of effort. They’re never going to be anything more than what they are, and weirdly, there’s a strange “nobility” in that. But the movie’s on the 10 Worst list aren’t made by the likes of Seagal or his direct-to-video compatriots, they’re made by people and studios with resources and actors and crews that should be able to make better movies. And the most annoying thing about it all? That they just don’t care, as long as we pay to see their movies.

Thank heavens then, that there were plenty of movies to shout about in 2016. All were varied, distinctive, and most importantly, able to connect with audiences on an emotional level – yes, even Captain America: Civil War. They were all beautifully shot, edited and assembled, provided enough thrills, laughs and teary-eyed moments for another twenty movies, and featured some amazing performances – step forward Amy Adams, Paula Beer, Julian Dennison, Kate Beckinsale, and Géza Röhrig. And if all that wasn’t impressive enough, the movie at Number One created its own visual and aural languages in order to tell its story, an incredible achievement at a time when the majority of movies made won’t take even the smallest of risks on their way to the screen.

10 Best Movies of 2016

10 – Love & Friendship

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9 – Everybody Wants Some!!

8 – Kubo and the Two Strings

7 – Zootopia

disneys-zootopia-is-for-the-furries1

6 – Captain America: Civil War

5 – Life, Animated

4 – Frantz

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3 – Arrival

2 – Hunt for the Wilderpeople

1 – Son of Saul

son-of-saul-stalone

Of course, Son of Saul was released in 2015, but with release dates as they are in the UK, it was never going to be seen back then. It’s likely that 2017 will see the same thing happen, and a movie (or maybe more) making their way into the Top 10. With the likes of Toni Erdmann and Elle still to be caught up with, as well as A Monster Calls and Silence newly arrived at UK cinemas, it’s encouraging that 2017 looks promising already.

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Top 10 Actresses at the Box Office 2016

20 Sunday Nov 2016

Posted by dullwood68 in Movies

≈ 2 Comments

Tags

2016, Actresses, Box Office, Highest grossing movie, Movies, Top 10

As with the list of the Top 10 Actors at the Box Office 2016, this was meant to be posted back in September, but with some wholly expected box office successes this year it seemed prudent to wait to see if these successes had any effect on the list as a whole. As it turns out, there were quite a few changes to the list from last year, with only one actress not returning, and several of the other actresses on the list leap-frogging all over the place. So much so, in fact, that it’ll be even more interesting to see who’s on the list next year – and where.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Jennifer Lawrence / HGM: The Hunger Games: Catching Fire (2013) – $865,011,746

570_jennifer-lawrence-in-new-the-hunger-games-catching-fire-poster-3106

Replacing Sigourney Weaver on the list, Lawrence trades on her role as Katniss Everdeen to make the Top 10, but whether or not she stays here is another matter, as the likelihood of her making any more movies in her other franchise, the X-Men series, are dwindling thanks to the poor reception given to X-Men: Apocalypse (2016). With nothing too blockbuster-like on the horizon, expect Lawrence to be absent from the list come this time next year.

9 – Anne Hathaway / HGM: The Dark Knight Rises (2012) – $1,084,939,099

film_review_dark_knight_rises-085d2-4549

The Christopher Nolan effect keeps Hathaway in ninth place, and while her return to the role of the White Queen in Alice Through the Looking Glass (2016) has helped her cause, she may yet be a casualty come next year’s list, as the only potential money spinner ahead of her is the all-female Ocean’s Eleven reboot – and that’s not due until 2018.

8 – Sandra Bullock / HGM: Minions (2015) – $1,159,398,397

minions-trailer

Down one place from last year, Bullock is becoming less and less of a presence on our screens, and right now, won’t be seen until 2018 with Anne Hathaway in the Ocean’s Eleven reboot. Potentially then, Bullock may drop down (or be completely out of) the list come 2017, but even if she is, chances are she won’t be in that position for long, though again, right now, nothing can be relied upon.

7 – Emma Watson / HGM: Harry Potter and the Deathly Hallows Part 2 (2011) – $1,341,511,219

11film_harry_potter_deathly_hallows_2_rupert_grint_wand_emma_watson

Down three places from last year’s number four, Watson’s post-Harry Potter career continues to be sporadic, yet interesting for the choices she’s made, but it’s clear that she’s unlikely to feature in another box office juggernaut like the Harry Potter franchise anytime soon. Whether or not she’ll maintain her position next year is uncertain at this point, but she should still be with us – somewhere on the list – but what is certain is that a return to the top five isn’t on the cards.

6 – Elizabeth Banks / HGM: Spider-Man 3 (2007) – $890,871,626

video-spider-man-3-v-blog-elizabeth-banks-videosixteenbynine1050

Firstly, an apology to Elizabeth Banks and any of her fans who felt that The Hunger Games: Catching Fire (2013) couldn’t be her HGM; you were absolutely right. Due to an oversight, and the way in which boxofficemojo.com only regards starring roles in their deliberations, Banks’ appearance as Miss Brant, J. Jonah Jameson’s secretary, wasn’t given its box office due in last year’s list, so it’s only right that amends are made here and now. And she’s moved up two places from last year’s number eight, which is like icing on the cake.

5 – Julia Roberts / HGM: Pretty Woman (1990) – $463,406,268

pretty-woman

Another non-mover, Roberts’ HGM is the only movie on either list – Actor or Actress – that has a box office take of less than $500,000, proof that the actress has made some astute choices throughout her career, even if some of them recently have felt a little underwhelming – Secret in Their Eyes (2015) and Mother’s Day (2016) in particular. But she’ll remain on the list for a while to come it seems, though she only has next year’s Wonder wrapped and almost ready to go, which could mean a lower ranking come 2017’s list.

4 – Cate Blanchett / HGM: The Lord of the Rings: The Return of the King (2003) – $1,119,929,521

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Last year’s number two drops two places, but with outings in the Marvel Cinematic Universe – Thor: Ragnarok (2017) – and that darned Ocean’s Eleven reboot still to come, it’s likely that Blanchett will find herself climbing back up the list in the next couple of years. If she does she’ll be the first person on either list to reverse a downward trend… and you wouldn’t write off that possibility, now, would you?

3 – Helena Bonham Carter / HGM: Harry Potter and the Deathly Hallows Part 2 (2011) – $1,341,511,219

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The last non-mover on the list, Bonham Carter’s place is assured thanks to her roles in Cinderella (2015) and Alice Through the Looking Glass (2016). These should keep her in the top five for now, but where, say, Emma Watson’s place in the Top 10 seemed assured, Bonham Carter may find herself slipping down the list come next year, as the majority of her upcoming projects look unlikely to boost her box office returns.

2 – Cameron Diaz / HGM: Shrek 2 (2004) – $919,838,758

shrek-2-2

After two years at the top, Diaz drops to second place. With no projects in the works and her last movie having been Annie (2014), it’s likely that Diaz will find herself slipping even further down the list as time goes on and some of her fellow actresses align themselves with blockbusters and franchise money-grabbers. Of course, this isn’t Diaz’s fault, but it would be a shame if she decided to continue to cut back so drastically on acting as she seems to have done since 2014.

1 – Scarlett Johansson / HGM: The Avengers (2012) – $1,518,812,988

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To borrow a line from Russell Mulcahy’s Highlander (1986): “There can be only one.” On the 2014 list, Johansson was in ninth place; last year she’d jumped to sixth. Now she’s sitting head and shoulders above everyone else in the top spot and all thanks to a certain black leather-clad assassin she’s played five times now. She’s unlikely to be dethroned anytime soon, but if she is it’s unlikely that it’ll be anyone on this current list (unless they can rack up an overall box office success that amounts to over $8.5 billion).

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Top 10 Actors at the Box Office 2016

20 Sunday Nov 2016

Posted by dullwood68 in Movies

≈ 3 Comments

Tags

2016, Actors, Box Office, Highest grossing movie, Movies, Top 10

Welcome to this year’s look at the great and good amongst movie actors (for the actresses, click here), those stars who keep us coming back to the cinema time after time, and help put as many bums on seats as they possibly can. As with last year’s list, I was going to do this post back in September, but wanted to wait and see if there were any surprising outcomes at the 2016 box office that might lead to some major changes to last year’s list. As it turns out there wasn’t, though we have lost Gary Oldman from the list, but overall it seems as if this is a year for positions and box office returns to keep the rest of the Top 10 in a kind of holding pattern, even if there’s a bit of shoving and pushing when it comes to the actual rankings.

