And… we’re back! Here’s the second batch of movies that may or may not have us jumping for joy at having seen them in 2017. There’s a pleasing mix of genres, some movies have really great casts, and some that may go on to win copious awards. Whatever happens these are all – at this moment in time – movies that are capable of finding a place in our hearts and in our Top 10 lists for the year – or maybe not. We’ll just have to wait and see.

26 – Hidden Figures – The tagline is clever – “Meet the women you don’t know, behind the mission you do.” – and perfectly sums up the true story of the African-American women who were pivotal in ensuring that NASA were able to launch their space programme in the Sixties. It’s one of those inspiring true life tales that will no doubt pick up some Oscar buzz, but with a cast that includes Octavia Spencer, Taraji P. Henson, Kevin Costner and Mahershala Ali, this should be a fascinating look behind the scenes of an equally fascinating period in NASA’s history.

27 – Valerian and the City of a Thousand Planets – Luc Besson has wanted to make this adaptation of the French comic series by Pierre Cristin and Jean-Claude Mézières for a very long time. With Dane DeHaan in the title role, and the city in question providing a home to thousands of different species from across the universe, this could well be a riotous, visually spectacular movie replete with Besson’s quirky humour and operatic leanings. Like so many other movies in this list, there’s a great cast that includes Cara Delevingne, John Goodman, Clive Owen and Rihanna, and at €197 million, it’s also the most expensive French movie ever made.

28 – Despicable Me 3 – Steve Carell has stated that this will be his last feature outing as the not-quite-so-villainous Gru. If so, then it’ll be a shame as Carell’s vocal performance has been one of the series’ several high spots. Perhaps knowing this, the producers and writers have come up with a storyline that gives Carell twice as much to do as he plays both Gru and his long-lost brother Dru. Add to the mix the inclusion of Trey Parker as definitely villainous Balthazar Bratt, alongside the usual madcap humour of the Minions, and you have a second sequel that might just be better than expected.

29 – Tully – An original screenplay by Diablo Cody is brought to the screen by Jason Reitman for the third time – after Juno (2007) and Young Adult (2011) – and reteams them with Charlize Theron in a tale of a single mother with three kids who’s “gifted” a night nanny (the Tully of the title and played by Mackenzie Davis) by her brother. If Cody’s script is sharper than some of her more recent efforts then this could be a winning combination of comedy and drama that tugs at the heartstrings while also keeping audiences highly amused.

30 – Untitled Darren Aronofsky Project – This isn’t due for release until the very end of 2017, and Aronofsky is keeping details about his latest movie very close to his chest, but what we do know is that it features Michelle Pfeiffer, Ed Harris, Javier Bardem and Jennifer Lawrence, and concerns a couple whose relationship is put to the test by some uninvited guests. With extensive special effects still to be completed, just how the couple’s relationship is tested is an intriguing question, but in Aronofsky’s hands this is unlikely to be a standard home invasion thriller.

31 – The Dark Tower – Stephen King’s sprawling eight-volume tale set in Mid-World concerns the pursuit of a mysterious Man in Black (Matthew McConaughey) by an equally mysterious Gunslinger (Idris Elba). An adaptation has been on the cards in various forms since 2007, but this production has been somewhat rushed, which may not prove to be a good thing. Still it’s highly anticipated by fans, and the main casting shows a willingness on the producers’ part to add some weight to proceedings, but it will be the strength of the adaptation that will decide if this succeeds or fails.

32 – Dunkirk – The latest from Christopher Nolan recounts the evacuation of British, Canadian, French and Belgian troops from the beaches of Dunkerque in Northern France, and in the midst of an intense onslaught from surrounding German forces. This promises to be suitably epic, but whether Nolan has opted for Saving Private Ryan-style realism, or something a little less hard-hitting remains to be seen, but what will need to be seen is the movie in its IMAX 65mm format, which should make the movie look as spectacular as Nolan is probably intending.

33 – Baby Driver – Having departed from Ant-Man (2015), director Edgar Wright moved on to this comedy-action-thriller about a getaway driver (Ansel Elgort) who works for various bank robbers and finds himself in deep trouble when a heist goes badly wrong. Wright directs his own script so expect the humour to be spot on, and he’s assembled a great cast that includes Kevin Spacey, Jamie Foxx and Lily James. However it all turns out, one thing is for sure: it’ll look and sound completely different from any other movie out there.

34 – A Cure for Wellness – If you’ve already seen the first trailer for Gore Verbinski’s first movie since The Lone Ranger (2013), then you’ll know that A Cure for Wellness is likely to be the most visually arresting movie of 2017. With a succession of stunning visuals allied to the mystery of a “wellness centre” located high in the Swiss Alps that is definitely not all that it seems, Verbinski has created a psychological mindbender of a movie that is likely to draw audiences in and then pull the rug out from under them – and not just the once.

35 – Murder on the Orient Express – It could be argued that we don’t exactly need another version of one of Agatha Christie’s most famous stories, but with Kenneth Branagh directing and starring as Hercule Poirot, and surprisingly, with Johnny Depp as the murder victim, there’s a good possibility that it will transcend the more “stage-bound” versions we’ve seen before. A mixed supporting cast that includes Judi Dench and Daisy Ridley should lend some gravitas to proceedings, all of which leaves one last question to be asked: will Branagh lean towards Peter Ustinov or David Suchet in his interpretation of the Belgian detective, or will he find his own approach to the sleuth?

36 – How to Talk to Girls at Parties – From the title you might be expecting another teen comedy about lustful boys chasing beautiful girls, but while Neil Gaiman’s original short story starts off very much like that, where it takes you from there is another matter entirely. John Cameron Mitchell adapts and directs which should ensure that this will be one of the more interesting movies of 2017, and he’s supported by the likes of Nicole Kidman, Elle Fanning and Matt Lucas.

37 – Downsizing – If your life is getting you, well, down, what if you had the chance to be shrunk to a much smaller size and lead a better life; would you take the opportunity? That’s the question inherent in the latest from Alexander Payne, which sees Matt Damon and Kristen Wiig as the couple granted such an opportunity, only for her to back out at the last moment and leave Damon stranded as 2017’s version of The Incredible Shrinking Man (1957). Payne has been working on this project for some time, so expect his trademark wry humour and heartfelt drama to shine through, and provide one of the more affecting movies of the coming year.

38 – Hostiles – A Western drama that sees Christian Bale’s army captain reluctantly escort a Cheyenne chief (Wes Studi) and his family through dangerous territory, Hostiles could well be a dark, brooding affair touching on racist attitudes and the concept of self-determinism in amongst more familiar Western staples (which would be good), but if it isn’t then a good old-fashioned oater with lots of gunfights, Indian attacks and galloping about on horseback will do just fine.

39 – Andorra – Veteran director Fred Schepisi returns with an adaptation of the novel by Peter Cameron, about a man, Alexander Fox (played by Clive Owen), who leaves the US and settles in Andorra, only to find himself the prime suspect in a murder case. With Toni Collette and Gillian Anderson as the two women he finds himself involved with, it remains to be seen if Schepisi and Cameron (adapting his own novel) have retained the disturbing eeriness of the novel, and the country’s reimagining as one with a coastline and several other differences.

40 – John Wick: Chapter 2 – John Wick was both a pleasant surprise and something of a comeback for Keanu Reeves, and it may need to be again as Reeves has returned to making sub-standard DTV movies as the main part of his “day job”. With Reeves back again, along with directors Chad Stahelski and David Leitch and writer Derek Kolstad, the action is relocated to Rome as Wick agrees to combat a former associate with plans to seize control of the assassins’ guild both belong to. Expect plenty of gunplay, gratuitous headshots, and bone-cracking fight scenes as Reeves does what he does best: play a focused, hell-bent killing machine.

41 – An Interview With God – Questions of faith and belief are challenged when a young journalist (Brenton Thwaites) finds himself interviewing a mysterious man who claims to be God (David Strathairn). Quite how much of this will be a two-hander remains to be seen but there’s something to be said for a drama where God may just be in the room, and can be asked anything at all. This puts much of the pressure on Ken Aguado’s script, but if he’s been careful and thought things through, then this could be a movie that gets people talking about faith for all the right reasons.