NOTE: HGM stands for Highest Grossing Movie, and the figures represent the worldwide gross. And all figures are courtesy of boxofficemojo.com.

10 – Michael Caine / HGM: The Dark Knight Rises (2012) – $1,084,939,099

michael-caine

Down one place from last year’s number nine, Caine holds onto his place in the list thanks to his involvement in the Dark Knight trilogy. That those movies did so well at the box office is a testament to the visionary talents of Christopher Nolan, but the role of Alfred has probably never been portrayed as effectively as Caine did it. It was doubtful he’d remain on the list this year, but he’s held on. Again, though, it’s still unlikely he’ll be here this time next year.

9 – Johnny Depp / HGM: Pirates of the Caribbean: Dead Man’s Chest (2006) – $1,066,179,725

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Also down one place from last year, Depp has the potential to be higher up the list next year if the latest, potentially overblown Captain Jack Sparrow-fest, Pirates of the Caribbean: Salazar’s Revenge, is successful enough. If not, Depp will still be on the list in 2017, and again probably higher up, thanks to his involvement in the Fantastic Beasts and Where to Find Them franchise.

8 – Anthony Daniels / HGM: Star Wars: The Force Awakens (2015) – $2,068,223,624

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This year’s newbie, Daniels has made it into the Top 10 by virtue of appearing as C-3PO in every one of the Star Wars movies so far – and not to mention the same role in The Lego Movie (2014) – so his inclusion could be construed as “just waiting to happen”. With two more movies to come in the third trilogy, Daniels’ place on the list is assured for some time to come, and he has the potential to be much higher in the list come 2018.

7 – Tom Cruise / HGM: Mission Impossible: Ghost Protocol (2011) – $694,713,380

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Down one from last year, Cruise’s HGM has made the least amount of money of all the movies on the list, but thanks to his solid, dependable presence at the box office, he retains his mid-place ranking. His upcoming movies include Universal’s update of The Mummy (2017), and at some stage, Top Gun 2. Whether these will be enough to keep him on the list remains to be seen, but if you want to make a wager on who’ll be gone this time next year, the Cruiser isn’t such a bad outside bet.

6 – Eddie Murphy / HGM: Shrek 2 (2004) – $919,838,758

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Another drop of one place, this time for possibly the least likely actor to be included in the list, and to remain in roughly the same position for three years running now. Murphy’s continued presence seems to be in spite of his recent movie choices – which have been so few as to mean just one movie in particular, Mr. Church (2016) – but if it gives thedullwoodexperiment another excuse to include a picture of Donkey then that’s absolutely fine.

5 – Robert Downey Jr / HGM: The Avengers (2012) – $1,518,812,988

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Downey Jr continues to ascend the list, moving up two places from last year’s number seven (and which was three places up from his spot in the 2014 list), and does so thanks to his co-starring role in Captain America: Civil War (2016). With at least two more Marvel appearances to come, as well as a third Sherlock Holmes movie in 2018, the acting capstone of the Marvel Cinematic Universe is definitely here to stay.

4 – Morgan Freeman / HGM: The Dark Knight Rises (2012) – $1,084,939,099

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Down one place from last year, Freeman remains in the top five thanks to Christopher Nolan and the Dark Knight trilogy. Amazingly, the likes of Momentum (2015) and the ill-advised remake of Ben-Hur (2016), haven’t seriously damaged his chances of staying on the list, and it’s entirely probable that come next year he’ll still be placed around the midway mark.

3 – Tom Hanks / HGM: Toy Story 3 (2010) – $1,066,969,703

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Slipping down another place after being in 2014’s top slot, Hanks is still an actor whose presence on the list is almost required. But the Toy Story sequel is still in the works, though not due until 2019, and after next year’s The Circle, Hanks has nothing else lined up. That can’t possibly stay the same, but even if it does, Hanks is unlikely to ever drop so far down the list that he’ll drop out altogether.

2 – Samuel L. Jackson / HGM: The Avengers (2012) – $1,518, 812,988

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A brief stay at the top for Jackson, but as with anyone in the top three, he’s not going anywhere anytime soon. Like Downey Jr, he’s got more Marvel time coming up, and he’s still landing roles in box office successes such as Miss Peregrine’s Home for Peculiar Children ($259,862,899 and counting), so it’s not just the MCU that’s keeping him here. But once Avengers: Infinity War (2018) is released, expect him to reclaim his place at the top of the list…

1 – Harrison Ford / HGM: Star Wars: The Force Awakens (2015) – $2,068,223,624

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…because Harrison Ford can’t make any more Star Wars movies. The seventh outing for the Force and all its adherents has, unsurprisingly, pushed Ford up three places from number four and into the top spot before you can shout, “Look out, Han, he’s got a lightsabre!” But while it’s likely that Samuel L. Jackson will supersede him at some point (though probably not until 2018), it’s good to see the top spot change hands again, and to see franchise veteran Ford sitting (fairly) pretty on top.

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The BAFTAs 2016

14 Sunday Feb 2016

Posted by dullwood68 in Movies

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Tags

2016, Alejandro González Iñárritu, Awards, BAFTA, Brie Larson, John Boyega, Kate Winslet, Leonardo DiCaprio, Mad Max: Fury Road, Mark Rylance, Movies, Stephen Fry, The Revenant

BAFTA

It’s that time of year again for the British Film Industry to slap its collective back and try and reassure itself that it’s in some way as vital as the US in terms of production, star power, and prestige (if not box office returns). Held in the slightly cramped environment of the Royal Opera House in London’s Covent Garden, and presented yet again by Stephen Fry, the ceremony followed the usual, tried and tested formula, and thanks to the miracle of pre-recording, didn’t outstay its welcome like the Oscar ceremony does.

One thing you probably won’t see at the Oscars is the BAFTA Kiss-Cam, an awkward bit of fun that had brief hook-ups between Cuba Gooding Jr and Stanley Tucci, Bryan Cranston and Julianne Moore, Eddie Izzard and Rebel Wilson, and oddly, Leonardo DiCaprio and Maggie Smith. Valentine’s Day, eh? What were the odds? (Winners in bold.)

BAFTA1

Outstanding British Film
45 Years – Andrew Haigh, Tristan Goligher
Amy – Asif Kapadia, James Gay-Rees
Brooklyn – John Crowley, Finola Dwyer, Amanda Posey, Nick Hornby
The Danish Girl – Tom Hooper, Tim Bevan, Eric Fellner, Anne Harrison, Gail Mutrux, Lucinda Coxon
Ex Machina – Alex Garland, Andrew Macdonald, Allon Reich
The Lobster – Yorgos Lanthimos, Ceci Dempsey, Ed Guiney, Lee Magiday, Efthimis Filippou

Not a surprise but also not the best result, with both The Danish Girl and 45 Years more deserving. Presented by Kate Winslet and Idris Elba.

Special Visual Effects
Ant-Man – Jake Morrison, Greg Steele, Dan Sudick, Alex Wuttke
Ex Machina – Mark Ardington, Sara Bennett, Paul Norris, Andrew Whitehurst
Mad Max: Fury Road – Andrew Jackson, Dan Oliver, Tom Wood, Andy Williams
The Martian – Chris Lawrence, Tim Ledbury, Richard Stammers, Steven Warner
Star Wars: The Force Awakens – Chris Corbould, Roger Guyett, Paul Kavanagh, Neal Scanlan

With little to choose between any of the nominees, it wasn’t a surprise that the Force took the BAFTA, but good to see Chris Corbould, an industry veteran, rewarded (with his team) for doing such fantastic work. Presented by Emilia Clarke and Matt Smith.

EE Rising Star Award

John Boyega; Taron Egerton; Dakota Johnson; Brie Larson; Bel Powley

A public vote that Boyega himself described as a “fluke” but well-deserved nevertheless. Presented by Jack O’Connell.

BAFTA6

Best Supporting Actor
Benicio Del Toro – Sicario
Christian Bale – The Big Short
Idris Elba – Beasts of No Nation
Mark Ruffalo – Spotlight
Mark Rylance – Bridge of Spies

Absolutely the right result, Rylance’s performance was a masterclass of internalised emotion. Accepted by Steven Spielberg. Presented by Rebel Wilson, who made a really funny speech about diversity and how the Oscars are racist, not to mention how Idris Elba made her nervous.

Animated Film
Inside Out – Pete Docter
Minions – Pierre Coffin, Kyle Balda
Shaun the Sheep Movie – Mark Burton, Richard Starzak

Well, who else was going to win? Presented by Eddie Izzard.

Best Supporting Actress
Kate Winslet – Steve Jobs
Alicia Vikander – Ex Machina
Rooney Mara – Carol
Jennifer Jason Leigh – The Hateful Eight
Julie Walters – Brooklyn

Winslet gave far and away the best performance in this category, and if she hadn’t won, then it would have been as baffling as why Carol hasn’t been nominated at the Oscars. Presented by Eddie Redmayne.

BAFTA3

Costume Design
Brooklyn – Odile Dicks-Mireaux
Carol – Sandy Powell
Cinderella – Sandy Powell
The Danish Girl – Paco Delgado
Mad Max: Fury Road – Jenny Beavan

A good result for both Beavan and Mad Max: Fury Road, and she got to say, “Oh what a lovely day” at the podium. Presented by Olga Kurylenko and Riz Ahmed.

Outstanding Debut by a British Writer, Producer or Director
Alex Garland (Director) – Ex Machina
Debbie Tucker Green (Writer/Director) – Second Coming
Naji Abu Nowar (Writer/Director) Rupert Lloyd (Producer) – Theeb
Sean McAllister (Director/Producer), Elhum Shakerifar (Producer) – A Syrian Love Story
Stephen Fingleton (Writer/Director) – The Survivalist

A great choice for this award, and good to see such a simple, moving story get its due recognition. Presented by Dakota Johnson and Will Poulter.

Adapted Screenplay
The Big Short – Adam McKay, Charles Randolph
Brooklyn – Nick Hornby
Carol – Phyllis Nagy
Room – Emma Donoghue
Steve Jobs – Aaron Sorkin

Congrats to McKay and Randolph who took a daunting, difficult subject and made it accessible to anyone who watched the movie. Presented by Angela Bassett.

Outstanding British Contribution to Cinema (The Michael Balcon Award) 

Established 175 years ago, the winners of this award, Angels Costumes, have been involved in the movies since 1913 and whichever movie you think of, it’s likely you’ve seen at least one of their costumes over the years, from Indiana Jones’ outfit to Gandhi’s robes, and a whole lot more. Presented by Cate Blanchett.

Original Screenplay
Bridge of Spies – Matthew Charman, Ethan Coen, Joel Coen
Ex Machina – Alex Garland
The Hateful Eight – Quentin Tarantino
Inside Out – Josh Cooley, Pete Docter, Meg LeFauve
Spotlight – Tom McCarthy, Josh Singer

A popular choice that wasn’t any kind of a surprise, and out of a fairly level playing field, but still a good result. Presented by Cuba Gooding Jr.

Film Not in the English Language
The Assassin – Hou Hsiao-Hsien
Force Majeure – Ruben Ostlund
Theeb – Abu Naji Nowar, Rupert Lloyd
Timbuktu – Abderrahmane Sissako
Wild Tales – Damian Szifron

A great result for the portmanteau revenge movie, and good to see that a fiercely adult and uncompromising movie can win a BAFTA. Presented by Carrie Fisher and Domhnall Gleeson.

BAFTA4

The Fellowship Award

Sidney Poitier. Given by the Academy in recognition of a lifetime’s achievement in cinema, with contributions from Oprah Winfrey, Noel Clarke and Lulu. Alas, Poitier was unable to attend due to ill health but there was a filmed (and quite heartfelt) acceptance, and his award was given to him by Jamie Foxx.

Director
The Big Short – Adam McKay
Bridge of Spies – Steven Spielberg
Carol – Todd Haynes
The Martian – Ridley Scott
The Revenant – Alejandro González Iñárritu

Another non-surprise given the scale and the difficulty of making The Revenant, though Todd Haynes may well have felt robbed by comparison. Presented by Stanley Tucci.

BAFTA5

Best Actress
Brie Larson – Room
Saoirse Ronan – Brooklyn
Cate Blanchett – Carol
Alicia Vikander – The Danish Girl
Maggie Smith – The Lady in the Van

Accepted by Lenny Abrahamson, this was completely unexpected. That Cate Blanchett didn’t win was possibly the only real shock of the night. Presented by Sacha Baron Cohen.

Best Actor
Leonardo DiCaprio – The Revenant
Eddie Redmayne – The Danish Girl
Michael Fassbender – Steve Jobs
Matt Damon – The Martian
Bryan Cranston – Trumbo

What a surprise! A shoo-in for the award, DiCaprio thanked many British actors who have inspired him over the years, and Tom Hardy in particular. Presented by Julianne Moore.

BAFTA2

Best Film
The Big Short
Bridge of Spies
The Revenant
Carol
Spotlight

With DiCaprio and Iñárritu winning in their categories this wasn’t any kind of a shock, but it was a sad moment to see Carol overlooked yet again. Presented by Tom Cruise.

The following awards weren’t shown during the broadcast:

Documentary
Amy – Asif Kapadia, James Gay-Rees
Cartel Land – Matthew Heineman, Tom Yellin
He Named Me Malala – Davis Guggenheim, Walter Parkes, Laurie MacDonald
Listen to Me Marlon – Stevan Riley, John Battsek, George Chignell, R.J. Cutler
Sherpa – Jennifer Peedom, Bridget Ikin, John Smithson

Cinematography
Bridge of Spies – Janusz Kaminski
Carol – Ed Lachman
Mad Max: Fury Road – John Seale
The Revenant – Emmanuel Lubezki
Sicario – Roger Deakins

Editing
The Big Short – Hank Corwin
Bridge of Spies – Michael Kahn
Mad Max: Fury Road – Margaret Sixel
The Martian – Pietro Scalia
The Revenant – Stephen Mirrione

Production Design
Bridge of Spies – Adam Stockhausen, Rena DeAngelo
Carol – Judy Becker, Heather Loeffler
Mad Max: Fury Road – Colin Gibson, Lisa Thompson
The Martian – Arthur Max, Celia Bobak
Star Wars: The Force Awakens – Rick Carter, Darren Gilford, Lee Sandales

Make Up & Hair
Brooklyn – Morna Ferguson, Lorraine Glynn
Carol – Jerry DeCarlo, Patricia Regan
The Danish Girl – Jan Sewell
Mad Max: Fury Road – Lesley Vanderwalt, Damian Martin
The Revenant – Sian Grigg, Duncan Jarman, Robert Pandini

Sound
Bridge of Spies – Drew Kunin, Richard Hymns, Andy Nelson, Gary Rydstrom
Mad Max: Fury Road – Scott Hecker, Chris Jenkins, Mark Mangini, Ben Osmo, Gregg Rudloff, David White
The Martian – Paul Massey, Mac Ruth, Oliver Tarney, Mark Taylor
The Revenant – Lon Bender, Chris Duesterdiek, Martin Hernandez, Frank A. Montaño, Jon Taylor, Randy Thom
Star Wars: The Force Awakens – David Acord, Andy Nelson, Christopher Scarabosio, Matthew Wood, Stuart Wilson

So in the end it was The Revenant‘s night, with five wins. More heartening was the four wins for Mad Max: Fury Road, a movie that was released (in awards terms at least) so long ago that some people might have forgotten all about it. That Carol didn’t pick up a win remains as baffling as America’s fascination with Donald Trump, and its snub here seems to be in keeping with the Oscars more overt slight. Which begs the question, just what does a lesbian love story have to do to win an award?

Mad Max Fury Road

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The 2016 Oscar Nominations

16 Saturday Jan 2016

Posted by dullwood68 in Movies

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2016, Actor, Actress, Adapted Screenplay, Best Motion Picture, Director, Movies, Nominations, Original Screenplay, Oscars, Supporting Actor, Supporting Actress

Oscars 2016

Is it the middle of January already? Is it time to start getting mildly excited by the prospect of another year where the Academy voters behave responsibly and predictably in their choices for Best Film, Actor, Actress etc. etc.? Well, you’re darned right it is! Except this year there’s some early controversy, especially if you’re a fan of Carol, rightly regarded as one of 2015’s best movies – if not the best – but not good enough in the Academy’s eyes to be nominated for Best Motion Picture of the Year. And they’ve snubbed Todd Haynes as well, Carol’s director. What is going on?