42 – Wonder – It’s Jacob Tremblay again, grabbing all the good pre-teen roles before it’s too late, and playing Auggie Pullman, a young boy with a facial deformity that has all sorts of effects on the children at the school he goes to. This adaptation of the novel by R.J. Palacio features Julia Roberts and Owen Wilson as Auggie’s parents, and sounds like the kind of feelgood, triumph-over-adversity movie that awards are made for. But Palacio’s novel isn’t as easily transferable to the screen as some might think, so director Stephen Chbosky and co-screenwriters Steve Conrad and Jack Thorne have their work cut out for them.

43 – Submergence – Another literary adaptation, this time from the novel by J.M. Ledgard, this sees Alicia Vikander and James McAvoy as separated lovers who look back over their time together while both deal with different kinds of confinement: he in a windowless room at the mercy of jihadists, she in a submersible heading for the bottom of the Greenland Sea. A heavyweight romantic drama then, and the latest from Wim Wenders, this may not set the box office alight, but it has the potential to pick up awards by the bucket load.

44 – Logan Lucky – In Hollywood, even in the independent sector, retirement is usually just a word bandied about by writers, directors and actors when they feel they’ve done enough and can sit back and relax. Steven Soderbergh hasn’t exactly relaxed since Behind the Candelabra (2013), but this is his first feature since then, and it’s good to know he’s back. Telling the tale of two brothers (Channing Tatum, Adam Driver) who decide to pull off a robbery during a NASCAR race, this should be a clever comedy where nothing goes right for the brothers, and everything goes wrong.

45 – Annihilation – Following on from the success of Ex Machina (2015), writer/director Alex Garland continues with another sci-fi drama, this time an adaptation of the first novel in Jeff VanderMeer’s Southern Reach trilogy. Telling the story of an expedition to the mysterious Area X, and what happened to several previous expeditions, the movie has attracted a great cast that includes Natalie Portman, Oscar Isaac and Jennifer Jason Leigh, and if Garland is on form, should be the year’s most thought-provoking sci-fi movie.

46 – Untitled Paul Thomas Anderson Fashion Project – Details are scarce at this point in time, but what we do know is that Anderson’s latest movie is set in the London fashion world of the 1950’s and features Daniel Day-Lewis. Just the fact that Anderson and Day-Lewis are reuniting on this project is enough for now, but whatever the movie is about, it’s sure to be an intense, mesmerising drama that grabs the attention and doesn’t let go, and should include another (potentially) award-winning performance from Day-Lewis.

47 – The Kidnapping of Edgardo Mortara – After going all family-friendly with The BFG (2016), Steven Spielberg returns to the arena of historical drama with this true story about a young Jewish boy in Italy in 1858 who was secretly baptised and then abducted by the Papal States and trained to become a priest. A massive political and religious scandal in its day, Spielberg is working from a script by Tony Kushner, and reuniting for the fourth time in as many movies with Mark Rylance, who plays Pope Pius IX.

48 – Kingsman: The Golden Circle – An inevitable sequel for the surprise hit of 2014, this sees Matthew Vaughn returning to the director’s chair, while he and Jane Goldman collaborate on the script. Also returning are Taron Egerton, Mark Strong, Sophie Cookson, and surprisingly, Colin Firth, whose character was killed off in the first movie… or was he? This time round the Kingsmen have to team up with their US rivals the Statesmen, when their headquarters is attacked. Expect lots of action, lots of comedy, and lots of sharply tailored suits, as well as a cameo from Elton John.

49 – Untitled Woody Allen Project – With his recent movies pointing towards a kind of late-career renaissance, Woody Allen keeps things moving with this drama set in 1950’s New York. With the likes of Kate Winslet, Juno Temple and Justin Timberlake on board, there’s little doubt that whatever Allen has come up with story-wise, the movie should be further proof that late-career Allen is more than a match for most everyone else.

50 – God Particle – A sci-fi movie involving a team of astronauts who find themselves completely alone aboard a space station when the Earth disappears, this has yet another great cast – Chris O’Dowd, Gugu Mbatha-Raw, David Oyelowo, and Ziyi Zhang amongst others – and if Internet gossip/predictions are to be believed, is the third movie in the unofficial Cloverfield trilogy. Whether that’s true or not, the idea of the Earth vanishing is potent enough, and the involvement of J.J. Abrams as producer should help bring audiences into cinemas. Let’s just hope the ending isn’t as awkwardly tacked on as the one in 10 Cloverfield Lane (2016).