Elsewhere, director snubs seem to be the order of the day, with Ridley Scott failing to pick up a nomination for that well-known comedy The Martian, and Steven Spielberg being overlooked for Bridge of Spies. The thing it’s always hard to understand about the Academy is that when they do this sort of thing, it never makes sense: how can a movie nominated in the Best Motion Picture category not have its primary mover and shaker nominated for Best Director? Maybe the Spotlight team should investigate.

For the most part it’s another predictable year, with some early front runners – Cate Blanchett for Carol, Spotlight for Best Motion Picture – emerging out of the haze, but with so few movies receiving the most nominations the only interest will be in seeing who wins the most. Here then are my picks for the winners in the main categories. The ones highlighted in bold are the ones I think will win. The ones highlighted in italics are the ones I think should win. If there’s no movie highlighted in italics then the one in bold is my choice for both.

Best Motion Picture of the Year

The Big Short; Brooklyn; Bridge of Spies; Mad Max: Fury Road; The Martian; The Revenant; Room; Spotlight

Spotlight

Best Performance by an Actor in a Leading Role

Bryan Cranston – Trumbo; Matt Damon – The Martian; Leonardo DiCaprio – The Revenant; Michael Fassbender – Steve Jobs; Eddie Redmayne – The Danish Girl

The Danish Girl

Best Performance by an Actress in a Leading Role

Cate Blanchett – Carol; Brie Larson – Room; Jennifer Lawrence – Joy; Charlotte Rampling – 45 Years; Saoirse Ronan – Brooklyn

Best Performance by an Actor in a Supporting Role

Christian Bale – The Big Short; Tom Hardy – The Revenant; Mark Ruffalo – Spotlight; Mark Rylance – Bridge of Spies; Sylvester Stallone – Creed

Best Performance by an Actress in a Supporting Role

Jennifer Jason Leigh – The Hateful Eight; Rooney Mara – Carol; Rachel McAdams – Spotlight; Alicia Vikander – The Danish Girl; Kate Winslet – Steve Jobs

Best Achievement in Directing

Lenny Abrahamson – Room; Alejandro González Iñárritu – The Revenant; Tom McCarthy – Spotlight; Adam McKay – The Big Short; George Miller – Mad Max: Fury Road

Best Writing, Screenplay Written Directly for the Screen

Bridge of Spies; Ex Machina; Inside Out; Spotlight; Straight Outta Compton

Inside Out

Best Writing, Screenplay Based on Material Previously Produced or Published

The Big Short; Brooklyn; Carol; The Martian; Room

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The 2016 BAFTA Nominations

08 Friday Jan 2016

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14 February, 2016, Adapted Screenplay, Award nominations, BAFTA, Director, Film, Leading Actor, Leading Actress, Original Screenplay, Outstanding British Film, Supporting Actor, Supporting Actress

BAFTA

It’s that time of year again when the British Academy of Film and Televison Arts (or BAFTA – much easier) aims to give a much needed boost to an ailing movie industry that’s been suffering from poor box office returns and – oh, hang on, it’s all okay, isn’t it? Star Wars: The Force Awakens has come out, hasn’t it?

Seriously though, I’ve been watching the BAFTAs each year as far back as I can remember, and while they’ve always seemed like a pale imitation of the Oscars – not quite as many A-list stars there to collect awards, less glitz and glamour, no song and dance routines (thankfully) – the evening has always been entertaining for trying to count the number of times a British connection can be made to a movie from another country. And it’s always interesting, especially last year with Still Alice (2014), to see a movie nominated for an award but which wasn’t released in the UK in the previous year (I wonder how many there’ll be this year).

Here then are the nominations in each of the main categories. The ones highlighted in bold are the ones I think will win. The ones highlighted in italics are the ones I think should win. If there’s no movie highlighted in italics then the one in bold is my choice for both.

Best Film

The Big Short; Bridge of Spies; Carol; The Revenant; Spotlight

Carol

Outstanding British Film

Amy; Brooklyn; The Danish Girl; Ex Machina; 45 Years; The Lobster

Brooklyn

Adapted Screenplay

The Big Short; Brooklyn; Carol; Room; Steve Jobs

Original Screenplay

Bridge of Spies; Ex Machina; The Hateful Eight; Inside Out; Spotlight

Leading Actor

Bryan Cranston – Trumbo; Matt Damon – The Martian; Leonardo DiCaprio – The Revenant; Michael Fassbender – Steve Jobs; Eddie Redmayne – The Danish Girl

Leading Actress

Cate Blanchett – Carol; Brie Larson – Room; Saoirse Ronan – Brooklyn; Maggie Smith – The Lady in the Van; Alicia Vikander – The Danish Girl

Supporting Actor

Christian Bale – The Big Short; Benicio del Toro – Sicario; Idris Elba – Beasts of No Nation; Mark Ruffalo – Spotlight; Mark Rylance – Bridge of Spies

Idris Elba

Supporting Actress

Jennifer Jason Leigh – The Hateful Eight; Rooney Mara – Carol; Alicia Vikander – Ex Machina; Julie Walters – Brooklyn; Kate Winslet – Steve Jobs

Kate Winslet

Director

Todd Haynes – Carol; Alejandro González Iñárritu – The Revenant; Adam McKay – The Big Short; Ridley Scott – The Martian; Steven Spielberg – Bridge of Spies

 

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2015 – My Review

31 Thursday Dec 2015

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10 Best movies, 10 Worst movies, 2015, 2016, 5 Disappointing movies, Review of the Year

Overview

Well, that’s another year over with, another year in which we were promised much in principle but were seriously let down in practice. For every trailer that offered us an amazing cinematic experience it seemed as if the opposite had to be true when the movie finally arrived, and the offer was an empty one. With only two exceptions – Mad Max: Fury Road and Star Wars: The Force Awakens – the big-budget Hollywood blockbusters, the tentpole movies, were all disappointing. Furious 7 abandoned any attempt at retaining the minimum credibility that episodes five and six clung on to, while Avengers: Age of Ultron was bloated and unwieldy (as well as a rehash of the first Avengers movie).

Star Wars The Force Awakens

As the year progressed we were treated – if that’s the right word – to reboots galore. We had Jurassic World, a surprise success at the box office that followed the template of Jurassic Park so closely you could have been forgiven for thinking you were watching a straight-up remake rather than a reboot. And we had Terminator: Genisys, a reboot so convoluted it quickly disappeared inside its own internal logic (or lack of it) and never found its way out again.

The summer brought us The Man from U.N.C.L.E. (shiny but vapid), Pixels (a great idea predictably ruined by Adam Sandler’s involvement), and the utterly disastrous Fantastic Four (no other comment needed). As the year continued we suffered through ill-advised misfires such as The Transporter Refueled and Pan, before being ambushed by James Bond himself in the far from thrilling Spectre. All in all, 2015 hasn’t been the best year for movies with huge promotional budgets stacked on top of huge production budgets.

So let’s get the 10 Worst Movies of 2015 out of the way. There were plenty to choose from, but these really did screw the pooch on almost every level.

10 Worst Movies of 2015

10 – Pan – when Neverland rocks to the sound of Nirvana’s Smells Like Teen Spirit then you know things aren’t going to work out for the best; unnecessary and tiring to watch.

Pan

9 – Mortdecai – when this was released back in January, it seemed unlikely that there could be a worse movie in 2015 – how wrong could we be? But this is still dire, unfunny stuff that is probably still causing Terry-Thomas to roll in his grave.

8 – Fifty Shades of Grey – we all knew it was going to be bad, and on that level it didn’t disappoint, but it was the complete lack of chemistry between Dakota Johnson and Jamie Dornan that further hurt its chances of being taken seriously. The true masochism came from watching it all the way through.

7 – Jupiter Ascending – delayed from its original 2014 release date, this space opera from the Wachowskis was more like space junk, and featured a badly miscast Mila Kunis as a toilet cleaner-cum-princess. Pretty to look at but as empty as the void between the stars it depicts.

Jupiter Ascending

6 – The Boy Next Door – with its “be careful who you shag” central premise and defiantly unerotic approach, this was laughable for all the wrong reasons, not least the speed with which Jennifer Lopez’s cheated on wife jumps in the sack with her hunky neighbour – as you do.