Is it really that time again, to look ahead to the coming year and hope against all previous experience that things will get better, that Hollywood will launch itself wholeheartedly into making original, entertaining, thought-provoking movies that aren’t creatively moribund? Well, yes it is, but in the spirit of recent changes on thedullwoodexperiment the movies highlighted here and in Part 2 won’t feature very many of the tentpole movies that will be hyped to death between now and their release next year, because, well, that’s what everyone else will be doing. So, here’s the first batch of contenders looking to conquer our hearts and minds in 2017. How many will you see, and how many will become new favourites?

1) Loving Vincent – A project that has literally taken years to accomplish (more than it takes Pixar or Dreamworks to produce one of their movies), Loving Vincent is the world’s first painted animation feature. It also incorporates traditional 2D animation and rotoscoping into its visual structure, and features the voice talents of Saoirse Ronan, Chris O’Dowd and Aidan Turner amongst others. The Vincent in question is Van Gogh, and the movie explores the mysteries surrounding his life and death, and will do so in a way that promises to expand the possibilities of animation in a whole new, breathtaking way.

2) Granite Mountain – In June 2013, a wildfire ignited south of Prescott, Arizona that would later claim the lives of nineteen firemen as they fought to bring the blaze under control. The men were members of the Granite Mountain Hotshots, and Joseph Kosinski’s tribute to them and their valiant efforts has attracted a stellar cast that includes Josh Brolin, Miles Teller, Jennifer Connelly, James Badge Dale, and the ever-reliable Jeff Bridges.

3) The Death and Life of John F. Donovan – Xavier Dolan directs a hopefully compelling drama that examines the consequences and moral contradictions that arise when a movie star, John F. Donovan (played by Kit Harington) is revealed to have corresponded with a child actor (who’s eleven). Assumptions are made, and Donovan’s career and reputation are put at risk. Natalie Portman, Susan Sarandon and Jessica Chastain round out the cast, and for the eagle-eyed. there’s a cameo from Adele.

4) Tulip Fever – A project that was filmed in 2014 and has sat on the shelf since then doesn’t sound like a movie with much to recommend it, but Justin Chadwick’s adaptation of Deborah Moggach’s novel of 17th Century romance and drama amongst the art scene in Amsterdam, and based on a script by Tom Stoppard no less, doesn’t have to mean it’s a turkey ready-basted for the oven. It also features an eclectic cast that includes Zach Galifianakis, Alicia Vikander, Jack O’Connell, Christoph Waltz, and Judi Dench, but however it turns out, this should be interesting to watch if nothing else.

5) The Coldest City – Based on the graphic novel by Antony Johnston, The Coldest City sees James McAvoy’s undercover MI6 agent sent to Berlin during the Cold War to recover a list of double agents that’s gone missing while also investigating the death of a fellow agent. It’s highly likely that the two things will be connected, but with the likes of Toby Jones, Charlize Theron and John Goodman to help muddy the waters, it’s also likely that McAvoy’s character will be fighting for his own life before the movie’s over.

6) The Circle – Originally due to hit our screens this year, James Ponsoldt’s adaptation of the novel by Dave Eggers features Emma Watson as a young woman who lands a job at a powerful tech company and finds herself involved in a wide-ranging conspiracy that could hasten the way in which surveillance technology erodes personal privacy. With Tom Hanks as a mysterious colleague whose loyalties Watson’s character can’t be completely certain of, this has the potential to be a whip-smart thriller, and quite timely as well.

7) War for the Planet of the Apes – Very little is known about this third entry in the new Apes franchise, but the good news is that Andy Serkis is back as Caesar, and Woody Harrelson is on board as the movie’s chief villain. Whether or not the title means there’ll be more action this time round remains to be seen, but as long as the dramatic threads of Rise… and Dawn… are maintained, then there’s no reason to expect anything but another intelligently handled entry in a series that’s been a surprise success from day one.

8) T2: Trainspotting – A sequel that many, many people have been waiting for, the awkwardly titled T2: Trainspotting reaches us with Danny Boyle returning to the helm, and reunited with the original cast (less Kevin McKidd). Based on Irvine Welsh’s novel, Porno, this promises to be as scabrous and deliciously crude as its predecessor, and if the tone is right, could be one of the more deliberately unapologetic movies released in 2017.