5 – The Transporter Refueled – when the makers can’t even spell their movie’s title properly you just know it’s going to be bad across the board. Ed Skrein makes Jason Statham look like Laurence Olivier, the plot gives new meaning toi the word ridiculous, and the stunts are distinctly underwhelming – so what was the point?

4 – Child 44 – possibly the worst literary adaptation of the year, this lacked everything needed of a good thriller, and wasted the talents of its experienced cast. When you don’t care if the killer is caught is when you know a movie isn’t working.

Child 44

3 – Poltergeist – a remake that nobody wanted with a cast that weren’t even trying, this wasn’t even scary either, leading everyone to wonder why on earth it was greenlit in the first place.

2 – Paul Blart: Mall Cop 2 – unapologetically dire, this is (allegedly) comedy at its most dispiriting. Painful to watch, and a movie that will leave your ribs untickled throughout, any idea of a third movie should be trampled on the moment it’s thought of.

1 – Fantastic Four – it couldn’t be any other movie, could it? Another movie where you have to ask yourself, didn’t anyone realise how bad this was going to turn out, and if they did, why didn’t they say something?

Fantastic Four

(Dis)honourable mentions: Blackhat, Hitman: Agent 47, Pixels, The Lazarus Effect, Aloha

5 Most Disappointing Movies of 2015

The year saw a variety of movies released that failed to fulfil their potential, and proved less than engrossing or entertaining. All of the following were movies that came with good advance word but though they weren’t bad per se, they still proved to be letdowns for one reason or another.

5 – Legend – Brian Helgeland’s uneven look at the criminal career of the Kray twins (brilliantly brought to life by Tom Hardy) lacked focus and didn’t really seem interested in them as gangsters, making the end result less than compelling.

4 – Southpaw – Jake Gyllenhaal, on a roll in recent years, plus Antoine Fuqua, equals: a boxing movie where the main character is unlikeable, and the story quickly descends into a murkily realised attempt at securing redemption – but without any emotional weight behind it.

Southpaw

3 – Tomorrowland: A World Beyond – an original sci-fi movie from Brad Bird, starring George Clooney, and a healthy dose of wonder? What could go wrong? Enough to rob the movie of its charm by the halfway mark and to turn it into a humourless plea for everyone to just get along and not be so selfish.

2 – Spectre – with every Bond movie there’s a huge degree of hype attached to it, but after the success of Skyfall (not entirely deserved, at that), this seemed to have accrued more than its fair share. Largely aimless, this outing tried to be clever in linking itself to the three previous movies with Daniel Craig, but ended up feeling and looking muddled and unsure of itself.

1 – Crimson Peak – terrific production design can’t compensate for a lack of story ideas in Guillermo del Toro’s Gothic romance. Worst still, he forgot to make it scary, a problem the movie never recovers from.

Crimson Peak

10 Best Movies of 2015

There was a point – somewhere around late September/early October of 2015 – when it looked as if this year’s Top 10 might only be a Top 6. The dearth of really good movies in the first half of the year made it seem as if the year wouldn’t – or couldn’t – catch up on itself. But since October, 2015 has got itself back on track and there’s been a handful of movies that have been released that have redressed the balance. The top three proved easy to choose, as they stood head and shoulders above the rest, but the rest of the list was trickier to place; even now it’s not certain that they’ll stay where they are in the list in a few days’ time.

10 – Bridge of Spies – Spielberg + Hanks + Cold War thriller = a happy audience, as this true story unfolds with all the fascination of a good fictional spy thriller. That it’s all true adds to the effectiveness and polish of Spielberg’s handling of the material, and there’s another effortless performance from Hanks to revel in.

Bridge of Spies

9 – Slow West – an early contender for this year’s best Western, this tale of a lovelorn young Scotsman travelling the West to find his true love is refreshing and poignant beneath the expected violence, and features yet another compelling performance from the ubiquitous Michael Fassbender.

Slow West

8 – Mad Max: Fury Road – high-octane thrills and spills galore in a movie that revels in being as gloriously, outrageously kinetic as possible. George Miller has no equal when it comes to making this kind of movie, and watching it was like getting to unwrap a very early Xmas present.

Mad Max Fury Road

7 – Spotlight – a slow-burning drama about the newspaper investigation in 2001 that exposed the extent of sexual misconduct by priests in the Catholic Church, this is potent stuff that’s sharply directed by Tom McCarthy and acted by a very talented cast. Quietly shocking, it has a cumulative effect in terms of the abuse it exposes, and is all the better for approaching the material in an unshowy, respectful manner.

Spotlight

6 – Inside Out – a wonderful return-to-form for Pixar, and one of their best movies over all, this look inside the mind of a teenage girl is full of sharp observations and droll humour. It’s also a beautifully realised movie, with Riley’s mind a fantastic cornucopia of visual ideas and creativity.

Inside Out

5 – Macbeth – the teaming of Michael Fassbender and Marion Cotillard was an inspired idea as together they make this one of the best-acted Shakespeare adaptations ever filmed. Brimming with violent imagery and psychological resonance, this breathes new life into the text and makes for a gripping, disturbing experience.

Macbeth

4 – The Witch – an unnerving psychological horror movie about the disintegration of a Puritan family following the abduction of an infant child, this is unsettling and darkly poetic. The horror is palpable, and the performances superbly modulated to provide the maximum emotional impact, making this an outstanding movie that is hard to let go of after it’s ended.

The Witch

3 – Me and Earl and the Dying Girl – easily the best indie movie released in 2015, this simple yet elegant tale of friendship won and lost and won again is heartfelt and quietly profound. With some pertinent points to make about loving and belonging, this is fresh, funny, engaging and charming in equal measure, and features wonderful performances from Thomas Mann, RJ Cyler and Olivia Cooke.

Me and Earl and the Dying Girl

2 – The Revenant – visually stunning, Alejandro González Iñárritu’s latest is a brutal, uncompromising tale of survival and revenge in 1820’s Missouri that grabs the attention from its opening sequence and keeps the viewer hooked right through to the end. A triumph just in terms of the logistics of making the movie under harsh conditions, and with excellent performances by Leonardo DiCaprio and Tom Hardy, this is raw, vital stuff that finds so many different ways to amaze its audience.

The Revenant

1 – Carol – an almost flawless piece of movie making, the latest from Todd Haynes features outstanding performances from Cate Blanchett and Rooney Mara, and excels in its recreation of Fifties’ America and the social and sexual mores of the time. Love has never seemed so vital and so fragile at the same time, and thanks to a script that teases out each nuance of the relationship between Carol and Therese, the movie is both passionate and profound.

Carol

Looking ahead…

2016 is already all about the bigger pictures, the would-be blockbusters such as Captain America: Civil War and Batman v Superman: Dawn of Justice. With superheroes still trying to dominate the cinematic landscape, it’s even harder to determine which movies will emerge from under the shadows of the MCU and DC and make an impact on audiences who don’t need huge explosions and lots of running around in costumes to satisfy their cinematic needs.

But if I had to pick five movies from 2016 that I hope will do exactly that, it would be these: Everybody Wants Some; Hail, Caesar!; Finding Dory; The Finest Hours; and The Light Between Oceans. Each of these will (hopefully) bring something adventurous and different to the screen, and with the talent involved – and yes, that doesn’t necessarily mean anything – each should be at least vying for a space on the 10 Best list this time next year. So let’s hope that 2016 improves on 2015, and watching movies becomes an even more enjoyable pastime.

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10 Movies to Avoid in 2016

28 Monday Sep 2015

Posted by dullwood68 in Movies

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2016, Movies, Previews

While there are plenty of movies to look forward to in 2016, the sad fact is that there are quite a few movies that should be avoided. These movies are the cinematic equivalent of being trapped in a basement with a zombie, or being forced to watch an Angry Birds movie – oh, hang on, that’s a real thing, isn’t it? Below are ten movies you might want to steer clear of in 2016, and if anyone asks why you don’t want to see them, just mention that zombie in the basement.

1) Ride Along 2 – As if Kevin Hart comedies aren’t bad enough on their own, now someone’s letting him make sequels? This sees Hart and the perennially snarling Ice Cube travel to Miami to take down a big time drug dealer, but any sequel that decides to take its main characters out of their normal environment while trying to retain the feel of its predecessor has lost the plot already (and anyway, didn’t anyone see Paul Blart: Mall Cop 2? Oh wait, no, they didn’t).

Ride Along 2

2) Extraction – Bruce Willis’s career continues its swan dive in this dreary-sounding action thriller about a CIA operative captured by terrorists whose son launches a rescue mission when nobody else will. The less than stellar cast also includes D.B. Sweeney and Kellan Lutz, and if this doesn’t go straight to DVD or VOD, then it’ll be a minor miracle.

3) Kickboxer – Another reboot, another trip down Déjà Vu Lane as yet another kickboxer (Alain Moussi) trains hard to avenge the death of his brother. With Dave Bautista as the villain, Tong Po(!), and Jean-Claude Van Damme stepping up from avenging brother to Muay Thai mentor, this has all the hallmarks of a movie that probably seemed like a good idea at the time, but as the original wasn’t that great to begin with…

4) Sausage Party – An animated feature written by Seth Rogen and Evan Goldberg, this has been in development since 2010, and concerns a sausage – yes, a sausage – and its attempts to find out where it came from. With a voice cast that includes James Franco, Jonah Hill, Bill Hader, Craig Robinson and Danny McBride, and characters with names like Teresa Taco and Sammy Bagel Jr, you can guess the level that this movie is aspiring to. And it just begs the question, how soon will it be before the first sausage and beans joke is made?

Sausage Party

5) Journey 3: From the Earth to the Moon – Dwayne Johnson and Josh Hutcherson are back as intrepid explorers Hank and Sean in a movie that seeks to further mine the oeuvre of Jules Verne. The first two Journeys were largely unremarkable, which begs the question, will this be any different? And with two more planned sequels to come, how much thinner will the basic idea be spread before audiences lose interest completely?

6) Natural Born Pranksters – If you’re familiar with the names Roman Atwood, Vitaly Z, and Dennis Roady, then you’ll have seen their pranks on YouTube. Some are genuinely funny, others miss the mark by a mile, but if the trailer for this movie is anything to go by then they’re not showcasing their best (or funniest) pranks – fake flashing in the park, anyone? A reminder then that what works well on the small screen doesn’t always transfer well to the big screen.

7) Grimsby – Possibly one of 2016’s best casts – Sacha Baron Cohen, Isla Fisher, Ian McShane, Mark Strong, Gabourey Sidibe, Penélope Cruz, Rebel Wilson – may now be looking back on this as a good idea at the time, while regretting making what Sony executive Mark Braddel called “pretty lazy and predictable” and “a pretty generic idea that should work across a variety of territories”. With that sort of backing, this tale of a super spy forced to team up with his football hooligan brother already sounds like a dud.

Grimsby

8) Fifty Shades of Black – As if Fifty Shades of Gray wasn’t bad enough, now we have to endure a parody of it, with Marlon Wayans heading up the cast (didn’t he used to have a proper career?). It’ll be a close run thing, but it’s a pretty safe bet that the original movie will remain funnier than this, and that’s without it even trying.

9) Kindergarten Cop 2 – After twenty-six years we finally get the sequel/remake we’ve all been waiting for, with noted comedian Dolph Lundgren inheriting Arnold Schwarzenegger’s role as an undercover FBI agent struggling with cute kids and political correctness. There’s no doubt this will be bad, the only question is just how bad.

10) Friday the 13th – The second reboot of Sean Cunningham’s seminal shocker is evidence of how little regard the makers have for both the fans and the series, as its main thrust appears to be an explanation of why Jason can’t be killed – despite this being explored/revealed in Jason Goes to Hell: The Final Friday (1993), and again in Jason X (2001). And if the first reboot didn’t work, then why should it now? (And for once, the advance poster has it spot on.)

Friday the 13th

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50 Movies to Look Forward to in 2016 – Part 2

21 Monday Sep 2015

Posted by dullwood68 in Movies

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Tags

2016, New movie, Previews

2016

Here are the rest of the movies that look likely to be interesting to watch/surprising/blockbusters/worth giving a try in 2016. Some are already household names thanks to the power of blanket coverage advertising allied with fanboy extremism, but hopefully there’ll be enough movies where the main characters don’t wear spandex to provide some much-needed balance.

26) Jason Bourne – Having vowed never to make another appearance as Jason Bourne unless Paul Greengrass agreed to direct, Matt Damon makes a welcome return to the franchise after the misfire that was The Bourne Legacy (2012). Whether or not the pair can work the same magic they did before remains to be seen, but with Julia Stiles also returning, and Vincent Cassel and Tommy Lee Jones also in the cast, the signs are looking good for a triumphant fifth entry in the series.

27) The Lost City of Z – In 1925, the English explorer, Percy Fawcett, travelled to the Mato Grosso region in Brazil to begin looking for a lost city that he was convinced existed there in the jungle. James Gray’s recreation of that expedition looks set to be one of the most spectacular experiences of 2016, and could be the movie that finally makes an A-list star of Charlie Hunnam.

28) Silence – Delayed from 2015, Martin Scorsese’s latest sees Andrew Garfield and Adam Driver as two Jesuit priests in 17th Century Japan trying to spread the gospel of Christianity against continual persecution. Oscar may like this a lot, but it may prove a tough sell at the box office. It’s Scorsese though, and if he’s on form, then this could be astonishing.

Silence

29) The Circle – Emma Watson and Tom Hanks star in this adaptation of the novel by Dave Eggers, about a young woman who goes to work for a powerful tech company and becomes involved with a mysterious colleague. Is the company she works for up to no good, and if it is, will she be able to do anything about it? If director and screenwriter James Ponsoldt is on the ball, this could be a terrific cat and mouse game set against a backdrop of unethical corporate machinations.

30) Miss Peregrine’s Home for Peculiar Children – The latest from Tim Burton has the potential to be 2016’s number one fantasy adventure, based as it is on Ransom Riggs’ wonderfully eccentric (and cleverly illustrated) novel. The cast includes Eva Green, Samuel L. Jackson, Judi Dench, and Asa Butterfield as the young boy who discovers a world where magic takes some strange and wondrous forms.

31) The BFG – The first co-production between Disney and Dreamworks also sees director Steven Spielberg and screenwriter Melissa Mathison reunited for the first time since E.T. – The Extra-Terrestrial (1982) – and look how that turned out. With Mark Rylance as the title character, and supported by Rebecca Hall, Bill Hader and Jemaine Clement, what may seem like an odd choice for the director could well prove to be one of his most affecting movies.

32) Suicide Squad – While its Dirty Dozen set up isn’t anything new, it is the first time a group of supervillains has been the focus of a DC or Marvel movie. Whether or not DC’s Extended Universe can be as successful as Marvel’s own efforts remains to be seen but with David Ayer in the director’s chair and a cast that includes Focus (2015) alumni Margot Robbie as Harley Quinn and Will Smith as Deadshot, all eyes will still be on Jared Leto as the Joker.

Suicide Squad

33) Criminal – Ryan Reynolds is the career felon whose unpredictable and dangerous behaviour still qualifies him to be used in an experiment to replace his own memories and skills with those of a deceased CIA agent. Director Ariel Vroman made the austere but impressive The Iceman (2012) so this has a chance at being a step up from purely ridiculous, but a lot will depend on how seriously it all plays out.

34) The Nice Guys – Shane Black writes and directs this mystery thriller where a private eye in 1970’s Los Angeles (played by Ryan Gosling) investigates the murder of a porn star and uncovers a web of corruption. Russell Crowe and fellow L.A. Confidential star Kim Basinger lend support, and if this sounds a little like Black’s homage to Chinatown (1974), then that’s not such a bad thing given his abilities as a screenwriter.

35) Billy Lynn’s Long Halftime Walk – The latest from Ang Lee is a thought-provoking drama based on the novel by Ben Fountain about a group of soldiers who, after surviving an intense skirmish in Iraq, are sent on a “victory tour” of the US – and then learn they have to go back. Lynn is played by newcomer Joe Alwyn, but he’s ably supported by Kristen Stewart, Vin Diesel, and Steve Martin as the wonderfully named Norm Oglesby. Expect a sincere if uncomfortable look at the nature of patriotism, and a meditation on personal needs weighed against a greater responsibility.

36) Money Monster – A scathing look at financial organisations and the dubious ways they make money, this features Jack O’Connell as the investor ruined by TV personality George Clooney’s “hot tip”, and is Jodie Foster’s fourth feature as a director. It leads to a hostage situation in a TV studio, and asks the perennial question, just what is a man’s life worth, as O’Connell tasks Clooney with restoring his losses. With Foster calling the shots, and a crackerjack cast that also includes Dominic West and Giancarlo Esposito, this could be 2016’s most intelligently handled thriller.