9) Yeh Din Ka Kissa – It’s an indie movie with a classic indie set up: an estranged family gathers for an event to celebrate the father’s work. What long-lasting emotional traumas will be brought up, and which long-buried secrets will be disinterred? Only writer/director Noah Baumbach knows, but with the likes of Adam Sandler, Ben Stiller, Dustin Hoffman and Emma Thompson taking part, Yeh Din Ka Kissa has all the potential to be a must-see dramedy.

10) The Shape of Water – Guillermo del Toro returns after the disappointment of Crimson Peak with this eerie fantasy set against the backdrop of the Sixties and the Cold War between Russia and America. Sally Hawkins is the janitor working in a lab where a mysterious “amphibious man” is being held. Cue elements of romance, danger, and (no doubt some) horror as Hawkins’ character decides that the “amphibious man” should be freed. Del Toro seems to be walking a bit of a tightrope in achieving the necessary credibility for his tale, but it’s a project he’s been working on for some time, so let’s give him the benefit of the doubt.

11) Molly’s Game – The directorial debut of Aaron Sorkin, this adaptation by the man himself of Molly Bloom’s memoir, features the ubiquitous Jessica Chastain as the writer who set up and ran an international high stakes poker game, and became the subject of an FBI investigation. Expect a screenplay liberally strewn with Sorkin’s trademark intelligent dialogue, and a close examination of a world that few people get to experience.

12) Battle of the Sexes – It’s true story time as husband and wife directing team Jonathan Dayton and Valerie Faris take on the media circus that surrounded the 1973 tennis match between World No. 1 Billie Jean King (played by Emma Stone) and ex-champ Bobby Riggs (a well-chosen Steve Carell). It’s an event that cries out for comedic treatment, and hopefully the true absurdity of both the reasons for the match and the eventual game itself will be highlighted in such a way that audiences unfamiliar with it all will be wondering, How on earth?

13) Same Kind of Different As Me – A story that focuses on faith and how much it can transform a person’s life, Same Kind of Different As Me features Greg Kinnear as an art dealer whose relationship with a dangerous homeless man (played by Djimon Hounsou) could be the key to saving his marriage. With Renée Zellweger as the wife, and supporting roles for Jon Voight and Olivia Holt, this drama may not attract a wide audience, but it does appear to have enough going for it to be a strong alternative to the usual mainstream fare.

14) Guardians of the Galaxy Vol. 2 – James Gunn and crew return with a sequel that, if handled properly (and there’s no reason to suspect otherwise), will prove to be just as energetic and enjoyable as its predecessor. There will be other superhero movies released in 2017 – inevitably – but it’s this that has the best chance of rising above its competitors and showing them how superhero movies should be made (and yes, that means you, Warner Bros.).

15) Weightless – Set against the music scene in Austin, Texas, this could be veteran director Terrence Malick’s Nashville, but it’s just as likely that he’ll give us yet another elliptical, narrative-lite exploration of a character’s angst-ridden ennui that’s driven by their inability to connect with the people around them. As usual, Malick has assembled an amazing cast that includes Michael Fassbender, Christian Bale, Ryan Gosling, Cate Blanchett, Benicio Del Toro, and Natalie Portman, but while his recent, prolific output is to be welcomed, let’s hope this outing has more of a story than some recent releases.

16) The Book of Henry – Naomi Watts is the mother of a child genius (played by child star du jour Jacob Tremblay), who learns that something terrible is happening in the house next door, and that her son is not only aware of it, but has come up with a plan to deal with it and put things right. But her decision to put her son’s plan into action (inevitably) doesn’t go as planned. Directed by Colin Trevorrow from a script by Gregg Hurwitz, this could be a dark horse in the thriller stakes.

17) Shock and Awe – Ostensibly a drama that hopefully sees a return to form for director Rob Reiner, the title refers to the term used by George Bush to allude to the US Army’s approach to the invasion of Iraq in 2003. But the movie itself concerns a group of journalists who begin to doubt the President’s claim that Saddam Hussein has weapons of mass destruction, and that the War in Iraq is as legitimate as he claims. Reiner’s assembled another great cast, including Woody Harrelson, Milla Jovovich, Alec Baldwin, and Tommy Lee Jones, and if the script points up the irregularities and misinformation the US government fed to the media, then this could be as pertinent a look at government perfidy now as it was then.

18) The Zookeeper’s Wife – Another true story, another Jessica Chastain movie, this sees her play Antonina Zabinski, who with her husband, Jan, was a keeper at the Warsaw Zoo during World War II. Determined to save as many of the zoo animals, and people, as she could, Antonina took tremendous risks in avoiding detection and capture by the Nazis, and in the hands of Niki Caro, this has all the potential of being a gripping thriller about personal courage against tremendous odds.

19) American Made – It’s had its fair share of problems – two wrongful death lawsuits so far – and the concept: a pilot working for the CIA also works for a cartel running drugs, has potential at least, but American Made‘s success will hinge entirely on two men: director Doug Liman and star Tom Cruise. It’s a great combination, and should result in an action thriller that provides jaded action junkies with enough adrenaline-fuelled sequences to keep a perma-smile on their faces, but it’s the story that really needs to be solid if it’s all going to work properly.

20) The LEGO Batman Movie – The movie that’s most likely to be the best DC superhero movie released in 2017, The Lego Batman Movie sees the brick-solid Caped Crusader (once again voiced by Will Arnett) battling a horde of enemies including the Joker (Zach Galifianakis) and Harley Quinn (Jenny Slate), while also trying to raise his adopted son Dick Grayson (Michael Cera). This will be cool, funny, action-packed, and in a weird not-weird way, able to make grown men – okay, fanboys – cry.

21) Bright – This is one of the more out there movies coming out in 2017, as David Ayer directs a script by Max Landis that references a world where fantasy characters such as elves and orcs have become integrated into human society and everyone gets along. It gets generic though as Will Smith’s LAPD cop is assigned an Orc partner, and while details are being kept under wraps, it’s likely that they’ll have to investigate a murder, or a case of corruption, that ultimately leads to a behind the scenes villain who hates the status quo. But Landis has promised the action will be incredible, and Ayer is no slouch in that department, so we’ll just have to wait and see just how batshit crazy it all is.

22) Jungle – “If you go down to the jungle today…” – it’s bound to end badly. And that’s the likelihood in a thriller directed by Greg McLean that stars Daniel Radcliffe as one of a group of friends who go trekking through the Bolivian jungle with a guide who isn’t all he says he is. Based on a true story, with Radcliffe playing Yossi Ghinsberg, who ended up lost and alone in said jungle back in 1981, this could well be a nerve-shredding experience, but only if McLean puts the hugely disappointing The Darkness behind him and trusts in the material.

23) My Cousin Rachel – An adaptation of the novel by Daphne Du Maurier (and which was previously filmed in 1952 with Olivia de Havilland and Richard Burton), this romantic drama spiced with intrigue and revenge features Rachel Weisz and Sam Claflin as the cousins whose relationship becomes increasingly more intimate even though he suspects her of murdering his guardian. Roger Michell directs, and sensibly, the period setting is retained, making this a rare historical drama in amongst all the other releases in 2017.

24) Rebel in the Rye – A biopic of renowned, and reclusive, author J.D. Salinger, with Nicholas Hoult taking on the role, this also features Kevin Spacey as Whit Burnett, Salinger’s mentor at Columbia University, Zoey Deutch as Oona O’Neill, who had a short romance with Salinger in the late 40’s, and Sarah Paulson as Dorothy Olding, who was his agent. It remains to be seen if Danny Strong’s examination of Salinger’s life will reveal anything new about the writer, but he’s an intriguing character, and one worth taking a closer look at.

25) Beauty and the Beast – With the success of Jon Favreau’s The Jungle Book, Disney adds another live-action adaptation of one of their animated classics to the roster. Emma Watson is Belle, Dan Stevens is the Beast, while the likes of Ewan McGregor, Ian McKellen, Emma Thompson and Stanley Tucci put flesh on the “bones” of all those ornaments and dinnerware we’ve come to know and love. But as with The Jungle Book, it remains to be seen just how many of the original animated classic’s wonderful songs will be kept in place.