37) Finding Dory – Perhaps the most eagerly awaited of all the Pixar sequels so far, this sees the ever so slightly forgetful blue tang fish Dory reunited with her family – played by Diane Keaton and Eugene Levy – and discovering just how important family is (as if she didn’t learn that from Finding Nemo – oh hang on, she’s probably forgotten). If Pixar have got this right then this will be the year’s best animated movie, and a future family favourite just like its predecessor.

Finding Dory

38) Assassin’s Creed – Director Justin Kurzel, Michael Fassbender and Marion Cotillard reunite after their collaboration on Macbeth (2015) to bring the classic video game to the big screen. Fassbender is a big fan of the original, and perhaps not the first choice for such a heavily stylised action movie, but this might, just might, be the first video game adaptation that doesn’t descend rapidly into nonsense after the opening five minutes.

39) Misconduct – A legal thriller that features Josh Duhamel as the young(-ish) lawyer taking on the ruthless chief executive of a large pharmaceutical company (played by Anthony Hopkins), this tale of corruption and murder could be a surprise hit, and has Al Pacino and Alice Eve in support. Everything depends on the script and how first-time director Shintaro Shimosawa handles both it and the high-powered cast, but even if it’s reminiscent of a John Grisham thriller, it could still be worth seeing.

Beyond Deceit

40) American Pastoral – For his directorial debut, Ewan McGregor hasn’t exactly taken the easy option by transferring Philip Roth’s ambitious novel surrounding the social and political upheavals of the Sixties to the big screen, but it will be very interesting to see how it turns out. Aided by the likes of Jennifer Connelly, Dakota Fanning and David Strathairn, McGregor is aiming very high indeed. Let’s hope he doesn’t need a safety net.

41) My Big Fat Greek Wedding 2 – The original was a surprise hit back in 2002, and made a star of Nia Vardalos, but whether or not lightning can strike twice remains to be seen. If it does then the exploits of the Portokalos family will be sure to raise smiles galore while also offering a sincere appreciation of the quirks of Greek family life. With the original cast all returning, including John Corbett’s amiable outsider, and Michael Constantine’s grouchy father, this could be unexpectedly successful.

42) Bad Neighbours 2 – Another sequel (originally entitled Neighbors 2: Sorority Rising), this sees Seth Rogen and Rose Byrne once again at odds with Zac Efron and his raucous frat buddies. The same team are involved as before, and are joined by Chloë Grace Moretz and Selena Gomez, but it’s touch and go as to whether or not this will match the first movie’s mix of out-there physical humour and homespun values.

43) X-Men: Apocalypse – Oscar Isaac is the big bad villain, but there’s no room for Hugh Jackman, Patrick Stewart or Ian McKellen in Bryan Singer’s latest mutant epic, the final part of the trilogy that began with X-Men: First Class (2011). While the plot is being kept under wraps, there’s still enough anticipation surrounding the project that in some respects, it’ll be a box office success whatever happens.

X-Men Apocalypse

44) Warcraft – Duncan Jones’ adaptation of the ultra-cool video game has been avidly waited for for years. Early footage suggests this will be one of the most visually arresting movies of 2016, while the cast, led by Vikings star Travis Fimmel, all seem chosen for their intensity and commitment. It will all come down to the story (as usual with video games adaptations), but Jones is an intelligent, inspired director, and this could be his best movie yet.

45) Hail, Caesar! – The cast of 2016 – including Channing Tatum, George Clooney, Ralph Fiennes, Tilda Swinton and Dolph Lundgren – assemble to help Joel and Ethan Coen tell the story of a Hollywood fixer in the 1950’s who spends all his time keeping the stars in line, and out of trouble. It promises to be a wonderfully carefree, spirited movie that revels in its time and place, and should be chock-full of the Coens wicked way with dialogue and farcical situations.

46) Moana – Disney have two animated movies on release in 2016 – the other is Zootropolis – but this already has set tongues wagging thanks to how beautiful it looks. Dwayne Johnson heads the voice cast in this tale of a young woman, the daughter of a tribal chief, who uses her navigational skills to find the fabled island that will help her family in their time of need, and which features demigods and creatures taken from “real” mythology.

47) Hacksaw Ridge – A biopic that could well feature prominently come Oscar-time, Mel Gibson’s latest movie as director tells the story of Desmond T. Doss, a World War II army medic who served during the Battle of Okinawa but refused to kill anyone, and who became the first conscientious objector to win the Congressional Medal of Honor. Andrew Garfield is Doss, while Vince Vaughn and Sam Worthington provide solid support, but all eyes will be on Gibson, stepping behind the camera for the first time since Apocalypto (2006).

48) Allegiant – The third movie in the Divergent series takes Tris et al. outside the wall and introduces the Bureau of Genetic Welfare. With the first two movies having established a very specific world and its denizens, it’s now time to explore the bigger picture, and find out just what did happen all those years before. Shailene Woodley heads the cast again, and Robert Schwentke resumes director duties, while fans will be waiting to see if this entry has as much jettisoned from the source novel as the previous instalment did.

49) Batman v Superman: Dawn of Justice – The first trailer’s release had DC fans jumping for joy at seeing their favourite heroes battling it out, but it also showed evidence of the kind of city-wide destruction that has become predictable and boring in recent DC (and Marvel) outings, so while its commercial success seems assured, it’s likely it won’t do so well with the critics. But Ben Affleck looks like a good choice for Batman, while Henry Cavill still looks like a stuffed shirt in a lycra bodysuit, a description that should never apply to someone who’s playing Superman.

Batman v Superman

50) Knights of the Roundtable: King Arthur – Guy Ritchie’s take on the Arthurian legend will no doubt involve a lot of editing wizardry, a heavily saturated colour scheme, and fight scenes that reference more modern styles of combat, but however it looks, it should certainly feel fresh and exciting. The plot, like many others, is being kept under wraps, but with minor characters such as Brothel Punter, Low-Rent Villager, Dan Clan Pikey, and Towel Boy 2 making probably fleeting appearances, what can be certain is that there’ll be humour in amongst the carefully choreographed action, as well as David Beckham in his second screen role (hands up those who missed him in The Man from U.N.C.L.E.?)

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50 Movies to Look Forward to in 2016 – Part 1

20 Sunday Sep 2015

Posted by dullwood68 in Movies

≈ 1 Comment

Tags

2016, New movies, Previews

2016

Yes, it’s already that time again when we look ahead to some of the movies coming our way in 2016. You might notice a slight bias towards superhero movies, but that’s not my bias, it’s the studios, all of whom seem to feel there’s a lot of life in the old genre yet. That remains to be seen, of course, but there are plenty of other movies worthy of our attention next year, and here are the first twenty-five out of fifty. See how many you’re looking forward to.

1) Alice Through the Looking Glass – The storyline is being kept under wraps for now, but what we do know is that most of the cast from Alice in Wonderland are back, although James Bobin is sitting in the director’s chair instead of Tim Burton (who’s now only a producer). Magical, fantastical, charming – if it’s any of these things then there’s a good chance it’ll be as successful at the box office as its predecessor.

2) The Magnificent Seven – One of many remakes for 2016, Antoine Fuqua’s take on the classic Western (itself based on Kurosawa’s Seven Samurai) features a great cast as the titular mercenaries for hire – including Denzel Washington, Ethan Hawke and Chris Pratt – and promises to be as compelling and authoritative as John Sturges’ 1960 version. Let’s hope that John Lee Hancock and Nic Pizzolatto’s screenplay is up to the task.

3) Snowden – Oliver Stone makes a welcome return to the big screen with another confrontational look at the state of US politics, and the shady secrets America’s government would rather we didn’t know about. With CITIZENFOUR (2014) already acting as a primer for audiences interested in Edward Snowden’s whistleblowing exploits, it’ll be interesting to see if Stone can bring his usual outrage and savage condemnation of political hypocrisy to the table without it being watered down.

Snowden

4) Doctor Strange – Marvel introduce yet another of their vast stable of superheroes, with actor of the moment Benedict Cumberbatch assuming the mantle of Earth’s Sorcerer Supreme. Expect spells and other dimensions and supernatural threats tempered with knowing humour, and a nod to the wider Marvel Cinematic Universe popping up (probably) after the end credits.

5) Ghostbusters – They’re back, only this time they’re all female! This gender variation on the classic Eighties comedy has all the potential to be as funny as the original and just as successful at the box office. With Paul Feig ensuring things go bump in the night, and a role for Bill Murray (though not as Peter Venkman), the only important box left to be ticked is the theme song. Now, who they gonna call?

6) The Secret Life of Pets – The trailer is fantastic, and features some of the cleverest animal-related jokes that Illumination Entertainment can come up with. Without a Minion in sight, can this do as well as expected? Let’s hope so, because if the Internet has taught us anything, it’s that seeing animals getting into trouble when they think we’re not looking is often the funniest thing ever.

Secret Life of Pets, The

7) The Girl on the Train – Paula Hawkins’ impressive novel is given the big screen treatment with a screenplay by Erin Cressida Wilson, whose previous work includes Fur: An Imaginary Portrait of Diane Arbus (2006) and Chloe (2009). With Emily Blunt taking on the central character who becomes embroiled in the mysterious disappearance of a woman she doesn’t know, only the choice of Tate Taylor as director is any cause for concern.

8) Zoolander 2 – Long-awaited sequel finally arrives and finds male supermodel Derek Zealander still as vain (and stupid) as he’s always been. With a strong supporting cast including Owen Wilson, Will Ferrell and Penélope Cruz, director and star Ben Stiller appears to have retained the comic energy that made the original such a good movie, and throws in a few cameos to keep the audience on their toes.

9) The Bad Batch – Ana Lily Amirpour follows up The Girl Who Walked Home Alone at Night (2014) with another nightmarish fantasy that focuses on a love story set in a community of cannibals living in a Texas wasteland. However this turns out, Amirpour is a clever, talented director with a fascinating visual style, and a unique way of looking at the world. With luck we’ll get something bizarre, quirky, strange and amazing.

10) Independence Day: Resurgence – Twenty years after the world successfully fought off an alien invasion, they’re back, and more destructive than before. Director Roland Emmerich assembles several members of the original cast (including, surprisingly, Brent Spiner), but has to rely on Liam Hemsworth to fill Will Smith’s shoes (and is that really fair?). Expect devastation on a global scale once more, but how much will have been done with scale models?

Independence Day Resurgence

11) Deadpool – After his less than thrilling introduction in X-Men Origins: Wolverine (2009), the self-styled Merc With a Mouth gets his own movie, and is portrayed by big fan Ryan Reynolds. The anarchic humour and intense violence associated with the character is firmly on display in the trailer, and Reynolds seems to have nailed the character’s mix of arrogance and charm, and if the storyline’s right then we can say hello to another superhero franchise.

Deadpool

12) The Light Between Oceans – A beautifully written novel is hopefully translated into a beautifully made movie, as Derek Cianfrance adapts and directs this tale of a lighthouse keeper and his wife – the ever-reliable Alicia Vikander and Michael Fassbender – who raise a baby they rescue from a drifting rowboat. Set off the coast of Western Australia, this has all the potential of being an awards winner down the line, and an audience favourite.

13) The Great Wall – The latest from Yimou Zhang – Raise the Red Lantern (1991), House of Flying Daggers (2004) – is a mystery centred around the construction of China’s Great Wall. With a cast that includes Willem Dafoe, Matt Damon and Andy Lau, this may be one of Yimou’s more mainstream movies, but there’s no doubting it will be spectacular to see as well.

14) Nocturnal Animals – Adapted from Austin Wright’s novel of the same name, Tom Ford’s second movie after A Single Man (2009) is a tale within a tale that sees a woman sent a manuscript by her ex-husband whom she left twenty years before. He wants her opinion on the manuscript, and as she reads it, she’s forced to confront a number of dark truth about herself. Amy Adams is the lucky woman, and the cast also includes Jake Gyllenhaal, Michael Shannon and Armie Hammer. This could be one of the most fascinating, and stylish, dramas of 2016.

15) Fantastic Beasts and Where to Find Them – The J.K. Rowling bandwagon carries on rolling along with this adaptation of her companion book to the Harry Potter series. Focusing on the adventures of writer Newt Scamander (Eddie Redmayne) as he navigates the secret world of New York’s wizards and witches, a chance to relive the magic of the world of young Mr Potter may not be as successful as the eight-movie series, but will be a welcome contribution to the year’s releases.

16) The Huntsman – A prequel to Snow White and the Huntsman (2012), this promises to be an origin story for the Huntsman character to come, and a chance to expand the universe that’s already been created, thanks to the inclusion of Emily Blunt as the Snow Queen, Freya. With Charlize Theron and Chris Hemsworth reprising their roles, and directing duties handed over to Cedric Nicolas-Troyan (who worked as a second unit director on the first movie), this could go either way, but should still remain an entertaining fantasy.

17) Clerks III – The final part of the trilogy that began back in 1994, this sees Kevin Smith return to his roots as a movie-maker, and reunites the original cast plus Rosario Dawson from Clerks II (2006). Fans expecting scabrous dialogue and enough witty banter to sink a battleship are unlikely to be disappointed, and they should thank their lucky stars that Tusk (2014) was as successful as it was, because without that success, this probably wouldn’t have been made.

Clerks III

18) The Adventures of Tintin: Red Rackham’s Treasure – Now that he’s able to leave Middle Earth behind and concentrate on something else, it’s Peter Jackson’s turn to make a Tintin movie, and the second of the planned trilogy. With this being two firsts for the director – first animated feature, first movie where the screenplay hasn’t been written by him – and with Steven Spielberg’s entry receiving a lukewarm response from critics and audiences alike, Jackson has his work cut out for him. But if anyone can maximise mo-cap animation to its full potential then it’s Jackson.

19) USS Indianapolis: Men of Courage – The true story of the sinking of the US warship Indianapolis in the Philippine Sea during World War II, and the five days the survivors spent waiting for help, was memorably recounted by Robert Shaw in Jaws (1975). Hopefully this will be as emotive and heart-stopping as the circumstances require, and even though Nicolas Cage is the star, here’s hoping his recent track record is sidelined on this occasion.

20) Captain America: Civil War – Already hyped to the stars and back because of the likely inclusion of a certain web-slinger, Chris Evans’ fourth outing as Steve Rogers (five if you include his cameo in Thor: The Dark World) ups the stakes considerably as superheroes takes sides against each other. With pretty much everyone involved except the Hulk and Thor, this could crumble under the weight of trying to tell too many individual stories all at once, but one thing’s for certain: it won’t skimp on the spectacle.

21) Kung Fu Panda 3 – The continuing adventures of unlikely kung fu warrior Po (voiced again by Jack Black) sees our rotund hero on the verge of meeting his real father, and discovering there’s an imminent supernatural threat to everyone’s safety, a threat only he and the Famous Five can defeat. The usual cast return, augmented by Bryan Cranston as Po’s real father, and there’s a sense that the stakes have been upped to provide a more exciting visual experience.

Kung Fu Panda 3

22) Star Trek Beyond – The third in the rebooted series is currently shrouded in secrecy, the makers perhaps having learned their lesson after Star Trek Into Darkness (2013) and the difficulty in keeping some cast members from blabbing various facts about the plot. So far, everything is under wraps, but if the template established by J.J. Abrams is followed, then this will still be a mission to remember, and should translate into box office gold.

23) Imperium – Daniel Radcliffe is the FBI agent tasked with infiltrating a group of white supremacists who plan to build – and use – a dirty bomb. Based on a true story, and giving Radcliffe one of his meatiest roles to date, this should be scary and fascinating all at the same time, while also examining issues of trust, fatalism and homegrown revolution.

24) Ben-Hur – Lew Wallace’s love letter to the early days of Christianity gets its fifth screen outing with Jack Huston and Timur Bekmambetov stepping into the particular shoes of Charlton Heston and William Wyler respectively. As ever, all eyes will be on the chariot race (and any riders wearing wrist watches), while it will be interesting to see if Wallace’s religious beliefs translate well with today’s audiences.

25) Rogue One: A Star Wars Story – Just for those Star Wars fans who can’t wait until 2017 for Episode VIII, Disney has come up with this semi-prequel set between Episode III and Episode IV. Details are as sketchy as you’d expect but the cast does include Ben Mendelsohn and Felicity Jones, and the prospect of Darth Vader making an appearance has already had fans practically creaming their Millennium Falcon-patterned underwear.

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